Brian Michael Bendis lists his favorite moments from nearly five years with the team!

Stuck on Earth and scattered across the planet, if there’s one thing that can bring the Guardians of the Galaxy back together, it’s a common enemy. On April 12, “Grounded” reaches its conclusion with the final issue by writer Brian Michael Bendis in GUARDIANS OF THE GALAXY #19!

After close to five years of wandering around the universe and sometimes saving the day, it’s time for the Guardians to part ways with one of Marvel’s most prolific writers. An era of Guardians history comes to a close in this special doubled-sized issue, featuring work from Valerio Schiti and an all-star team of guest artists.

To celebrate the achievement, Brian gave us a retrospective look at his favorite moments alongside the most dysfunctional super group in the galaxy.

Marvel.com: Let’s start with the best of the worst: favorite villain?

Brian Michael Bendis: Peter’s father. It was one of the reasons I wanted to write this book, having done the research working with the Marvel Cinematic Creative Committee. They were debating whether or not Guardians was a movie franchise—this was when Guardians was as cult as it gets. They sent me some material and some things they were thinking about and I started reading—and I had read it as a fan—but to read it considering its global potential was an interesting thing to do. And then reading Peter’s origin story was so exciting to me because, if you read it, it’s as good as Spider-Man or Superman, it’s just not as well known. The purity of narrative is beautiful. This king crash-lands on Earth in the middle of a space war, falls in love with an Earth person, knocks her up, goes back to his space war, and she’s left on Earth with a half-alien baby—and the boy will never know. This is phenomenal stuff. And then he grows up to find out who he is and “Oh my god, your father’s an a-hole across the galaxy!” Most kings of anything are not known for their warmth. So, to dive into that and cover that for almost the first entire volume was very fun and something I was dying to write.

Marvel.com: Favorite guest star?

Brian Michael Bendis: Just last night, I wrote my goodbye to Guardians, so it’s all fresh on my mind. I think having Tony Stark up in space for as long as we did in the middle of golden run as a movie star was pretty exciting. Also, we had a lot of fun with him—what a great field trip for Tony to go on. And then, hilariously, him and Gamora hooking up, which shows up on my Tumblr feed every three days. It’s going down well as one of the great super hero hookups.

Marvel.com: Favorite event or tie-in?

Brian Michael Bendis: I’m very, very fond of “The Trial of Jean Grey,” even though that was a self-executed mini-crossover. I love when the X-Men go off into space, I love the weird X-Men stories. And the idea of bringing Jean Grey into the present and Jean Grey being a gigantic cosmic serial killer, as far as most people are concerned, a genocidal maniac. To put her on trial and be actively writing both books, making sure the trial happened organically in both books, was very exciting. It was like, “Ooo, you know what’s never been told before, this story. And I’m writing both books!? And, oh my god, Kitty and Peter fall in love in the process!” So everything about that, I really enjoyed and I hear from a lot of people about that. That’s probably everyone’s favorite story from my run? That’s the one I hear about the most.

But the one I think is my favorite tie-in stuff is probably the Black Vortex stuff, which is Sam Humphries’ storyline, but I thought it spoke well to what we, as a group of writers and artists, added to the galactic books over the course of the last couple years. There were interesting interactions between all the characters. We were just way into it.

But I also gotta say, for as weird as it is, the Guardians were always kind of in their own little world, and I know people like that about them as well. One of my mandates was to bring them more to a centered position in the Marvel Universe, so I added them into Infinity, which was the first time they crossed over in one of my books. Just having them show up in the event was so surprising because they’d never shown up in anything before. So that moment was really exciting for me.

Marvel.com: Favorite fight?

Brian Michael Bendis: Kevin Maguire is one of my favorite comic book artists of all time and we got him to do a couple of issues. And it was an issue with a Gamora and Angela team-up, [GUARDIANS OF THE GALAXY #10], I thought he did an outstanding job with that issue. It was a big, big fight, breaking into a planet, and I thought he did an exceptional job.

Marvel.com: Favorite Groot quote?

Brian Michael Bendis: I actually have a very funny story about that. We were making the “Powers” TV show last year and I was on set, because I wrote episodes. And I’d be in the video village and I had a little desk where I’d sit and literally write Marvel comics while they were setting up the lights and stuff. There were sometimes hours where I literally had nothing to do, so I’d sit and type. So I was sitting in the corner, typing. And one of the actors, whose name is Sharlto Copley, he’s in the show—he keeps looking over, thinking I’m writing the TV show. And I’m writing GUARDIANS OF THE GALAXY. Sharlto comes up behind me and just out of nowhere, reads what he sees on my screen, and yells “I am Groot!?” And it turns out, Sharlto has no idea who the Guardians of the Galaxy are, he never saw the movie, he has no idea what “I am Groot” means. And it was one of the pages where Groot keeps interrupting, that’s the joke, he’s just saying “I am Groot, I am Groot,” so Sharlto looks at it and thinks I’m crazy. He yells, “I am Groot,” everyone else in the video village jumps because they’re like, “Why is he yelling ‘I am Groot,’” because they get the reference. It was a totally unique, once-in-a-lifetime, hilarious moment where he’s yelling “I am Groot, I am Groot” and has no idea why people are laughing.

