Brian Michael Bendis lists his favorite moments from nearly five years with the team!

Stuck on Earth and scattered across the planet, if there’s one thing that can bring the Guardians of the Galaxy back together, it’s a common enemy. On April 12, “Grounded” reaches its conclusion with the final issue by writer Brian Michael Bendis in GUARDIANS OF THE GALAXY #19!

After close to five years of wandering around the universe and sometimes saving the day, it’s time for the Guardians to part ways with one of Marvel’s most prolific writers. An era of Guardians history comes to a close in this special doubled-sized issue, featuring work from Valerio Schiti and an all-star team of guest artists.

To celebrate the achievement, Brian gave us a retrospective look at his favorite moments alongside the most dysfunctional super group in the galaxy.

Marvel.com: Let’s start with the best of the worst: favorite villain?

Brian Michael Bendis: Peter’s father. It was one of the reasons I wanted to write this book, having done the research working with the Marvel Cinematic Creative Committee. They were debating whether or not Guardians was a movie franchise—this was when Guardians was as cult as it gets. They sent me some material and some things they were thinking about and I started reading—and I had read it as a fan—but to read it considering its global potential was an interesting thing to do. And then reading Peter’s origin story was so exciting to me because, if you read it, it’s as good as Spider-Man or Superman, it’s just not as well known. The purity of narrative is beautiful. This king crash-lands on Earth in the middle of a space war, falls in love with an Earth person, knocks her up, goes back to his space war, and she’s left on Earth with a half-alien baby—and the boy will never know. This is phenomenal stuff. And then he grows up to find out who he is and “Oh my god, your father’s an a-hole across the galaxy!” Most kings of anything are not known for their warmth. So, to dive into that and cover that for almost the first entire volume was very fun and something I was dying to write.

Marvel.com: Favorite guest star?

Brian Michael Bendis: Just last night, I wrote my goodbye to Guardians, so it’s all fresh on my mind. I think having Tony Stark up in space for as long as we did in the middle of golden run as a movie star was pretty exciting. Also, we had a lot of fun with him—what a great field trip for Tony to go on. And then, hilariously, him and Gamora hooking up, which shows up on my Tumblr feed every three days. It’s going down well as one of the great super hero hookups.

Marvel.com: Favorite event or tie-in?

Brian Michael Bendis: I’m very, very fond of “The Trial of Jean Grey,” even though that was a self-executed mini-crossover. I love when the X-Men go off into space, I love the weird X-Men stories. And the idea of bringing Jean Grey into the present and Jean Grey being a gigantic cosmic serial killer, as far as most people are concerned, a genocidal maniac. To put her on trial and be actively writing both books, making sure the trial happened organically in both books, was very exciting. It was like, “Ooo, you know what’s never been told before, this story. And I’m writing both books!? And, oh my god, Kitty and Peter fall in love in the process!” So everything about that, I really enjoyed and I hear from a lot of people about that. That’s probably everyone’s favorite story from my run? That’s the one I hear about the most.

But the one I think is my favorite tie-in stuff is probably the Black Vortex stuff, which is Sam Humphries’ storyline, but I thought it spoke well to what we, as a group of writers and artists, added to the galactic books over the course of the last couple years. There were interesting interactions between all the characters. We were just way into it.

But I also gotta say, for as weird as it is, the Guardians were always kind of in their own little world, and I know people like that about them as well. One of my mandates was to bring them more to a centered position in the Marvel Universe, so I added them into Infinity, which was the first time they crossed over in one of my books. Just having them show up in the event was so surprising because they’d never shown up in anything before. So that moment was really exciting for me.

Marvel.com: Favorite fight?

Brian Michael Bendis: Kevin Maguire is one of my favorite comic book artists of all time and we got him to do a couple of issues. And it was an issue with a Gamora and Angela team-up, [GUARDIANS OF THE GALAXY #10], I thought he did an outstanding job with that issue. It was a big, big fight, breaking into a planet, and I thought he did an exceptional job.

Marvel.com: Favorite Groot quote?

Brian Michael Bendis: I actually have a very funny story about that. We were making the “Powers” TV show last year and I was on set, because I wrote episodes. And I’d be in the video village and I had a little desk where I’d sit and literally write Marvel comics while they were setting up the lights and stuff. There were sometimes hours where I literally had nothing to do, so I’d sit and type. So I was sitting in the corner, typing. And one of the actors, whose name is Sharlto Copley, he’s in the show—he keeps looking over, thinking I’m writing the TV show. And I’m writing GUARDIANS OF THE GALAXY. Sharlto comes up behind me and just out of nowhere, reads what he sees on my screen, and yells “I am Groot!?” And it turns out, Sharlto has no idea who the Guardians of the Galaxy are, he never saw the movie, he has no idea what “I am Groot” means. And it was one of the pages where Groot keeps interrupting, that’s the joke, he’s just saying “I am Groot, I am Groot,” so Sharlto looks at it and thinks I’m crazy. He yells, “I am Groot,” everyone else in the video village jumps because they’re like, “Why is he yelling ‘I am Groot,’” because they get the reference. It was a totally unique, once-in-a-lifetime, hilarious moment where he’s yelling “I am Groot, I am Groot” and has no idea why people are laughing.

