Coming summer 2017!
Stay tuned to Marvel.com for more details on Generations, coming summer 2017!
Stay tuned to Marvel.com for more details on Generations, coming summer 2017!
For over 50 years, Spider-Man has been a sensational standout in the Marvel Universe and the web-slinger will swing onto the silver screen once again in Marvel Studios’ “Avengers: Infinity War” this May! In celebration of his memorable history, we present Spidey’s spectacular step-by-step story…
Earth’s heroes, including a certain wallcrawler, defeated the alien Skrulls in SECRET INVASION #8, but also witnessed the rise of evil Norman Osborn to a position of supreme power in the U.S. Later, Spidey got back to personal business by putting the hammer down on Hammerhead’s gang recruiting in AMAZING SPIDER-MAN #576, and taking down Moses Magnum with the Punisher in AMAZING SPIDER-MAN #577.
When a commuter subway train got stuck in a flooding tunnel in AMAZING SPIDER-MAN #578, the webslinger discovered it to be a scheme by the Shocker to get rid of jurors in AMAZING SPIDER-MAN #579. Back with the Avengers, Spidey helped look for Luke Cage’s baby, who’d been kidnapped by a Skrull, in NEW AVENGERS #48.
After shutting down the Blank in AMAZING SPIDER-MAN #580, our hero moved to protect Harry Osborn from the fiery embrace of the Molten Man in AMAZING SPIDER-MAN #581 and AMAZING SPIDER-MAN #582, as well as muck around with the Man-Thing in SPIDER-MAN: FEAR ITSELF #1. Norman Osborn revealed his new “official” Avengers lineup in NEW AVENGERS #49, including a criminal version of Spider-Man who was in fact the former Scorpion, Mac Gargan. Osborn then sent the Hood and his gang after Spidey’s team in NEW AVENGERS #50, and the webslinger let his fellow heroes in on his secret identity in NEW AVENGERS #51.
Betty Brant tried to play matchmaker for Peter Parker in AMAZING SPIDER-MAN #583, and when the Spider-Tracer Killer struck again in AMAZING SPIDER-MAN #584, Spidey wound up being shot by police, and Carlie Cooper tracked the tracers to Peter’s cop roommate Vin Gonzales. Menace reappeared in AMAZING SPIDER-MAN #585, to beat Spidey to a pulp, and Harry Osborn discovered his girlfriend Lily Hollister’s dark secret when he saw her transforming into Menace in AMAZING SPIDER-MAN #586. Lily explained she’d found one of Harry’s father’s old Goblin labs and accepted his previous marriage proposal just as Carlie reported the police conspiracy against Spider-Man in AMAZING SPIDER-MAN #587, prompting both his and a recently captured wallcrawler’s transfer to Ryker’s Island.
Despite Vin’s involvement in the conspiracy, he and Spidey worked together in AMAZING SPIDER-MAN #588 to escape prison, and when Menace arrived to battle the wallcrawler, Harry swooped in as the Green Goblin to defeat her. Back in the city, Lily’s father won the mayoral election, but because of his daughter’s arrest, he declined the position. After recovering from his ordeals, Spidey investigated the Russian mob and fought the Spot in AMAZING SPIDER-MAN #589, teamed with the Fantastic Four to help out in a civil war in another dimension in AMAZING SPIDER-MAN #590, and also entrusted the famous foursome with his secret identity in AMAZING SPIDER-MAN #591.
Doctor Strange asked the Avengers to help him find Earth’s new Sorcerer Supreme in NEW AVENGERS #52, but when a battle for the Eye of Agamotto broke out in NEW AVENGERS #53 between the team and the Hood, Spidey and his partners discovered Brother Voodoo held the mystical artifact himself. Later, after defeating the Hood in NEW AVENGERS #54, Voodoo became the Sorcerer Supreme.
Spidey decided to make new mayor J. Jonah Jameson angry by swinging through the city 24/7 in AMAZING SPIDER-MAN #592, and faced both Jameson’s new Anti-Spider Squad and the new Vulture in AMAZING SPIDER-MAN #593. Partially blinded by acid vomited up by the winged villain, he nevertheless clipped the Vulture’s pinions in AMAZING SPIDER-MAN #594 and met Vin’s less-than-nice sister Michele. Norman Osborn wanted Harry to join his Avengers and learned of Lily’s pregnancy in AMAZING SPIDER-MAN #595, and Spidey secretly replaced Mac Gargan as “Spider-Man” to keep an eye on Harry at Avengers Tower in and learned of Lily’s pregnancy in AMAZING SPIDER-MAN #596.
Osborn showed off designs for Harry’s “American Son” armor to his team in AMAZING SPIDER-MAN #597, and when Harry realized the wallcrawler’s duplicity he exposed him to his father. In AMAZING SPIDER-MAN #598, Osborn tortured Spidey until the hero made his escape while Harry reeled from the news that Lily’s unborn child came from Norman, not from him. American Son and Iron Patriot duked it out in AMAZING SPIDER-MAN #599, and when Harry refused to kill his father after beating him, Norman disowned him completely.