But one of my favorite moments of writing the entire series was the variant cover that Dale Keown did where the joke is that Jean Grey is talking to him and she can translate “I am Groot” into his actual words and his words are very poetic—and I probably worked harder on those words than anything I worked on that year. You got a little taste of what goes on in Groot’s head for real and I heard from a lot of people on that, so that went well.

Marvel.com: And favorite Guardian?

Brian Michael Bendis: Ahh! See, having written other team books, it’s never about “favorite Guardian,” it’s really “favorite relationship.” We knew that Rocket and Groot are the relationship. But when you discover friendships, or antagonisms, or a new type of relationship within the group of friends, that’s always my favorite stuff. So when something like Angela and Gamora—they really like each other. I think Angela just adores Gamora, and they fight well together and are happy to know each other—that kind of stuff I really like. And I liked writing Tony and Rocket, because Tony is sometimes like Rocket, but in the Avengers. He’s kind of caustic and like “I know everything and everyone’s gonna do what I say.” So for him to [be] faced with this little animal version of his own ego, on a ship—it’s really fun to write. On Avengers, it was discovering that Luke Cage and Spider-Man were hilarious together. That was a surprise, it wasn’t planned. The same thing happens here, where the characters start to gravitate towards each other or away from each other, and the towards each other is always the most fun stuff. And you can’t force it.

I also like this—and I know people really like this and it’s the thing that I’m [guiltiest] of—but, if Kitty Pryde’s not busy, I will grab her and put her in my book. And the most outlandish incident of me doing this is putting her in outer space for a while. I thought Kitty’s no-nonsense, once-a-teacher, strong-Jewish-woman-up-in-space was a ton of fun. And her juxtaposition to Gamora was a great bit of fun. I think her presence on the team, with Tony’s, was very different. What I wanted, and liked, was adding this element that wasn’t in the movies. Just to see what shakes out differently—and with Tony and with Carol [Danvers] and with Kitty and Venom and Ben Grimm, I thought we were able to do that every time.

Marvel.com: What about the team dynamic did you enjoy writing most? How did you approach the characters differently as time went on?

Brian Michael Bendis: I kind of got it in my head that they’re kind of on a road trip that never ends. They’re in a big RV, or on a tour bus, and the tour never ends—the dynamic of a tour. Traveling with family or traveling with friends—you ever go on a long trip with friends? It’s unique. So I wanted that dynamic to be constant, fighting over food and chairs and where we’re gonna stop and where we’re gonna eat. Just making sure that the life seemed like it was being lived inside that ship in a way that most people can relate to—you get on each other’s nerves, you laugh at stupid stuff, you get the giggles. Just normal traveling stuff. I also like that they all go away from each other for a while too.

It’s a very unique book in how they interact with each other. They are as close to family as anything in comics, but they also have their adventures. Always making sure that it felt like they were living together. There’s a lot of detail in the scripts about what’s in their rooms; Peter’s room is messy, Gamora’s room is perfect—how their lives interact with their environment. It’s a fun part for me.

Marvel.com: And finally, what are your overall thoughts looking back on nearly five years with the Guardians of the Galaxy?

Brian Michael Bendis: When I got the job, I originally came into comics as a crime fiction writer, and the things I was most known for, Daredevil or Jessica Jones, real-world crime fiction, that is what’s been my additive element to comics—my love of this and where my strengths are. So I found myself, just a few years later, writing a talking raccoon book—and dying to do it. That’s the other thing: I wasn’t doing it just to see if I could; I really wanted to do it. And when I got the call to do it, I was so excited because the challenge is enormous. Because, we haven’t mentioned, when I got the book, the book hadn’t been produced for a while. The last volume [before] was considered one of the great standards of Marvel Comics and one of the great runs of all time. The reason that there’s a movie is because of them. Stepping into a book that was already so well-loved among the core fanbase, no matter what I had accomplished in comics, I knew I was going to have to prove myself over time. So I was grateful that I was allowed the chance to do so.