But one of my favorite moments of writing the entire series was the variant cover that Dale Keown did where the joke is that Jean Grey is talking to him and she can translate “I am Groot” into his actual words and his words are very poetic—and I probably worked harder on those words than anything I worked on that year. You got a little taste of what goes on in Groot’s head for real and I heard from a lot of people on that, so that went well.

Marvel.com: And favorite Guardian?

Brian Michael Bendis: Ahh! See, having written other team books, it’s never about “favorite Guardian,” it’s really “favorite relationship.” We knew that Rocket and Groot are the relationship. But when you discover friendships, or antagonisms, or a new type of relationship within the group of friends, that’s always my favorite stuff. So when something like Angela and Gamora—they really like each other. I think Angela just adores Gamora, and they fight well together and are happy to know each other—that kind of stuff I really like. And I liked writing Tony and Rocket, because Tony is sometimes like Rocket, but in the Avengers. He’s kind of caustic and like “I know everything and everyone’s gonna do what I say.” So for him to [be] faced with this little animal version of his own ego, on a ship—it’s really fun to write. On Avengers, it was discovering that Luke Cage and Spider-Man were hilarious together. That was a surprise, it wasn’t planned. The same thing happens here, where the characters start to gravitate towards each other or away from each other, and the towards each other is always the most fun stuff. And you can’t force it.

I also like this—and I know people really like this and it’s the thing that I’m [guiltiest] of—but, if Kitty Pryde’s not busy, I will grab her and put her in my book. And the most outlandish incident of me doing this is putting her in outer space for a while. I thought Kitty’s no-nonsense, once-a-teacher, strong-Jewish-woman-up-in-space was a ton of fun. And her juxtaposition to Gamora was a great bit of fun. I think her presence on the team, with Tony’s, was very different. What I wanted, and liked, was adding this element that wasn’t in the movies. Just to see what shakes out differently—and with Tony and with Carol [Danvers] and with Kitty and Venom and Ben Grimm, I thought we were able to do that every time.

Marvel.com: What about the team dynamic did you enjoy writing most? How did you approach the characters differently as time went on?

Brian Michael Bendis: I kind of got it in my head that they’re kind of on a road trip that never ends. They’re in a big RV, or on a tour bus, and the tour never ends—the dynamic of a tour. Traveling with family or traveling with friends—you ever go on a long trip with friends? It’s unique. So I wanted that dynamic to be constant, fighting over food and chairs and where we’re gonna stop and where we’re gonna eat. Just making sure that the life seemed like it was being lived inside that ship in a way that most people can relate to—you get on each other’s nerves, you laugh at stupid stuff, you get the giggles. Just normal traveling stuff. I also like that they all go away from each other for a while too.

It’s a very unique book in how they interact with each other. They are as close to family as anything in comics, but they also have their adventures. Always making sure that it felt like they were living together. There’s a lot of detail in the scripts about what’s in their rooms; Peter’s room is messy, Gamora’s room is perfect—how their lives interact with their environment. It’s a fun part for me.

Marvel.com: And finally, what are your overall thoughts looking back on nearly five years with the Guardians of the Galaxy?

Brian Michael Bendis: When I got the job, I originally came into comics as a crime fiction writer, and the things I was most known for, Daredevil or Jessica Jones, real-world crime fiction, that is what’s been my additive element to comics—my love of this and where my strengths are. So I found myself, just a few years later, writing a talking raccoon book—and dying to do it. That’s the other thing: I wasn’t doing it just to see if I could; I really wanted to do it. And when I got the call to do it, I was so excited because the challenge is enormous. Because, we haven’t mentioned, when I got the book, the book hadn’t been produced for a while. The last volume [before] was considered one of the great standards of Marvel Comics and one of the great runs of all time. The reason that there’s a movie is because of them. Stepping into a book that was already so well-loved among the core fanbase, no matter what I had accomplished in comics, I knew I was going to have to prove myself over time. So I was grateful that I was allowed the chance to do so.

The other thing that has to be mentioned is that there wasn’t one issue of any Guardians book that I had my name on that wasn’t drawn by one of the great talents of this generation of comics. From Steve McNiven, to Sara [Pichelli], to Frank Cho, to Kevin Maguire, and finally with Valerio Schiti—every annual, every special, every tie-in, everything we did had these great artists, including our finale, which is packed full of these awesome artists that I love so much. People just love these characters so much and they love drawing them, so every time you call up anybody in comics and say “Hey, you wanna draw raccoons and trees and spaceships for an issue?” the answer is “Yes I do!” So I was, and will forever be grateful, that the book was so beautiful, and exciting, and poppy on every single page. This book was gorgeous.