The real Avengers disagreed with Clint Barton’s desire to kill Osborn in NEW AVENGERS #55, and lost their powers to Chemistro’s chemical assault. Osborn’s Avengers also lost their abilities to the villain in NEW AVENGERS #56, forcing both light and dark teams to stand side-by-side against an army of crooks bent on killing them all. Mockingbird rescued the good guys in NEW AVENGERS #57, but a heart attack for Luke Cage made him side with Osborn to cover his friend’s departure. Osborn arranged for an emergency operation for Cage in NEW AVENGERS #58, leaving the Avengers to explain the situation to Luke’s wife Jessica Jones.
Aunt May married Jameson’s father Jay in AMAZING SPIDER-MAN #600, despite the menace of Doctor Octopus’ octopus bugs. Peter woke up the next morning in AMAZING SPIDER-MAN #601 to discover a fling he’d committed with Michele Gonzales, and in AMAZING SPIDER-MAN #602 took a job with Mayor Jameson, as well as found himself forcibly replaced by the Chameleon. Peter escaped the acid Chameleon dumped him in AMAZING SPIDER-MAN #603, and after dodging the police Mandroids in AMAZING SPIDER-MAN #604 stopped his doppelganger from blowing up Jameson’s secret bunker and becoming the city’s hero again.
Mad about Peter’s “lame” excuses for the Chameleon’s behavior, Michele punched him out in AMAZING SPIDER-MAN #605, and the Black Cat slinked back into the picture to help Spidey battle Diablo in AMAZING SPIDER-MAN #606 and AMAZING SPIDER-MAN #607.
Peter’s clone Kaine dealt with his current dire situation in WEB OF SPIDER-MAN #1, and returned to vex the wallcrawler in AMAZING SPIDER-MAN #608, just as Dr. Damon Ryder accused Peter of being his other clone, Ben Reilly. Kaine needed Ryder to save his life, but the doctor instead threatened to kill “Ben’s” family in AMAZING SPIDER-MAN #609.
By Jess Harold
He put Frank Castle in the War Machine armor for Marvel Legacy — but that was just the start. Now writer Matthew Rosenberg discusses his plans to take the Punisher’s war on crime to the next level in a brand-new series!
Marvel: In the new Punisher series, Frank will no longer have the War Machine armor. Is this, then, a back-to-basics approach?
Matthew Rosenberg: In some ways yes, and in some ways no. We’re going to get back to Frank Castle with a handgun and a knife, stalking the streets of New York, and getting his hands dirty. But we’re also going to see a man who has changed from his time in the armor. He developed a taste for bigger game and larger targets, and he’s not going to give that up easily. So in a sense it’s back to basics — but on a bigger scale.
Marvel: What will Frank have learned from his time with the armor?
Matthew Rosenberg: I think the big thing for the Punisher is the knowledge that he can affect things in a more direct way. We’re going to have seen him travel overseas to overthrow a government and kill a world leader, and then come back home and go toe-to-toe with some of the most powerful people in the Marvel Universe. He’s been able to do real damage, cause real change, in ways he’s not used to. They used to say that when a shark attacked a human they had to be hunted down because once they’d developed a taste for it they’d never stop. That’s Frank. He’s back on the streets, but he has a taste for the bigger game and he isn’t going to stop until he puts them in the ground — or they put him in it.
Marvel: And what have you learned in your time writing Frank? Has he surprised you in any ways?
Matthew Rosenberg: I think the big thing that surprised me about writing the Punisher was the ease with which you can find humor in him and the situations. I know Garth Ennis was a master at this, and others have followed suit. I think Jason Aaron and Becky Cloonan both had some real dark humor hiding just under the surface. But yeah, it’s fascinating. Frank lends himself to these uncomfortable situations where you just can’t help but giggle. There is this disturbing, awkward humor to him that doesn’t diminish the severity or the drama of the story. That’s been fun to explore.
Marvel: Obviously, Frank is not an overly loquacious character like, say, Spidey or Deadpool. He likes to do his talking with guns. What is the secret to capturing his “voice”?
Matthew Rosenberg: Frank is direct and honest. He’s here to kill people, and he doesn’t need to spend a lot of time debating them or telling them why they’re about to die. But I think the thing about Frank that a lot of people miss, because it’s subtle, is his very dry sense of humor. He says a lot of things that are clearly just for his own quiet amusement. He is the ultimate comedic straight man. People think Frank is doom and gloom all the time, but if you dig through you will find these gallows-humor moments that are maybe a sliver of who he once was.
Marvel: What can you tell us about the kind of big game Frank is going to be targeting in his new book?
Matthew Rosenberg: I can’t say too much, but I can say that issue #1 has some of the biggest bad guys in the Marvel Universe pop in. And that Frank still has his eyes on shaping nations these days. The classic Marvel villains are getting savvier. They aren’t thugs and gangsters anymore. They’re becoming mayors and CEOs and kings. But Frank is still coming for them.
Marvel: Frank has a complicated relationship with other vigilantes, such as Spider-Man and Daredevil. Is that something you’ll touch on?