The other thing that has to be mentioned is that there wasn’t one issue of any Guardians book that I had my name on that wasn’t drawn by one of the great talents of this generation of comics. From Steve McNiven, to Sara [Pichelli], to Frank Cho, to Kevin Maguire, and finally with Valerio Schiti—every annual, every special, every tie-in, everything we did had these great artists, including our finale, which is packed full of these awesome artists that I love so much. People just love these characters so much and they love drawing them, so every time you call up anybody in comics and say “Hey, you wanna draw raccoons and trees and spaceships for an issue?” the answer is “Yes I do!” So I was, and will forever be grateful, that the book was so beautiful, and exciting, and poppy on every single page. This book was gorgeous.

I also became very aware, of all the books that I write—and I write some very mainstream books that people have heard of—from the moment that I took the book, all the way through to this weekend at a sleepover that my kids had, if you tell kids that you’re the writer of Guardians of the Galaxy, they crap their pants. And I write Spider-Man and Avengers and Iron Man, but Guardians—my children’s friends stare at me like Rocket Raccoon actually just walked in the door. So, of all the books that are out there right now, I think Guardians is the one that has the most gateway potential. Kids are going to be seeing this and I’m so proud that when they see our stuff, they’re going to be seeing such beautiful comics—because on top of the characters, that’s how people fall in love with the medium. And I hope, when people see Valerio’s work or Steve’s work—and how exciting a visual and inspiring for the imagination it is—that people will find a way to stay with us. So my takeaway is that I’m very happy that the movie took off and that I bet right—because I bet on this a year before the movie came out and I was very happy that it did. But I’m also immensely proud to have put my name on such beautifully illustrated books.

Witness the end of an era with GUARDIANS OF THE GALAXY #19, by Brian Michael Bendis and artist Valerio Schiti, on April 12!

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Celebrating the contributions of a key member of the original Marvel bullpen!

Marvel Comics salutes “Fabulous” Florence “Flo” Steinberg, one of the first two full-time employees of Marvel in the 1960s and an all-important figure in building the vast fan community the House of Ideas has enjoyed since its beginnings.

Born near Boston, Steinberg grew up with a mother and father who made sure she attended college, graduating from UMass Amherst in 1960. After some time with New England Telephone and Ted Kennedy’s first Senatorial campaign, she pulled up stakes and moved to New York City where she would quickly take her place in the history of Marvel Comics.

As Stan Lee’s secretary, Flo assumed the task of taking care of the ever increasing piles of fan mail and Marvel Merry Marching Society memberships. Although the company began to grow with some speed, she remained in charge of this for five years, crafting Marvel’s unique connection to its fans and—to hear freelancers tell it—creating a welcome atmosphere for all who came through the offices in person.

After five years, Fabulous Flo found herself ready to move on. While initially taking a brief detour to work in fossil fuels, Steinberg quickly re-entered the comics industry, working with Warren Publishing before coming back to New York City in 1975 to publish one of the cornerstones in the history of independent comics: Big Apple Comix.

Finally, in the 90s, Steinberg returned to where it all began—albeit at a different address. Gone were the days of the two-person office; Marvel had expanded exponentially in the years since she helped spark the revolution that made it one of the largest comic publishers in the United States. As a proofreader, “Fabulous Flo” remained with the company for the rest of her life, helping not only with what unfolded on the pages of Marvel Comics but, once again, brightening the days of those around her. She established a unique and profound connection with every member of the Marvel staff fortunate enough to encounter her, in particular the growing ranks of women working in the industry.

While the likes of Lee, Jack Kirby, Steve Ditko, and more may have been responsible for the unique sensibilities on display within the pages of the House of Ideas’ books, Steinberg helped solidify the community that those comics inspired in its readers. With San Diego Comic-Con unfolding at this moment, it takes little imagination to draw a straight line from her attitude and commitment in those early days to the vast network of comic book fans that gather at conventions and online to talk about their love of the characters and stories of Marvel Comics.

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The House of Ideas says goodbye to one of its most beloved members.

Statement from Marvel:

“We are incredibly saddened to hear of Flo Steinberg’s passing and send our deepest condolences to her friends and family. Flo has always been the heart of Marvel and a legend in her own right. She will be forever missed and always loved by all of us here at Marvel.”

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Enjoy the latest episode of the official Marvel podcast, with comics, movies, TV, games, and more!

True Believers, it’s time for a brand new episode of This Week in Marvel, the official Marvel podcast! We’re one episode away from our milestone 300th episode – can you believe it!

For those of you who aren’t at San Diego Comic-Con, and for those of you who are, catch all things Marvel happening here at www.marvel.com/SDCC2017 or Marvel’s YouTube channel.