I also became very aware, of all the books that I write—and I write some very mainstream books that people have heard of—from the moment that I took the book, all the way through to this weekend at a sleepover that my kids had, if you tell kids that you’re the writer of Guardians of the Galaxy, they crap their pants. And I write Spider-Man and Avengers and Iron Man, but Guardians—my children’s friends stare at me like Rocket Raccoon actually just walked in the door. So, of all the books that are out there right now, I think Guardians is the one that has the most gateway potential. Kids are going to be seeing this and I’m so proud that when they see our stuff, they’re going to be seeing such beautiful comics—because on top of the characters, that’s how people fall in love with the medium. And I hope, when people see Valerio’s work or Steve’s work—and how exciting a visual and inspiring for the imagination it is—that people will find a way to stay with us. So my takeaway is that I’m very happy that the movie took off and that I bet right—because I bet on this a year before the movie came out and I was very happy that it did. But I’m also immensely proud to have put my name on such beautifully illustrated books.

Witness the end of an era with GUARDIANS OF THE GALAXY #19, by Brian Michael Bendis and artist Valerio Schiti, on April 12!

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Doctor Strange and company chase the cosmic big bad back to his home!

The Author threatens all existence. In DOCTOR STRANGE AND THE SORCERERS SUPREME #9 by Robbie Thompson and Javier Rodriguez, the team of magic casters decides such a risk cannot be ignored and so they take the fight to it where it lives. Can they possibly hope to defeat an opponent on its home turf when they barely annoyed it here on Earth?

We breathlessly reached out to writer Thompson for some reassurance. He had little.

Marvel.com: In order to defeat The Author, the Sorcerers have to give chase into its land. How did you conceptualize this sure to be unusual space? How did Javier Rodriguez bring your ideas about that realm to life?

Robbie Thompson: As always, I turned to my magical partner in crime, artist Javier Rodriguez. Working with Javier is incredibly inspiring as a writer. He has such a strong visual sense of storytelling and an incredible grasp of design and layout. When he first designed The Author, all I told him was the character’s true origins—spoiler alert!—that he’s actually an alien. Javier took it from there.

And that’s how editors Darren Shan and Nick Lowe and I approached the Author’s home world, which we’ll see a hint of in issue #8, but then in great detail in issue #9—we turned to Javier and set him loose. And boy, did he deliver! So, all credit belongs to Javier; he took a few very simple ideas and made them elegant and magical.

Marvel.com: What state are the Sorcerers in? Do they trust one another? If not, how do they view one another?

Robbie Thompson: The Sorcerers are pretty shook up by the betrayal of one of their own, Sir Isaac Newton. But in a sense, that betrayal has now forced them all to be on the same page. Newton was a problem, but he’s inadvertently conjured a much bigger problem for them all by summoning The Author to Earth. So, our hope is that if they survive this encounter, they’ll come out the other side a much stronger team.

Marvel.com: Given the Author’s ancient existence, is it really consequence free to eliminate him? What risks might the team be running?

Robbie Thompson: They’ll be risking their lives! The Author is an extremely powerful foe for them, and as we see in issues #8 and #9, the magic of the Sorcerers does little to no damage to this adversary. They’re going to have to find a much different rabbit to pull out of the hat in order to best this foe!

Doctor Strange and the Sorcerers Supreme #9 cover by Javier Rodriguez

We wanted to continue to put our heroes in deeper and deeper trouble, while keeping the escalation connected to the source of this story: Merlin. So, we’ve been building toward this reveal since the first issue—with Newton waiting in the wings to turn on his fellow Sorcerers, his blind ambition exposing our heroes to a being more powerful than any they’ve faced so far.

Marvel.com: How does The Author view them? Do they elicit any kind of emotion at all?

Robbie Thompson: The Sorcerers are nothing but annoying gnats to The Author! He finds them all disappointing and weak! But arrogance is a weakness, too, and hopefully the Sorcerers will find a way to exploit that weakness in issue #9.

Marvel.com: As you look to the end of this arc, any last teases to offer to get the fans clamoring for it?

Robbie Thompson: Javier, inker Alvaro Lopez, colorist Jordie Bellaire, and letterer Joe Caramagna really outdid themselves with these last couple issues, culminating in a visually stunning ninth issue. They all really raised their game and delivered one of the best issues of the series. Javier’s design and layouts are mind-blowing and Alvaro’s inks are so textured and rich. Joe always finds a way to bring the characters’ voices to life in new and brilliant ways. And what can you say about Jordie Bellaire? She’s an absolutely incredible storyteller and her colors are astonishing. The whole team is amazing.

And that’s not all! In issue #10, young Nate Stockman and Tamra Bonvillain are back in [a story] that’s set in the future and features some of my all-time favorite mutants. Nate clearly had a blast working on that [one], it’s some of his best work to date, and I can’t wait for folks to see it!

Take a trip with Robbie Thompson, Javier Rodriguez, and company in DOCTOR STRANGE AND THE SORCERERS SUPREME #9 on June 28!

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The creators of a new Star Wars one-shot take us on a tour with the mechanical masterworks!