Matthew Rosenberg: Frank and the capes will most definitely be touched upon. More than touched upon. With Secret Empire, the War Machine armor, and what he has coming up, he has made himself something that means they can’t just look the other way. And he knows that. He’s operating in cape spaces these days, and he knows that puts a target on his back. But he also knows he’s willing to do what they won’t — and that gives him an advantage over the capes on most days.
Marvel: You have Riccardo Burchielli on art. He hasn’t done a lot at Marvel before, but he certainly knows his way around military combat, following a lengthy run on DMZ. Are Frank Castle fans going to like what he brings to the party?
Matthew Rosenberg: I am so excited to work with Riccardo. I am a huge DMZ fan, and his work on that book is really unparalleled. The sense of detail he brings to a city, to a war zone — and to the people in both — is breathtaking. I think those who aren’t familiar with his work are going to be absolutely shocked. There is just this sense of the world he conveys, this realism, that is so captivating. You can feel the buildings rise up around you and the bullets fly past your head. It’s going to be a real treat watching him drag all of us down into Frank Castle’s world.
Marvel: Finally, what’s your one-line pitch for the new PUNISHER book?
Matthew Rosenberg: With some of the biggest villains in his sights, the best heroes on his tail and every nation on high alert, this is Frank Castle against the world.
THE PUNISHER #1 by Matthew Rosenberg and Riccardo Burchielli is on sale August 1!
By John Rhett Thomas
Nick Spencer has written his way to the top of the heap of Marvel’s elite, and he gets to prove it like never before with AMAZING SPIDER-MAN, one of the most prized gigs in comics. Now, we dig a little deeper into what Spencer calls “the book of my dreams.”
Marvel: Congratulations on landing ASM. It’s quite an assignment, following up Dan Slott and coming at a time when the character is getting renewed life in the Marvel Cinematic Universe. Are you feeling ready?
Nick Spencer: It’s the best gig in comics and the job I’ve dreamed of since I was a kid, so it’s all still a little surreal. The first time I met with [Marvel Editor in Chief] C.B. Cebulski, probably a decade ago now, I told him that this was all I really wanted to do. So to actually be here, working on this, it’s equal parts terrifying and exciting. Which means no, I don’t feel ready. But something would be wrong if I did. You channel that fear and those nerves and that sense of challenge into telling the best stories you possibly can. That’s part of the fun.
Marvel: What kind of book will your AMAZING SPIDER-MAN be? For every new writer, there’s always the struggle to balance the competing interests — and screen time — of Spider-Man and Peter Parker. What’s going to be your take on that?
Nick Spencer: The story really always begins and ends with Peter. He’s the heart and soul of the thing, and what makes Spider-Man special. You’re always trying to balance those personal struggles with the high-flying adventure, and in the best stories the two are playing off of and feeding off each other, dovetailing in weird and wonderful ways. Being Spider-Man should always come at a cost to Peter — that’s the great responsibility that comes with the great power.
One thing that struck me looking at the history of Spider-Man comics is how many different kinds of stories you can tell with the character. He can bounce between genres and tones so easily, I want to take full advantage of that. So some months there will be laughs, some months there will be tears. In some stories the universe itself is in danger, in other stories Peter’s missing laundry is in danger. We want to just tell good, foundational Spidey stories. We keep saying “Back to Basics” for a reason. We want to give people the Spidey they’ve known and loved for decades, and remind them why he’s the best character in comics.
Marvel: Which supporting characters from Spidey’s storied past will get prominence as you launch the series?
Nick Spencer: I have to be careful here, as I don’t want to tip my hand too much on what’s to come, but I will say a big part of the thrill of this job is getting to write the best supporting cast in comics. I’m excited about writing Aunt May, and giving her a story where she’s really controlling her own destiny and showing us how Peter was raised by a hero in her own right. The whole Daily Bugle crew will get some key stories. I’m working closely with Chip Zdarsky on some really cool Jonah stuff; he’s telling what I think is a definitive JJJ story over in PETER PARKER: THE SPECTACULAR SPIDER-MAN, so I wanted to make sure anything we do on that front complements his stellar work there. Randy Robertson is a character we haven’t seen a lot of for a while, but he’ll have a prominent role. And expect to see a lot of Felicia Hardy, as she’s one of my all-time favorite characters. Little-known trivia: What eventually became SUPERIOR FOES OF SPIDER-MAN was originally a Black Cat pitch.
Marvel: Ryan Ottley comes over to draw AMAZING SPIDER-MAN from a career-defining run (so far) on “Invincible”. This will be his first major foray into the Marvel Universe, and it’s on your debut Spider-Man book. How’s that work for you?
Nick Spencer: Yeah, pretty great, to put it mildly. Ryan is one of the best artists working in comics today. What he and Robert Kirkman did on “Invincible” is just remarkable. And now to see him on AMAZING SPIDER-MAN, it’s just such a perfect fit. I really think he could end up being one of those quintessential Spidey artists, right up there with the greats. His sense of action and motion, his layouts, his comic timing, his acting — there’s just so much fun and so much energy on the page. It really forces you to up your game.
Marvel: What are some of your favorite Spider-Man creators and/or storylines from the past? Which of those — if any — do you see having the biggest influence on your run?