Now, onto this episode — Alex and Cam are back at home base making sure you get the scoop on all of this week’s hottest comics including SECRET EMPIRE, ASTONISHING X-MEN, INVINCIBLE IRON MAN, and tons more! A lot can happen in a week, so head on over to the West Coast, where Ryan, Marc and Christine give you the rundown on what’s happening in the world of movies, TV and games, including what they saw last week at D23 and what they’ve seen so far at SDCC. We close everything out with your questions and comments!

Download episode #299 of This Week in Marvel from Marvel.com, check out Marvel Podcast Centralgrab the TWiM RSS feed and subscribe to This Week in Marvel on iTunes, so you never miss an episode! We are now also on Soundcloud! Head over now to our new hub to listen to the full run of This Week in Marvel!

This Week in Marvel will focus on delivering all the Marvel info on news and new releases–from comics to video games to toys to TV to film and beyond! New episodes will be released every Thursday (or so) and TWiM is co-hosted by Marvel VP & Executive Editor of Digital Media Ryan “Agent M” Penagos and Marvel Editorial Director of Digital Media Ben Morse, along with Marvel.com Editor Marc Strom, Marvel.com Assistant Editor Christine Dinh, and Manager of Video & Content Production Blake Garris. We also want your feedback, as well as questions for us to answer on future episodes!  Tweet your questions, comments and thoughts about TWiM to @AgentM@BenJMorse@chrissypedia or @Marvel with the hashtag #ThisWeekinMarvel!

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1924-2017

Marvel Comics salutes late artist Sam Glanzman, whose impeccable eye for authentic detail and fine storytelling brought to life stories for several companies and enriched comics from the Golden Age to the modern industry.

Inspired by two older brothers who tackled the comics business, Glanzman dove into their world in 1939 and after just a few short years he’d created indelible characters such as Fly-Man for Harvey Comics, as well as illustrated many other titles. When World War II broke out, he proudly served in the U.S. Navy, but took a detour after war’s end to work at different jobs. Comics remained in his blood, though, and by 1950 he’d returned to not only the industry but also the publishing arena in children’s books.

Charlton Comics published Glanzman’s first war stories in the late 1950s, a genre that would blossom into a subject he’d become known for. The artist also made a mark in the 1960s with a Hercules series for Charlton, one that he poured many of his fine art visions into and drafted into a book a cut above the rest. DC Comics later brought him onboard to shore up their own war comics line and he stayed with the company throughout the 1970s.

In the halls of Marvel Comics, Glanzman produced a stunning work called “A Sailor’s Story” in 1986 for MARVEL GRAPHIC NOVEL #30. The tale followed his own Navy career during the war and became so popular that the artist offered up a sequel, A SAILOR’S STORY: WINDS, DREAMS, AND DRAGONS.

He continued to work in the industry throughout the 1990s and into the new millennium with both webcomics and traditional projects. Glanzman also saw reprints of many of his past works from the different companies he’d drawn for.

Legendary artist Walt Simonson counts himself among the man’s admirers and sees him as a unique voice in comics over the decades since their birth.

“Sam Glanzmann was an artist who brought his signature style to everything he did,” he says. “His work was easily recognizable. Grounded in his experience, Sam drew worlds full of authenticity, in which violence was neither overstated nor sugarcoated, and the drama was always clearly presented. Although all his work was honest, he was a sailor and his stories of the sea had the tang of salt air about them and a truth that made them moving and deeply felt.”

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Speaking from the stage included Kevin Smith, Clark Gregg, Chadwick Boseman, and more.

Stan Lee became the latest Star to receive the exclusive honor of being cemented in the Iconic Forecourt at the Famous TCL Chinese Theatre IMAX (the former Grauman’s Chinese) since 1927. Take a look at the gallery above!

“Stan Lee gave us the heroes that fueled our imagination and aspirations” said Kevin Smith, Filmmaker, Actor, Writer, Comedian and Stan Lee Fan.

”Now, WE, the fans, are coming together to give this permanent monument and tribute to the man that gave us so much.”

Stan Lee, the chief creative force behind the rise of Marvel Comics, brought to life some of the world’s most famous heroes and infamous villains, including Spider-Man, The Hulk, X-Men, Fantastic Four, Iron Man, Thor, Daredevil, Dr. Strange, The Avengers, Loki, and Dr. Doom. His stories featured heroes and villains that were more psychologically complex than had ever been seen previously.

According to his autobiography, Excelsior, “Lee put the human in the superhuman.”

A huge supporter of fandom throughout his career, Lee was immediately drawn to Legion M’s unique model as the first fan-owned entertainment company, and has been supportive since its launch in 2016. Legion M organizing and rallying fans, celebrities, companies and anyone who has been positively impacted by Stan’s creative contributions to pay this heartfelt, historic and overdue tribute to one of the greatest storytellers of our time.