R2-D2! BB-8! And Darth Maul’s probe droids!? On June 28, make the jump to lightspeed alongside some of the universe’s greatest mechanized companions with STAR WARS: DROIDS UNPLUGGED!

Written and illustrated by Chris Eliopoulos, this one-shot details three brand-new Star Wars stories—follow R2 on a crucial mission for Luke, witness BB-8 play matchmaker for a couple of Resistance soldiers, and see what Darth Maul’s probe droids did when they weren’t busy scouting for Qui-Gon Jinn!

To prepare for the book, we spoke with Eliopoulos, colorist Jordie Bellaire, and assistant editor Heather Antos about their favorite droids—and droid moments—in Star Wars history.

Marvel.com: There are so many incredibly-defined droids that act as main characters in the Star Wars universe—so, what’s your favorite droid that plays a central role in the Star Wars story? BB-8? Triple-Zero? Chopper?

Chris Eliopoulos: From the first time I saw “Star Wars” as a nine-year-old boy in the theater, I loved—loved—R2-D2. I currently have about 300 astromech droids in my studio. Really small ones to a giant R2 cooler. He’s the man—or droid. R2-D2 seemed to always know what was going on as well as being brave and snarky. It was something new for me. A machine that was cool.

Jordie Bellaire: I think my answer was always R2, he’s sassy and a bit bossy, but I think K-2SO has taken the love cake. He’s not only sassy and bossy, he’s pretty cynical—my kind of droid!

Heather Antos: Artoo, hands down, is the best Star Wars droid. Whereas all the other characters always seem to be getting into trouble…Artoo always seems to be the one to get his best pals out of trouble.

Marvel.com: Likewise, there are countless minor droids that the we might only see on the fringes of a Star Wars story. What’s your favorite background droid? Uncle Owen and Aunt Beru’s Gonk? IG-88? FLO the waitress?

Chris Eliopoulos: I love Treadwell, 2-1B and even the EV-9D9 droid that harmed my favorite, which is the Gonk droid. I have all these astromech droids in my office, but there is room for one Gonk droid.

A small nod has to go to RX-24 or Rex from the Star Tours ride. He was a lovable goofball.

Jordie Bellaire: I’ve always loved the design of an Imperial probe droid. Not to say I’m a baddie but you know, the baddies have some beautiful equipment to search out that rebel scum. Probably explains my K-2SO love as well!

Heather Antos: Gonk! I love Gonk so much—and I honestly can’t explain it. I think there’s an epic story with Gonk just waiting to be explored. I bet there’s so much of him that we just don’t know about yet.

Star Wars: Droids Unplugged cover by Chris Eliopoulos

Marvel.com: Time for some hard-hitters…What’s your favorite droid moment in a Star Wars comic book?

Chris Eliopoulos: I kinda have a perverse love of seeing Chewbacca ripping Triple Zero’s arm off and smacking him with it in STAR WARS #13. It follows the line that Wookiees tend to rip arms out of their sockets when they get angry line.

Jordie Bellaire: The psych out hologram of R2-D2 in PRINCESS LEIA #1!

Heather Antos: Any interaction between Triple-Zero and BT-1!

Marvel.com: And the toughest of all—what’s your favorite droid moment in a Star Wars movie?

Chris Eliopoulos: The scene in [“Empire Strikes Back”] where they are racing to get to Boba Fett to save Han and as they watch Slave-1 takes off, a blaster fight out breaks out on the platform and R2 seems to do donuts. In my young head, I thought he was being brave and blocking fire to protect his friends. A heroic moment.

Jordie Bellaire: The Ewok campfire scene, where 3PO is playing storyteller.

Heather Antos: One of Artoo’s most heroic acts by far was rolling into the arena on Geonosis to reassemble his best buddy, C-3PO. Artoo will stop at nothing to help his friends!

STAR WARS: DROIDS UNPLUGGED, written and illustrated by Chris Eliopoulos, goes on sale on June 28!

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Kieron Gillen continues the epic crossover featuring Doctor Aphra!

This month, writers Jason Aaron and Kieron Gillen find themselves about halfway through their second intergalactic narrative crossing over STAR WARS and DOCTOR APHRA, and fans find themselves in the midst of a dinner party gone horribly wrong with the Queen of the Screaming Citadel deprived of her main course: Luke Skywalker! Not surprisingly, we see Doctor Aphra in the middle of it all as she and Luke attempt to escape the wrath of the planet’s monarch all the while seeking to unlock the mysteries of the Jedi crystal.

As we round the bend towards the mid-point of this event, we sat down with co-writer Kieron Gillen, to discuss what we’ve seen so far and what we can expect around the next corner.

Marvel.com: When we first spoke about “The Screaming Citadel,” we discussed the similarities to other pulpy horror adventures like “Indiana Jones and the Temple of Doom.” Given where things left off with the second issue of the story, I’d say that comparison was a pretty good one given the scene at the breakfast table…

Kieron Gillen: Of course, the other comparison would be that Sana and Aphra clearly had some “Bad Dates.”

Marvel.com: Do you have any other similar surprises in store for readers?