Nick Spencer: Any conversation there has to start with Lee/Ditko/Romita, obviously. That run is, in my opinion, the high-water point of mainstream American super-hero comics and can never be surpassed. It takes your breath away reading it through.
Beyond that perfect foundation, I’m especially fond of two writers: Roger Stern and J.M. DeMatteis. I’m a different kind of writer than those guys, but they both have a huge influence on me and how I view the character.
But really, there are so many fantastic runs I could mention. When I got the book, I sat down and tried to comprehensively read through basically everything — every issue of AMAZING, SPECTACULAR, TEAM-UP, WEB, SPIDER-MAN, SENSATIONAL, FRIENDLY NEIGHBORHOOD, and all the titles in between. You name it, I read it. And it really shows what a proud tradition there is. Everyone tries to bring their A-game when they’re writing Spider-Man. And I’m directly following one of the most acclaimed and successful runs of all time in Dan Slott’s. So no pressure! It really does inspire you to do your best work. I’m just honored to be a part of this.
The first issue of Nick Spencer and Ryan Ottley’s AMAZING SPIDER-MAN swings into stores July 11, but don’t miss their first Spidey story in Free Comic Book Day 2018 (AMAZING SPIDER-MAN/GUARDIANS OF THE GALAXY) #1 on May 5! No excuses, Spider-Fan: It’s free!
Written by Jess Harrold
The Fantastic Four are back! After three years away, the World’s Greatest Comic Magazine returns, with writer Dan Slott and artist Sara Pichelli at the helm. Here, Slott and Marvel Editor-in-Chief C.B. Cebulski share their excitement in bringing the awesome foursome back to comics!
Marvel: Pinch us, we’re dreaming. Can it be true, Dan? You’re writing a new FANTASTIC FOUR series?
Dan Slott: Yep. As of this August, I’ll be writing and Sara Pichelli will be drawing the World’s Greatest Comic Magazine: the one, the only, FANTASTIC FOUR! Oh, boy. We have been under such lock and key when it comes to talking about this book. For months this has been the biggest secret at Marvel. It feels so good to finally tell anybody outside of the loop. Heck, let me yell it: “I’M WRITING THE FF!”
Honestly, this is a lifetime dream. The first super hero comics I ever read were my cousin’s copies of FANTASTIC FOUR #48–50, with “The Coming of Galactus” and the first appearance of the Silver Surfer. For me, personally, this has been a long time coming. I’ve got notebooks filled with the stories I’d like to do if I ever got my hands on these characters!
Marvel: It’s a great way to start your tenure as Editor-in-Chief, C.B. When you got the job, how high up on your to-do list was “bring back the FF”?
C.B. Cebulski: FANTASTIC FOUR was top of the list. It’s a book that is near and dear to my heart. I know how important the characters are to the fans and the company, and bringing them back was the first thing I talked to Tom Brevoort about. They are the heart of the Marvel Universe. They are the First Family, and the fact that they are a family is something everyone can relate to—good and bad. There’s the good times you have with family, and there’s the bad times: the quarreling, not everyone always gets along. Just look at the first-ever FF cover—they weren’t in costume. That’s what Marvel is—it’s not about the super heroes, it’s about the people underneath those costumes, the alter egos. The core of Marvel is that we’re human first and superhuman second.
Marvel: Speaking of those humans, we’re talking Reed, Sue, Ben, and Johnny, right?
Dan Slott: Ooh. Sorry. We’re replacing Johnny with a robot. NO! Kidding. Just kidding. Of course it’s going to be Reed, Sue, Johnny and the Ever-Lovin’ Blue-Eyed Thing! And Franklin! And Val! And Alicia! And who knows? Maybe Willie Lumpkin and Aunt Petunia, too! Wait and see.
Marvel: C.B., you’re renowned for knowing a thing or two about talent. What, for you, makes Dan Slott and Sara Pichelli the ideal team for FF?
C.B. Cebulski: Dan is coming off a ten-year run on AMAZING SPIDER-MAN, and has proven time and time again that he can tell these small stories with heart that get to the core of individual characters—but also tell these big, bold, brash super hero stories. Now with the Fantastic Four, we knew if we unleashed Dan on those characters and let his mind go wild on their crazy intergalactic adventures, he would nail it. Dan came in and pitched to around six of us at a restaurant one afternoon, and jaws dropped, literally. I think it was Nick Lowe, the Spider-Man editor, who said, “I think that just brought a tear to my eye.” Dan really nailed it in one shot. And Sara is one of the most wonderful pencilers out there when it comes to capturing emotion. Just like Dan’s mind thinks so visually and outside of the box, there are very few pencilers who can capture the scope like her. In comics you’re confined by the boundaries of the panel borders, and the best artists can make you look past those borders. Sara’s one of the few people who can do that—you really feel like you’re watching a movie when you’re looking at her panels.
Dan Slott: Sara Pichelli is AWESOME! Her work on everything from RUNAWAYS to GUARDIANS OF THE GALAXY and especially every single page she’s drawn of Miles Morales’ stories—she’s one of the most talented artists in the entire industry! I couldn’t be more excited to be working with her! And I can’t wait for fans to see her take on the FF!