As a producer, writer, editor, publisher, actor, host and executive, and idol to many, Stan ‘the Man’ Lee has exerted his influence over the entire entertainment industry leaving an indelible mark on the comic book industry having created or co-created 90% of Marvel’s most recognized comic characters. These creations have spawned books, films, television series, video games, web series, Broadway shows and more offering a lifeline of box office success to the entertainment industry, toy industry.

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The pro football player stops by Marvel HQ to talk about comics and more!

Pro football player Martellus Bennett stops by Marvel HQ to talk comics, his favorite super heroes and much more!

Download episode #296.5 of This Week in Marvel from Marvel.com, check out Marvel Podcast Central, grab the TWiM RSS feed and subscribe to This Week in Marvel on iTunes or Soundcloud! Head over now to our new hub to listen to the full run of This Week in Marvel including our latest episode!

This Week in Marvel focuses on delivering all the Marvel info on news and new releases–from comics to video games to toys to TV to film and beyond! New episodes will be released every Tuesday and Thursday (or so) and TWiM is co-hosted by Marvel VP Executive Editor of Digital Media Ryan “Agent M” Penagos and Editorial Director of Marvel Digital Media Ben Morse with Manager, Video & Content Production: Blake Garris, Editor Marc Strom, and Assistant Editor Christine Dinh. We also want your feedback, as well as questions for us to answer on future episodes! Tweet your questions, comments and thoughts about TWiM to @AgentM, @BenJMorse, @blakegarris or @Marvel with the hashtag #ThisWeekinMarvel!

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Writer Brian Michael Bendis takes Riri Williams into the Marvel Legacy event!

Writer Brian Michael Bendis normally needs no introduction, but we’re going to make the attempt anyway.

He’s the man who this fall will take INVINCIBLE IRON MAN into the Marvel Legacy event and set the Iron Man Universe on its iron-plated ear. With Tony Stark gone, seemingly disappeared, he’s the only guy who can see Riri Williams through the next massive phase of her, and a few other important characters, development.

Marvel.com: Brian, in general, why is it important for you to highlight the concept of legacy in the Marvel Universe?

Brian Michael Bendis: Well, two things happened when Marvel started playing with this idea for the fall, and [when I heard] the theme, I just started smiling ear to ear, because it’s literally about what all my books are about at the moment. It’s just where I was at in my head. Number one, because some of the characters that I’m writing are legacy characters, they’re actually starting in someone else’s legacy and we’ll see where they end up, in great Marvel tradition. But right now, Miles Morales and Riri are two of the most spotlighted characters in this arena, and it’s just a great opportunity to zero in on what the book has been about.

Now for Iron Man, it’s not just Tony Stark’s legacy. It’s Riri Williams’ legacy, Victor Von Doom’s legacy, and Tony Stark’s legacy. It’s not just a normal person’s legacy; it’s wide, and it’s got a lot of tentacles…not to be too Hydra with the tentacles. But his reach, and the reach of his legacy, from the Avengers to the Stark Foundation, is enormous. So we’re going to get to explore some things about Tony, and about the Iron Man Universe that we haven’t seen before, and it just so happens that we’ve spent the last year and a half building up to this, like this is where I was headed.

Now, what’s cool is, all three of the main Iron Man characters will be joined by other Iron Man characters, looking for what has happened to Tony Stark. If we’re going to get Tony Stark back, what form will that be in? And how cool will the armor be? Now, there are other characters in the Iron Man universe that I’m not mentioning right now, big characters. Amanda, MJ, Friday, Tony A.I., huge characters, a lot going on and a lot of connections to the Marvel Universe, all of which will be detailed and unfolded within the storyline that starts with INVINCIBLE IRON MAN #593.

Marvel.com: How cool is it to go back to the original numbering?

Brian Michael Bendis: You know, when the very fun choice to go back to our original numbering came about, quite a few titles, IRON MAN in particular, are right there at a big anniversary issue. So we’re headed, very quickly, towards a gigantic IRON MAN #600, and I couldn’t be more thrilled.

Marvel.com; When this Marvel Legacy storyline starts, has Tony’s condition changed at all?

Brian Michael Bendis: Tony’s situation has changed. And that’ll be teased in the Marvel Legacy one-shot by Jason Aaron and Esad Ribic, and then I think our INVINCIBLE IRON MAN issue comes out like right after that, and you can dive right in: big, brand new, very reader-friendly Iron Man storyline.

Marvel.com: Of the big Iron Man characters that you’ve mentioned, who would you say will be most moved by Tony’s disappearance?