Kieron Gillen: Nope. Nothing happens in the remaining three issues. I’m not sure what we were thinking. We’ve decided to move into a weirder slice of life direction, where Han and Leia sit down with 000 and BeeTee and experiment with crochet.

Marvel.com: We also discovered that Aphra intended to feed Luke to the Queen. How do you bounce back from that sort of discovery if you’re Luke?

Kieron Gillen: Luke and Aphra’s relationship certainly ricochets around across the story. You have to suspect that the latest experience does put a general downer on it. Luke has tended to idealize Aphra. It’s hard to hang onto that when someone’s tried to feed you to an alien queen.

This is all written from experience. I had a friend who tried to feed me to an alien queen. Our relationship was never the same, but we’re at least polite in public now.

Marvel.com: On the other hand, how do you suppose Aphra convinces the Queen to unlock the secrets of crystal now that she’s blown her dining room?

Kieron Gillen: With great difficulty.

That said, it’s a big house. The Queen’s probably got a lot of dining rooms. And we’ve seen in the first issue she prefers to eat while standing on a balcony. Kind of Al Fresco.

Doctor Aphra #8 cover by Marco Checchetto

Marvel.com: Of course, we also have the secondary story you’re developing in the background with Han, Leia, and Sana who are trying to catch up to Luke and Aphra. Why is it that Sana is so reluctant to fill Han in on her past with Aphra?

Kieron Gillen: Because it’s deeply embarrassing, for one. Maybe that’s the main one; Sana and Han have a complicated relationship, and letting Han know the details would make her never live it down.

Of course, Sana is the person who told Aphra where they were. If she hadn’t done that, Aphra would have never been able to convince Luke to go with her. The more that Han knows, the more likely they’ll piece it together.

Marvel.com: Once the two groups reunite, we’re going to see Sana and Aphra come back together again. While Sana seems to be finding a place for herself in the Rebellion, Aphra doesn’t appear to be slowing down any. Do we get any idea of what happens next for them as the series continues?

Kieron Gillen: Oh, it’s certainly a heart-warming moment when they meet up. Possibly literally, in terms of having a blaster bolt setting Aphra’s heart on fire.

Marvel.com: Now, let’s pretend there’s a “happy ending” for this Star Wars horror story and Luke gets to learn a little more about being a Jedi after the secrets of the crystal are unlocked. But up to this point, Aphra hasn’t tipped her hand yet. What does she get out of all of this?

Kieron Gillen: The most messed up thing in all of this is Aphra’s been relatively clean on her aims. She wants to reactivate the Rur crystal. Where she hasn’t been honest is her main motivation, which is to sell it for enormous amounts of cash.

Marvel.com: Last question: What’s the deal with the Wookie allergies on this planet?

Kieron Gillen: It’s less of an allergy, and more of an intolerance. More next issue, shall we say?

“The Screaming Citadel” winds its way into DOCTOR APHRA #7 on May 31, then on to STAR WARS #32 on June 14, and finally back to DOCTOR APHRA #8 on June 28!

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Dive deep into the history of T’Challa with artist Wilfredo Torres!

Wakanda just can’t catch a break!

In BLACK PANTHER #15—out June 28—the African nation comes to understand that its ancient gods have left them to their own devices. While King T’Challa tries to figure out what’s going on, writer Ta-Nehisi Coates and artist Wilfredo Torres continue to throw challenges his way.

Torres took over for fellow artists Brian Stelfreeze and Chris Sprouse–who will return–with issue #13 and kicked off the new storyline “Avengers of the New World.” The arc dives into all kinds of beginning-of-time mythology that the artist gets to play with and develop. We talked with him about dreaming up some of these characters, putting his own spin on existing ones, and diving into the world of Wakanda.

Marvel.com: How was it coming up with the designs for the Simbi, Anansi and Teku-Masa? Did you look to ancient images for inspiration in developing them?

Wilfredo Torres: I tried to look at species native to Africa but ultimately I tried to not go too far down the rabbit hole and instead went with more of a traditional comics, movie monster feel.

Marvel.com: Wakanda has such a unique feel and history to it. How has it been getting familiar with that world?

Wilfredo Torres: It’s a fantastic setting with all the elements you could ask for; a beautiful natural environment, a technological marvel married to tradition. It’s really a wonderful backdrop for any storyteller.

Marvel.com: Black Panther himself has such a sleek, seemingly simple design. Is it difficult putting your own spin on that costume?

Wilfredo Torres: It’s deceptively simple really but Brian Stelfreeze had such a great approach to it so I just tried to follow in that same direction.

Marvel.com: How do you feel your collaborative relationship with Ta-Nehisi has evolved since you started working together?

Wilfredo Torres: Ta-Nehisi’s scripts play out like massive cinematic scenes and they also have these wonderful personal moments which I love working on. It’s been great to collaborate with him on this as well as [colorist] Laura Martin and the entire team.

BLACK PANTHER #15 by Ta-Nehisi Coates and Wilfredo Torres arrives on June 28.