C.B. Cebulski: And in Dan Slott and [editor] Tom Brevoort, you have two of, not just the biggest fans of Marvel Comics out there, but the biggest fans of Marvel’s history. When the costume designs came up, Tom and Dan had very specific ideas that date all the way back to the original FF through every incarnation, with specific designs and color schemes that would fit into this story.
Marvel: Dan, your SILVER SURFER book showed your passion for exploring new landscapes across the Marvel Universe—and beyond. Will that sense of adventure and wonder carry through to FF?
Dan Slott: Definitely. The FF are super heroes. But they’re not about stopping bank robbers or defeating clandestine secret societies. Sure, if a world-eater comes to devour the Earth, or a giant Kirby monster starts stomping through the city, you can count on them to save the day. That said, first and foremost, they’re explorers. They’re out to see new planets, dimensions and universes! They live to push the boundaries of both science and the imagination! More importantly, they live to do that together, as a family.
Marvel: The motto for your Surfer book was “Anywhere and everywhere—hang on!” What would it be for the FF book?
Dan Slott: The First Family of the Marvel Universe.
Marvel: There hasn’t been an FF book in a while, and in the absence of Reed and Sue Richards, a certain Victor Von Doom has undergone some changes. Will that traditional rivalry take on a new slant going forward?
Dan Slott: After the events of Secret Wars and INFAMOUS IRON MAN, Victor Von Doom will be on new, but familiar footing. We will be building on what came before, and from that will come a Doctor Doom who will be far deadlier, misunderstood and incredibly iconic. You’re going to have to wait and see. But the wait won’t be too long.
Marvel: Are there any other classic FF villains you’re looking forward to using, or is the emphasis on new threats?
Dan Slott: We will absolutely mix it up and give you classic FF goodness and all-new, modern-day weirdness, too. I’ll be honest with you, though: we’ve been away from the Fantastic Four for years now, and I am dying to start off and lean into the most FF-ish stories possible! Stan and Jack, Byrne, Simonson, Waid and Ringo, Hickman and everyone in between—I have so much love for every era of this book, I really can’t wait to play with all the toys in the toy box!
The new FF team, creative and editorial, we are going to do everything we can to honor, respect and build off of the rich legacy of these characters, while moving forward and telling all-new chapters in their ongoing story.
FANTASTIC FOUR #1 by Dan Slott and Sara Pichelli is on sale August 1!
By John Rhett Thomas
Didja hear the news? After ten amazing years, Dan Slott is leaving AMAZING SPIDER-MAN and joining rising-superstar artist Valerio Schiti for a Fresh Start take on a little title called TONY STARK: IRON MAN! If that sounds as cool to you as it does to me, read on!
Marvel: Before we get into Iron Man, it’s important to note that after ten years, you’ve left AMAZING SPIDER-MAN. So the question from those of us who loved your work on that title: Why? Why, why, why, why, why??? (Okay, that’s six questions. Take your time answering.)
Dan Slott: Ten years on the title and hitting AMAZING SPIDER-MAN #800 were my last big milestones. I’d been aiming for those milestones for some time. Both of them hitting together in the same year felt like a good place to say goodbye to the ol’ web-head. Marvel’s been great to me. They told me I could stay as long as I wanted, but lo there must come an ending. I pulled the trigger and let everyone know about three or four Marvel retreats ago. I’d be lying if I said that there weren’t moments after that where I screamed to the heavens, “WHAT HAVE I DONE?!” But, yeah, it was time.
Marvel: With you leaving Spider-Man, it seems you could have taken on any number of Marvel characters. Why Iron Man?
Dan Slott: They made some pretty sweet offers to me with others characters and big-name team books, and I let those buses go by. Just waiting. Hoping that one of the favorites on my short list would open up. The second I knew the Iron Man book was available, I lept at it, bellowing “MINE!” as loud as I could!
I love that we live in a time where Marvel Studios has been making mega-blockbusters for ten years. When I grew up, comics readers knew who Tony Stark was. The man on the street didn’t. That has completely changed. Tony is now the cornerstone of that Cinematic Universe — a character that everyone in the world knows. That’s astounding to me. When I was asked, “What do you want the new book to be called?” I totally knew: TONY STARK: IRON MAN.
Marvel: This new initiative is called “Fresh Start.” What things about the life of Tony Stark and Iron Man are we going to see renewed?
Dan Slott: We’ll see a mix of old and new IRON MAN characters: Bethany Cabe and Jocasta, to name a few. We’re going to see the return of specialty armors, because I love those — and it gives Valerio a chance to design all kinds of new and exciting suits. This book’s focus will be big on adventure, with massive action set pieces. We’ll be doing that while exploring high-concept sci-fi premises that lean in to the tech-based world of Tony Stark. It’s going to get wonderfully weird, and it will build to big secret-y things in the Marvel Universe.
Marvel: One of the things we loved about your Spider-Man run was your ability to keep the plates spinning on so many underlying plotlines and characters. Tony Stark’s supporting cast isn’t historically as intricate as Peter Parker’s, but I assume you’re going to maintain that broad coverage of the Iron Man universe in your stories.