Brian Michael Bendis: All of them for different reasons, but I have to say, Victor is in the most unusual situation. What Riri is going through, people will identify as “Oh, I’ve looked up to someone.” This relationship is very relatable, in a way. Like, I’ve had mentors in my life, people who I was trying to figure out without directly talking to them, you know what I mean? Trying to figure out stuff about myself through their humanity. Whereas Victor is on just about the biggest, most complicated redemption story…one of the biggest villains in the history of all fiction is trying to claw himself out of the hole. How much he’s been able to do is amazing. But, the enemy list he has created in doing so is enormous, and it’s not just from this dimension. So, his involvement in Tony Stark’s legacy may become, at one point, such a struggle, that he may destroy it. And something new has to be created, or he makes a sacrifice that brings up something new as well. What’s going on with Victor is probably the most unique thing going on story-wise at Marvel.

Marvel.com: Let’s talk about Riri again. What can you say about her further development going into this storyline? Is this going to be, to date, the ultimate challenge for her?

Brian Michael Bendis: Yes.

Marvel.com: Okay! You heard it here first! Next question!

Brian Michael Bendis: Yeah, listen; we’re just eight issues into her run! The amount of attention she’s garnered from fans in just eight issues is amazing. Compared to seven years ago with Miles, and I know the whole market was different, but it took a while, until the end of the second storyline, for people to really go “Oh okay, he didn’t [bleep] it up.” So, I’ve been quite flattered, to the point of becoming emotional, about how unbelievable the support of Riri has been. There was this young woman online that has been making her own Riri armor and her dad keeps tweeting it. Literally every time we put it out, there are like 60,000 retweets and likes, it’s crazy. It’s insane.

Marvel.com: Good crazy.

Brian Michael Bendis: The best. So, the point is, Riri is at the larva state of her super hero career. She has literally gone out, I think, five times by the time that this Tony storyline starts up again. She’s had some big wins; she’s had some defeating losses. Something crazy happens in the next issue of INVINCIBLE IRON MAN that I don’t want to spoil, but people are gonna be like “What?!” We don’t know what form her version of super heroing will take, she’s still building it. We don’t know what form her technology will take. So, of all the characters, there’s a good chance—and I’m pretty much telling you it is—that she’s going to evolve past the Iron Man construct to something else, and I think that’s pretty exciting.

I look at her like imitating the amazing style of an amazing artist. Like Bill Sienkiewicz is the best example. Very early in his career, he was highly referenced and influence by Neal Adams, and Neil Adams is a very difficult thing to imitate, right? Very difficult. And he did it, and you were like “Wow, you’re an amazing artist, you can do Neil Adams!” right? That’s how I look at Riri right now. She’s amazing. She can do Tony Stark pretty good, but, like Bill Sienkiewicz, will she evolve so far past it that people won’t even remember that she was Iron Man Universe-related? You know, is she capable? And again, you can bring up many other examples in music and television and film where the influence is there, and then they don’t need it anymore, then something else happens. And that’s where Riri’s headed in the next year.

Marvel.com: You’ve got her, you have Victor, you have some other strong personalities in there. Would you characterize what’s going to happen as a violent clash?

Brian Michael Bendis: No. It’s a philosophical [clash], and I’ve already got Riri and Victor’s first meeting out of the way in INFAMOUS IRON MAN, because everybody assumes they were gonna beat each other up. And when you get there, and Victor doesn’t want to fight, there’s no fight. You can hit him all you want, he’s not gonna fight back, and Victor’s not mad at her, and Victor’s not in a crazy, manic state that he usually, or sometimes, is in. He’s calmed down. So, when she shows up in his life, this is a brilliant young woman that he can relate to, and this isn’t someone that he’d wanna fight.

Also, he’s very aware of what it feels like to be in her position, at the beginning of your studies, not even knowing what you don’t know. That’s one of my favorite things, finding something out. Oh, I didn’t even know I didn’t know that, you know? And I know, he’ll get really excited for other people discovering things. So this is the Victor we’re dealing with right now. Not the whole mad genius. Now, does he want to turn her into the whole mad genius? Who knows? And also, may I say, Riri is at a very precarious stage. She’s had a world with nothing but loss and confusion in it. Intelligent characters- intelligent people- in this world we live in right now, find themselves very frustrated. Unintelligent leadership, and science not being the forefront of the society; you can read about it all the time, this is not something that I’m making up. Intelligent children sometimes shut down because they’re like “Whoa boy, this… everything’s weird.” So that’s part of Riri’s development.

Marvel.com: Is she easily influenced?

Brian Michael Bendis: No, not easily influenced. [And] it’s not stubbornness; I don’t see it that way, but I have a person in my life who decides things before they absolutely know them. And sometimes they’re right, because their confidence and intelligence is very strong, and sometimes it’s “Oh no, I was wrong.” But their guess, their instinct is very good, right? So that’s part of where she is. So her instincts [leads to her] calling it like she sees it. Like she sees bull and calls it, and then finds herself in the middle of it.