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Discussing the end of the master assassin’s Las Vegas adventure with writer Matt Owens!

Unlike most visitors to Las Vegas, Elektra will be getting gone when the getting is good.

Before the lethal lady grabs the next flight out of the glittering glitzy desert, however, we cajoled ELEKTRA writer Matt Owens to talk about how her time on the Strip changed her and what he learned about Ms. Natchios over the course of this series.

Marvel.com: Obviously, when you start the pitch for a character you have a distinct idea of him or her. However, over time, often, that perspective may evolve and change. In writing ELEKTRA, how did the titular character evolve for you? Where did she start and where did she end up in terms of how you thought of her?

Matt Owens: I learned an important lesson as I watched Elektra do the same throughout this story. I think Elektra is very similar at the beginning and the end of this story. The lesson learned is that that is ok. We are who we are. Failures, faults, fears. Elektra was running from a lot but ultimately she was running from herself. At the end of this series, she is not running anymore.

Marvel.com: Continuing that thread of how Elektra changed within the book, how do you see her trip to Sin City as having made her over? What ramifications can you imagine these changes having down the road?

Matt Owens: I think the biggest ramifications are going to be for those who have screwed her over most recently. After her most recent run-in with Daredevil, she tried to escape all the pain and bull. Now she realizes that there is nowhere she can go where someone will not be messing with her. So it’s going to give her a great drive heading back to New York. She has certain people in her [crosshairs] and she is a newly motivated Elektra.

Marvel.com: One aspect that you really dug into in the book is how Elektra’s past echoes into her future. Now this can be said for all of us, but why is it especially true for her? Do you view those echoes as helping her or imprisoning her in her current life?

Matt Owens: They do both.

One of the themes of this book is how your past informs your future. Are either of those two things escapable? Are they intricately intertwined? We see how Elektra deals with failing to save people. It’s a hang-up of hers from her early days of trying to be a hero. And it has a big impact on her in the present day story.

Similarly, her future seems to be rooted in her past as well. Both in the place and people it will involve. It’s inescapable. Which can be a frustrating realization to come.

Marvel.com: Artistically, how did your collaboration with Juan Cabal progress? How did you two aid/push each other creatively?

Matt Owens: Working with Juan was one of the most fun parts of this book. I make a lot of references to things in my scripts. It’s how I think and talk. Juan and I very quickly learned that we love the same sorts of things.

Elektra #5 cover by Elizabeth Torque

I would make a reference to the One Piece manga and he would visually know what I was getting at. I would make a Final Fantasy reference and he would come back with something even bigger and better than I imagined. You can definitely see the visual influences on our version of Murder World. It ends up being our sort of homage to Gold Saucer. It evolved over the course of the run as we got to know each other better.

We made each other laugh a lot and challenged each other and I think the book turned out great because of that.

Marvel.com: Making Arcade the central villain of the story certainly pitted Elektra against a nontraditional opponent. Looking back over the arc, what do you think that helped you reveal about your protagonist as a character? Similarly, what did putting Arcade against someone he doesn’t generally cross swords with help you to explore or highlight about him?

Matt Owens: Going to Vegas was a selfish act on Elektra’s part. Finally fed up with everything she has had to deal with in her life/lives, she chose to flee. But a hero does not get to give up his/her duty so easily. It was a difficult lesson to learn, but that was [what] Arcade forced her to see. That she is innately good. She will help people. She’s had failures in the past, but that does not make her any less of a hero. On the physical side, it also solidified why Elektra is one of the deadliest members of the Marvel Universe. She got to show off a lot of skills in this story. It was fun having her in an unfamiliar environment and seeing how she would get herself out of certain situations.

Now for Arcade, going up against Elektra was the ultimate instance of flying too close to the sun. He had a lot to prove with this new Murder World. He was still dangerous, he was still entertaining, and he can still kill the best. He’s desperate to try and reclaim his perceived seat at the high table of super villains. But as he explains to Elektra, even these current machinations are at the behest of someone else. He thought he could taste former glory, but it eluded him once again.

Marvel.com: Looking specifically at issue #5, why is it a must-have for any fans of Elektra the character or your ELEKTRA series?

Matt Owens: I think it helps solidify, for the universe and for Elektra herself, her importance and ties to New York. Specifically to characters like Daredevil and Wilson Fisk. The impetus for her flight to Vegas was an attempt to get away from things in her past. Matt, New York, heroism. Only to realize at the end that no matter what she does, she is inexplicably tied to those people [and] that place. It is her destiny. Whether she likes it or not.

That’s a hard realization to come to. Elektra has been a tool used by so many people for a long time. Oftentimes feeling like her choices are not her own. This battle with Arcade and the implications behind it have proven that to be true to an extent. And that is not going to sit well with Elektra. Now she can return to her rightful corner of the universe and face the very things she was trying to push away head on.

Go all in on ELEKTRA #5 by Matt Owens and Juan Cabal, available June 28!

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Kingpin takes advantage of social tensions to steal a major artifact!