Dan Slott: There will be fun soap opera, subplots, twists and turns. And some romance thrown in as well. When we get to Tony Stark’s love interest, longtime Marvel fans will be in for a treat. We’ll find a way to fit all this in between all the repulsor blasts and boot-jets.
Marvel: Any hints about bad guys we might see?
Dan Slott: No. Absolutely not. Read the book! But I can say you’ll see a couple of classic Iron Man baddies in the first few issues. Maybe an Avengers-related big bad in the near future. And a devious Marvel U. business rival for Tony who isn’t Justin Hammer or one of the Stanes. When people see who it is, it’ll be a big clue to where we’re heading — and I think Iron Man fans are going to freak out.
Marvel: I’ve been a fan of Valerio Schiti’s artwork since he first popped up at Marvel drawing Sif in JOURNEY INTO MYSTERY. He’s got such a way with faces. I guess now we’re gonna see how he does with armor. What’s your take on what you’ve seen so far?
Dan Slott: Valerio is killing it on this book! From his designs of all the armors to the new Stark Unlimited HQ and our all-new characters. He is going all-out on the tech — every gadget, gizmo and vehicle is gorgeous. You’re gonna want them all as toys! His storytelling is some of the best in the biz, the acting, the expressions on all the characters’ faces in every scene are pitch-perfect! And everything is just infused with FUN! If you’re having a bad day, the best thing for it is going to be to pick up this book, let Valerio’s art wash over you, get transported into these weird stories — and I guarantee you, you’ll come out the other side feeling great!
Marvel: One last question before we go: Care to tick off some of your favorite Iron Man runs from the past?
Dan Slott: For me it’s all about the Michelinie/Layton runs. As an Iron Man fan, those are the sweet spots. I’m actually one of the readers who liked their second run even more than their first: the Armor Wars and introducing in the Ghost! Those are my favorites!
TONY STARK: IRON MAN #1 by Dan Slott and Valerio Schiti is on sale June 20!
Written by Jess Harrold
The Infinity Stones have returned to the Marvel Universe, and the race is already on to find them. But when INFINITY COUNTDOWN ends, INFINITY WARS begins! Here, writer Gerry Duggan and editor Jordan D. White discuss the cosmic event to end all cosmic events!
Marvel: Gerry, you followed up ALL-NEW GUARDIANS OF THE GALAXY with INFINITY COUNTDOWN, and now it’s time to ask you the big question: what are you counting down to?
Gerry Duggan: Guardians was the first act—and as big as Countdown is, it was the second act. INFINITY WARS contains the last act of my cosmic story.
Marvel: What can you tell us about the state of Marvel’s cosmos when Countdown ends?
Jordan D. White: Well, I don’t want to spoil the ending of Countdown, but suffice it to say possession of a couple of the Infinity Stones has yet to be completely settled until Countdown comes to a close. When it does, the stage will be set at last for the requiem of the Infinity Stones to begin, driving us toward Infinity’s end! We are going to learn a lot about the Infinity Stones, how they work and why. And we’re going to see some…interesting combinations of characters, let’s say. Ones no one is expecting, that is for sure.
Marvel: Can we expect to see the Guardians of the Galaxy front and center?
Gerry Duggan: Yes and no. They’ll play a part, but the Stones are scattered and in a lot of different hands. Some of those hands are very happy to be holding the one rock they have. Others will want to assemble the entire set. Yes, it will be a big story, but it’s also going to be a lot of fun. The first act of INFINITY WARS is like “The Warriors“—if each gang had a magic rock. Most of the Marvel “families” will be represented in one way or another. This story began in space, continues on Earth…and ends up somewhere new.
Marvel: Anything Infinity-related tends to involve a certain Mad Titan, who is making major waves in other media this year. What is Thanos up to during your story?
Gerry Duggan: He’s one of my favorite parts of this tale. I think his appearance in the PRIME issue will set a new tone for him and drive home that this is, in fact, a very different Thanos story, with some unexpected dividends in the back end.
Marvel: Obviously, “Infinity” is a word with quite some pedigree in the Marvel Universe. Were you a fan of Jim Starlin’s original INFINITY GAUNTLET/WAR/CRUSADE trilogy—and indeed Starlin’s cosmic storytelling in general?
Gerry Duggan: I love Starlin’s work. His collaborations were always so big and bold. That said, this is a different story. I don’t want to be anyone’s cover band. I know readers love Jim’s work as much as I do. I’m borrowing the toys to tell a different tale.
Marvel: Gerry certainly has taken Marvel’s cosmos in a very different direction—and one unique to him. Since he’s describing this book as his “final act,” it seems like a good opportunity to ask you, Jordan, what have you enjoyed about his stewardship of the Guardians of the Galaxy and the rest of the Marvel cosmos?
Jordan D. White: Working with Gerry is terrific—he and I share so much when it comes to sensibilities. We both come at even the most dramatic story from the structure of comedy, in an odd way. Which is not to say the story is a gag—far from it. The “punchline” in Gerry’s cosmic tales is more punch than line, and it’s going to knock people off their feet.