I have a storyline going right now where she’s right in the middle of terrorist actions in Liberia and S.H.I.E.L.D being S.H.I.E.L.D, she doesn’t buy into any of it. So she’s kind of just making up her own place in it, and it’s throwing off all of the ways that people do things. Maybe in a good way, maybe in a bad way, but she’s gonna have some mistakes she makes, big, big mistakes. But there’s something really brassy and confident about the way she handles things, and that is something Victor is going to be able to talk to her on. He will be able to communicate his philosophies through that idea.

Marvel.com: So far, it doesn’t sound like the tone of INVINCIBLE IRON MAN will change with the advent of Marvel Legacy.

Brian Michael Bendis: Oh no, no. First of all, what Stefano Caselli has accomplished with Riri this year is so amazing that he sometimes gets mislabeled as the creator of the character, even though it’s Mike Deodato who co-created the character. But that’s how strong Stefano’s voice is, and how connected to the action with the character he is, it’s just amazing.

But with him in mind, just doing unbelievable work, that’s the tone of the series. That’s Riri’s worldview, her perspective…you know, we’re so often in her perspective. I know people are very curious where she is in certain spectrums—that’s been a question that people have had. She’s clearly outside of what would be considered normal, on a couple of different things. I think that’s a celebratory thing. I’m surrounded by people in different places in different spectrums, and without diving headfirst into what that is and what that means, we’re gonna explore that as well. And I think a lot of younger readers identify with that, much in the way they identified with the original Peter Parker and his struggles, I really do.

Marvel.com: When you talk about her being brassy, do you think that’s really what people are responding to, or one of the main things?

Brian Michael Bendis: It’s funny that the panels that pop up in my tumblr or Twitter feed always kind of let me know. There’s like, six or seven panels that I see every day, that people go “Yes!” or “I’m scared for her.” It’s a mixture of that, [and] it’s really cute. And I’ll get all “I’m scared for her, too!” Like they’re scared for her, and yeah, I am, too and I wrote it! I’m really scared for her.

Marvel.com: You also have something to say about MIT and Riri?

Brian Michael Bendis: I’m going to be speaking at MIT in November. I was invited by them to come speak about comics and culture. And what was amazing was that we had Riri come to MIT. It was a campus I did a lot of research on for a project that was unrelated to Marvel, an HBO thing that didn’t happen, but I had so much feeling about this place, I loved it, and I said I was definitely gonna have a character there one day. And then years later, it was like “The coolest place we can have Riri live is the MIT dorms!” So when I started putting this in, little did I know, that MIT had completely embraced this character.

They created this amazing admissions video. It was actually pretty hilarious. So in November, at MIT, we’re gonna make a pretty major announcement about Riri. So people that are invested in her, people who are supporting her, there is big stuff coming with her. MIT’s a very unique place for a character in her first year to be so well-received, not unlike what Kamala Khan and Moon Girl experienced.

It’s hard to describe to people, because no one was asking for them. That’s what I love about the Legacy characters. Nobody said “I want Miles,” or “I want Riri,” but then they got them and they were like “Thank you.” And that was the best feeling in the world.

Marvel.com: It sounds like you’re still digging this job. Has your own outlook changed on INVINCIBLE IRON MAN as you’ve gone along?

Brian Michael Bendis: No, what happens is, and this is one of the great things about a higher profile gig, is no matter what you’re writing about, you start your research and whatever you’re doing, and then people find out you’re writing about them or writing about something they know, or whatever, like the young woman who’s making her Ironheart armor in her garage. You reach out and they inspire and they share their stories.

There was a friend of mine who has a brilliant young daughter who is literally obsessed with Mae Jameson. That’s real and honest and I have to use that. There’s a scene where you see young Riri trying to get her teacher to give her something to push back against because she feels that that’s what made Mae Jameson great, right? And I know some people said, “Oh, is she asking for…?” and I was like “No, she’s trying to live up to her hero,” without realizing that her hero made it easier for her, and that’s a big lesson for her too.

Every day it’s something new, new people share their experiences, people inspire me to keep going. I can’t wait to get to MIT, I’m literally gonna go live in the dorm, live in Riri’s world, so I’m so excited. And on top this, yes, back to Marvel Legacy. Yes, these legacy characters mean the world to me. I’m very invested in them and I’m very invested in how much the audience has supported it and what we’re gonna do now. And I know when people hear “The Return of the Heroes,” they worry about the new hotnesses. You do not have to. To fans, so you know: you have made it so Riri, Miles, and Jessica Jones can sustain their own titles. It’s insane, right? So, we will never ignore that.