Celebrate the Wall Crawler’s return to the big screen in “Spider-Man: Homecoming” by heading back to school with these adventures available on Marvel Unlimited!

Trouble rumbled through the pages of 1969’s AMAZING SPIDER-MAN #68 by Stan Lee and John Romita. The issue kicked off with Kingpin learning of an ancient clay tablet on display at Empire State University that he wanted, even if it meant throwing down with Spider-Man once again. Meanwhile, Spidey swung around after his battle with Mysterio, grumbling about not snapping any pictures of the fight. He got home only to find that his roommate, Harry Osborn, had locked the window!

The next day Peter Parker went to school on the E.S.U. campus and met Robbie Robertson’s son Randy. Moments after, a fellow student named Josh asked the young scholar about his thoughts on an on-campus issue; apparently the powers that be at the school intended to close down the exhibition hall and turn the building into rooms for visiting alumni. Josh represented a group that wanted the administration to turn that space into low-rent housing for students with financial difficulties.

Things looked up for our hero after he ran into Gwen Stacy and had a nice visit with Aunt May, but we readers learned that the latter had received some bad news from the doctor that she didn’t relay to her nephew. Back on campus the next morning, a protest had begun in an effort to convince the school to turn the hall into cost effective student housing. Josh wanted to take the building by force if necessary which did not sit well with Mr. Parker who pushed away from the group and went inside the hall to look at the tablet.

With enough of a crowd listening to him, Josh called for everyone to rush the hall. Kingpin saw this on TV and realized it would be the perfect distraction to steal the artifact. For his part, Peter also took advantage by snapping pictures of the demonstration. At dark, the villainous crime lord and his crew showed up and used an explosion to draw focus away from them as they ran into the not-so-secure location. Inside, Wilson Fisk actually came face to face with Peter Parker for a moment. As the Kingpin of Crime made his way to his goal, our hero ducked into a corner and changed into the Friendly Neighborhood Spider-Man.

Amazing Spider-Man (1963) #68

Amazing Spider-Man (1963) #68

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In the chamber holding the artifact, Spider-Man and Kingpin finally battled, with the well-dressed crime boss reminding the hero that his white jacket hid muscles galore. During the fray, Randy ran in and got smashed into a wall by the villain. Spidey grabbed him and escaped as part of the hall came crashing down and Fisk made off with the tablet. In the next issue, the police questioned Randy and Josh, assuming they had helped Kingpin with his plot. Meanwhile, out in the world, the villain allowed Spider-Man to find them, but the Wall-Crawler didn’t fall for the trap. The pair battled fiercely until Fisk’s cane gun backfired on him.

When the cops showed up, Kingpin lied and said that he and Spider-Man were actually allies. So, when the police saw Spidey him later, they opened fire. Peter wound up with the tablet in his possession until AMAZING SPIDER-MAN #71 when he gave it to Captain Stacy right after proving the kids didn’t have anything to do with Kingpin’s crime.

A Tangled Web

Thanks to Peter’s pictures of Kingpin’s attack, Randy Robertson avoided an unjust prison stay. Afterwards the two became friends, but Randy eventually met a woman named Mandy and the two got married. After they split up, the younger Robertson returned to New York City and started rooming with Parker. Years later, Dan Slott brought him back in the pages of AMAZING SPIDER-MAN. He started a relationship with Front Line reporter Norah Winters which didn’t sit well with Phil Urich, who doubled as The Hobgoblin. The two broke up after the events of Spider-Island when Norah made more of an effort to cover the story than to save Randy’s life!

Next time, tragedy strikes Peter Parker once again when Green Goblin and Gwen Stacy have a date with destiny in the pages of AMAZING SPIDER-MAN #121!

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Brandon Montclare muses on where he’d like to send Lunella Lafayette!

That’s one small step for Lunella Lafayette, one giant water-rippling leap for Devil Dinosaur. Get ready for the 10-second countdown as the dynamic duo from writer Brandon Montclare and artist Natacha Bustos blasts off into space.

“Lunella gets into the MoonMobile thinking she knows where she’s going—but will be in for a few detours when ‘Girl-Moon’ starts in [MOON GIRL AND DEVIL DINOSAUR #19 on May 24],” says Montclare.

With no shortage of cosmic locales within the Marvel Universe, we asked Brandon to list a few he’d like to visit with these two characters. Take it away, sir!

“While she ping-pongs around the farther reaches of the Marvel Universe, here are some cool places I wish I could have visited with them.”

EGO THE LIVING PLANET: “Lunella and Devil Dinosaur only get to within 238,900 miles of Ego. That seems like a lot, but in planetary terms it’s just a near miss.”


ZENN-LA
: “I think the pair would love the high-tech home of Silver Surfer. Lunella is a city girl, and has never been more than a few miles from her apartment in NYC’s Lower East Side. The science-society of Zenn-La would both make Lunella feel at home, but also be wondrous enough to teach her a bunch of new things.”