Marvel: Speaking of knocking folks off their feet, you have an art team capable of doing just that on INFINITY WARS, right?
Gerry Duggan: It will be worth it for Mike Deodato Jr. and Frank Martin’s work alone. They are so great. This is the best work I’ve seen from them, and best of all we’ve been at this long enough that they will be providing art for the entire run. I went to New York for a one-day meeting about this story at the end of last year, and we had a blast cooking up some of our biggest ideas. I’m really happy with what we’re going to get away with.
Marvel: So if your story was this year’s big movie, what would the trailer guy say about it?
Gerry Duggan: Not a damn thing. I’d kill him first.
The battle begins with INFINITY WARS: PRIME #1, on sale July 25!
Written by Jess Harrold
The old order changeth once again—for a bold new era! And it doesn’t come much bolder than the creative team of Jason Aaron and Ed McGuinness putting together one of the mightiest Avengers rosters ever seen! Here, Aaron talks about his plans for the book—including building on ideas he introduced in MARVEL LEGACY #1.
Marvel: So with you writing, the incredible Ed McGuinness on art and a spectacular lineup, there’s no doubt about it: this is one blockbuster book! What can fans expect?
Jason Aaron: Coming into this, we wanted it to feel big and epic—like a huge Marvel event, every arc. So I wanted a lineup of all big, iconic characters. Some of them you’ve seen as Avengers—like Steve Rogers, Tony Stark, and Thor Odinson—but for the first time in years, the “big three” are back together. There’s also some characters we’re not used to seeing. Ghost Rider, I guess, is the big surprise, and it’s cool for me getting back to writing Ghost Rider again.
Marvel: And Captain Marvel and Black Panther make for a big five! There’s been a lot of conflict between these characters in recent years. How well are they all going to cope with working together again?
Jason Aaron: Well it’s not necessarily a “snap your fingers, and it’s done” kind of thing. The first arc is really about the hardships of putting that band back together. It’s very much a team drawn together for very specific reasons, instead of just Steve Rogers calling people in his Rolodex. The circumstances of this threat are really what bring these characters together. They are drawn into this battle for very specific reasons, which only become evident as that arc rolls on—and then continue to play a part going forward. Some of that clearly links back to the prehistoric Avengers introduced in MARVEL LEGACY #1. You will see them again in this arc, and they will be a part of the series going forward.
Marvel: Will you be adopting a similar multi-timeline approach to the one we’ve seen in your THOR run?
Jason Aaron: Yep, absolutely. In this first arc, the roots of the Celestial threat the Avengers are facing go back to those prehistoric days with Odin. But we will come back between arcs and do issues focusing on that group and those prehistoric characters. We will learn more about them as we go forward, get to see them in action in the past and see the ways their adventures connect to the present day.
Marvel: Another stalwart Avenger on the roster is Jennifer Walters—but is she She-Hulk or Hulk? And what can fans expect from her on the team?
Jason Aaron: Yeah, I’ve just been calling her “Hulk” in the book. It is the same Jen Walters we’ve seen in recent issues of her own series so we definitely continue on from that. But this story also changes things for her and takes her in a bit of a different direction. We switch around her powers a little bit and try to differentiate her more from her cousin. What is exciting me is to see Ed McGuiness draw the Hulk again!
Marvel: As for the new guy you mentioned—we know you know a thing or two about Ghost Riders, but what do you like about Robbie Reyes?
Jason Aaron: He’s a great entry-level character for the Avengers; he is still very much a new kid on the block. He doesn’t really know these characters and has not been a part of something quite like this. You know his life has been pretty crazy in its own right since he became the Ghost Rider, but this really takes things up a notch. We get to see him level up in terms of his power. He is unlike any of the previous Ghost Riders so we will continue to explore what that means and exactly what he is capable of. Also, the more I write it, the more I love the idea of having a guy in the Avengers who drives a car. He just goes driving into battle in the Hell Charger. I love that, and I love the way Ed’s drawing him.
Marvel: Another character you have history with is Doctor Strange, who is on the team at least to begin with, right?
Jason Aaron: He pops up initially in a different sort of team-up. He and Black Panther are investigating something that pulls him into this bigger mystery. Strange plays a big part of this first arc, but you kind of have to wait and see after that who sticks around. I don’t want to specifically have a cast too large, but I think we will have at least one slot rotating—have a character join for a couple of arcs, and then somebody else takes the pledge. There’ll be some old familiar faces and some we’re not used to seeing in the pages of an Avengers comic.
Marvel: You mentioned the Celestial threat, the ominously named Final Host—they seem like a great fit for Ed’s bombastic style.
Jason Aaron: Absolutely. We see a lot of different Celestials over the course of the story—some classic ones, some all-new designed by Ed, which look amazing. Ed is also so great at conveying the feel of something like this: our Avengers against giant space gods who are thousands of feet tall. How can the Avengers go toe-to-toe with characters who are that powerful? That’s the challenge they face right there out of the gate.
Marvel: And it all begins with a Free Comic Book Day issue featuring another stellar artist, Sara Pichelli, correct?