Marvel.com: Last question—do you miss Tony?

Brian Michael Bendis: Oh, no. ‘Cause I got Tony A.I. the whole time, which is uber-Tony, so any great Tony joke I can think of, this guy will do it.

It’s funny: Tony is the itch I never had to scratch. Literally from the moment I came in to Marvel, I’ve been writing Tony in some book. And I never did it on purpose…and everyone’s always focused on how I’m always writing Kitty Pryde in every book. But Tony made it into every book—every book had Tony Stark in it. Totally by accident! You look back and you go, “Oh, that’s funny. Even in the Guardians of the Galaxy, too.”

I never wrote a book without Tony. My love for him is obviously as strong as it can get for a creator and a character that they didn’t create.

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1940-2017

Marvel Comics pauses to reflect upon the life and career of a true American original, filmmaker and writer George A. Romero, and man who worked his way up from humble beginnings to become the leading creator of an entire pop culture movement.

Romero’s love for classic cinema took root in him at an early age and never let go. With respect and admiration for the great screenwriters, directors, and actors of more than one age of cinema, he took the reins of his own productions and at the tender age of 27 directed, produced and co-wrote an independent film that modernized the idea of the “living dead,” “Night of the Living Dead.” Released in 1968 and filmed in black-and-white with friends standing in for zombies, perhaps no one stood more surprised than Romero himself when it became the first of a cottage industry.

More films followed, but the dead continued to loom large in Romero’s visions. He sequelized his 1968 hit with 1978’s “Dawn of the Dead” and 1985’s “Day of the Dead.” His movies not only offered thrills and chills aplenty, but also sharp satirical commentary on the human condition and the evils the living perpetrate on themselves. Numerous projects flowed from Romero’s pen and lens, and he found himself eager to stretch out into other mediums, including video games, stage plays, and books.

Marvel Comics came calling in 2014 to partner with Romero on EMPIRE OF THE DEAD, a unique trilogy of limited series that sprawled over 15 issues featuring not only zombies but vampires, too. The three series featured art by Alex Maleev, Dalibor Talajic, and Andra Mutti.

Marvel Editor-in-Chief Axel Alonso worked closely with the director on the comic project. “In creating the ‘Zombie Apocalypse,’ George A. Romero provided the ultimate metaphor for mankind’s inevitable fate and the perfect creative Petri dish to examine the depths of human nature,” he says. “It was an honor to help him tell a chapter of his saga.”

George Romero’s rebel spirit led to the breaking down of storytelling traditions to bring underlying ideas in the human psyche to modern audiences with a fresh take. He’ll be remembered for his passion for his projects, and for the art of tale-telling, something that seemed to come quite naturally for him.

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Jack Kirby and Stan Lee join Carrie FIsher, Mark Hamill, Oprah Winfrey and more as Disney Legends.

Every two years, at the biennial D23 Expo, The Walt Disney Company honors the most remarkable contributors to the Disney legacy, recognizing them as official Disney Legends. This year marks the 30th anniversary of the Disney Legends Awards. The first Disney Legend was Fred MacMurray (The Shaggy Dog, The Absent-Minded Professor, The Happiest Millionaire), who was honored in 1987. Today Disney proudly announced the names of the nine gifted individuals who will be joining past Disney Legends such as Julie Andrews, George Lucas, Alan Menken, Dick Van Dyke, Barbara Walters and Robin Williams.

Founding fathers of the Marvel Universe Jack Kirby and Stan Lee were honored this past weekend along with the following honorees of this year’s Legends Award: Carrie Fisher, Clyde “Gerry” Geronimi, Manuel Gonzales, Mark Hamill, Garry Marshall, Julie Taymor, and Oprah Winfrey.

Pioneering comic creator Jack Kirby, known as “the King,” created new characters who leapt from the page and defined the Marvel comic style. His son, Neal, represented his late father, and said he “didn’t create super heroes or super humans. He created super people.” Neal accepted the Disney Legends Award at the D23 Expo on his father’s behalf. Watch the video above.

Stan Lee was honored for his remarkable accomplishments over his enduring career with a Disney Legends Award at D23 Expo in Anaheim, CA. Watch Stan accept his Legends Award below.

A visibly moved Stan Lee shared with the crowd how much it meant to him to save up to buy the book The Art of Walt Disney. He explained, “I loved Walt Disney. He was more than a man, he was an inspiration. He was something to reach for, to be like him. To think that today I’m standing here in the house that Disney built, that paid tribute to Jack [Kirby] and all things Disney—it is so thrilling, I can’t tell you.”

For more information about the Disney Legends and D23 Expo, visit D23expo.com.

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