Jason Aaron: Yes, it’s sort of a direct lead in to AVENGERS #1. It’s mostly a story about Black Panther and Odin—a meeting of the king of Wakanda and the All-Father of Asgard, which again kind of stretches back to those prehistoric Avengers and plants the seeds for the Celestial threats the Avengers will face. And it’s free!
Marvel: And from there, the main series is set to really blow everyone’s socks off.
Jason Aaron: Yeah, I want this to be a book that issue to issue gives you a look at the entire Marvel Universe. So we will travel the globe, we will cross the galaxies, we will go to all the different hot spots of the MU. If you are only reading one Marvel Comic—not that you should just read one Marvel Comic—this book will give you an idea of what the entire breadth of the Marvel Universe looks like right now at this moment in time.
AVENGERS #1 by Jason Aaron and Ed McGuinness is on sale May 2!
For more than 50 years, the Black Panther has stood at the forefront on the Marvel Universe. With T’Challa appearing on the big screen again this year in both Marvel Studios’ “Black Panther”and “Avengers: Infinity War,” take a look back at over five decades worth of comic book adventures for the King of Wakanda!
We’re wrapping up our look at Black Panther’s impressive history with this final installment, focused on 2017. So let’s jump into the notable events that occurred for T’Challa last year!
The Black Panther arrived in New York in BLACK PANTHER AND THE CREW #3 to address the death of activist Ezra Keith, a man who’d tried to contact him previously. In his temporary secret identity as “Luke Charles,” T’Challa joined with his former queen Storm to begin the investigation.
Luke Cage, something of a student of Keith’s, entered the picture in BLACK PANTHER AND THE CREW #4 to get answers to his questions, and the teleporter Manifold also offered his help in BLACK PANTHER AND THE CREW #5. T’Challa and his new associates clashed with the real culprits behind everything. Hydra, in BLACK PANTHER AND THE CREW #6.
The Panther allied himself with heroes Blue Marvel, Ms. America, Spectrum, and Captain Marvel in ULTIMATES 2 #1 to investigate strange events on the edge of the universe. In ULTIMATES 2 #2 the team ran up against the ghost of the Shaper of Worlds, Master Order, and Lord Chaos, who subsequently merged with the In-Betweener to create a new being called Logos in ULTIMATES 2 #3.
The dreaded devourer of worlds took notice of Black Panther and his team’s activities in ULTIMATES 2 #4 and on Earth, government agent Philip Vogt and his Troubleshooters began to suspect the Ultimates of shadowy operations in ULTIMATES 2 #5. Out in space, T’Challa’s compatriots discovered the Cosmic Jailer and the origins of the cosmos in ULTIMATES 2 #6.
Back in Wakanda, the Panther and Manifold crossed the threshold of death itself to contact T’Challa’s late sister Shuri in BLACK PANTHER #8. Shuri returned to the land of the living after a learning sojourn in the hereafter in BLACK PANTHER #9, and exhibited her new powers in BLACK PANTHER #10 while her brother confronted the firebrand Changamire about a rebellion brewing in Wakanda.
T’Challa, Shuri, Manifold, and Wakandan security forces clashed with the leaders of the rebellion, Tetu and Zenzi, in BLACK PANTHER #11, and when the dust cleared after the battle, Wakanda became a republic to encompass all its people and their respective areas of the country. In BLACK PANTHER #12, the Panther sought the cooperation of the Midnight Angels, who’d previously opposed him.
The Wakandan gods seemed to no longer exist in BLACK PANTHER #13, allowing weird creatures to enter the land through mystical chaos and attack citizens. Meanwhile, a new criminal alliance between Dr. Faustus, Zenzi, Zeke Stane, and the Fenris twins sowed chaos for T’Challa in BLACK PANTHER #14, forcing the Panther to seek wisdom from his departed ancestors.
In BLACK PANTHER #15, Storm arrived in Wakanda at her ex-husband’s request, while at the same time the so-called Originators, the original Wakandan non-human denizens, returned to the land. The Black Panther invaded the exclusive Super Villain Fenris Club in BLACK PANTHER #16 to confront the criminal scientist Thunderball with the error of his wicked ways.
Storm helped turn the tide of trouble in Wakanda in BLACK PANTHER #17, but the appearance of instigator Ras the Exhorter and a new deity caused further chaos. T’Challa convinced the Midnight Angels of the depth of his need for aid in BLACK PANTHER #18, and the Panther’s old foe Klaw made his presence known again in BLACK PANTHER #166, as the series claimed its legacy issue numbering.
Thanks for joining us for the History of Black Panther! Missed any installments? You can find them all at the links below!
Enjoy a taste of all the comics in-store on Wednesday with Marvel’s The Pull List!
Ryan and Tucker give you bite-sized previews of April 18’s new comic releases, including DAREDEVIL, INFINITY COUNTDOWN, STAR WARS: POE DAMERON, TALES OF SUSPENSE, and all the other books that will be waiting for you on New Comic Book Day!
Here’s the full list of what’s available from Marvel this week:
MARVEL PRINT COMICS ON-SALE (4/18/18)
ALSO ON SALE ON THE MARVEL APP
FRESHLY DIGITIZED COMICS ON MARVEL UNLIMITED