THE BLUE AREA OF THE MOON:
” Moon Girl retains complicated feelings towards the Inhumans, and hitting the former location of Attilan would be no pleasure and all business. Lunella has more experience with Kree technology than any other Earthling, and the leftover rubble of the transported Inhuman capital city would be a goldmine.”


PLANET HULK
: “Because Devil Dinosaur needs to have some fun too! He’d love to go a few rounds with the galactic gladiators in the arena.”


ASGARD:
“I want Moon Girl & Devil Dinosaur to go there mostly because it means I get to see Natacha Bustos draw the Rainbow Bridge and the Norse/[Jack] Kirby/[Walt] Simonson-influenced lords and ladies. For a compelling story point: Lunella is now The Smartest There Is—that’s becoming well known all over our home planet, but it’s time she starts becoming the brainy ambassador to all our cosmic neighbors.”

Pick up the next installment of MOON GIRL AND DEVIL DINOSAUR tomorrow, May 24, from Brandon Montclare and Natacha Bustos—and be on the lookout for issue #20, coming June 28!

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Margaret Stohl checks out the challenges Carol faces in Secret Empire!

Carol Danvers has gone through a lot lately.

CIVIL WAR II definitely took an emotional toll, and now she faces the betrayal of Steve Rogers in SECRET EMPIRE. MIGHTY CAPTAIN MARVEL writer Margaret Stohl filled us in on Captain Marvel’s headspace, and where she finds herself psychologically and emotionally these days.

Marvel.com: Carol found herself in a pretty dark place at the end of CIVIL WAR II. And now SECRET EMPIRE follows right on its heels. It must feel very draining for Carol psychologically and emotionally. Does watching things play out with Steve erode her faith in some of the things she has believed in even more?

Margaret Stohl: Watching Steve Rogers betray everything that Captain America has always stood for is a crushing blow, not just for Carol but for everyone. On the other hand, she’s also an experienced military leader, and she knows better than anyone that the loss of Captain America only makes the role of Captain Marvel that much more important. She steps up when others step down, and she always has. So no, Steve’s betrayal doesn’t erode her faith, it makes her all the more resolved to defend it—because if she doesn’t, who will?

Marvel.com: Steve left Carol and her team outside the planetary shield surrounding the Earth to face wave after wave of the Chitauri army. What kind of state of mind will she have when she gets back?

Margaret Stohl: Carol has her combat brain on now, which means she only has three things on her mind: how to keep her team alive, how to get them back to Earth, and then how to save it. Her first goal is her team’s survival, particularly the three young cadets—Glory, Dante and A’Di—who were caught outside the shield with her during their training at Alpha Flight. That is priority one. Part of what makes Carol such an effective soldier and leader is her ability to compartmentalize when she has to. Making decisions in the moment is tough, but when a leader doesn’t lead, the people fighting for her die.

Mighty Captain Marvel #6 cover by Elizabeth Torque

Marvel.com: Currently, Carol leads Alpha Flight and plays a major role in the Ultimates. So professionally, she seems to really have things together. But personally, she’s facing more challenges.

Margaret Stohl: Absolutely. Carol’s first arc in 2017 was all about her personal journey back from the events of CIVIL WAR II. This arc is much more of a combat adventure, though even the fact that there are teens on Alpha Flight just shows how much her relationship with the Kree child, Bean, from the past few issues, has impacted her. In general though, I think Carol’s emotions are on hold until she gets through the catastrophe of SECRET EMPIRE. If she ever makes it home, Carol Danvers will have to work to process what has happened—not just to her but to her planet.

Marvel.com: Carol had a falling out with Ms. Marvel during CIVIL WAR II, and America is distancing herself from the Ultimates to go to college. How does it affect Carol to see her protégés walking away?

Margaret Stohl: Carol is a lifer in her fight for what’s right. Like many other heroes, she’s seen plenty of teammates come and go, and while that wears on her, she knows it comes with the gig. That said, I’m not sure she’s ever recovered from the end of her friendship with Kamala Khan. Since Kamala moved on in her life, Carol has taken the time to foster a Kree child and train three Alpha Cadets. I think she deeply feels the loss of Kamala, and is still trying to figure it out.

Marvel.com: I would imagine the fall of Maria Hill has had a pretty significant impact on Carol, as well. The two have had their differences, but have often found themselves in similar situations, and frequently worked together. Does it make Carol feel like maybe the same thing could happen to her? Like she could be forced out of the organizations she cares about?

Margaret Stohl: Women in positions of power are always aware of the fates of their female contemporaries, but at the moment, Carol really is caught up in just getting her butt back to Earth. I don’t know how much time she’s spent thinking about it. She’s much more worried about Wendy, who is trapped somewhere on Earth and away from the rest of the A.F. team.

MIGHTY CAPTAIN MARVEL continues to battle through Secret Empire as depicted in issue #5 on May 31 and issue #6 on June 28, both written by Margaret Stohl with art by Ramon Rosanas and Michele Bandini respectively.

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Brian Michael Bendis wonders what it would take to drive Ironheart over the edge!

The possibility of successfully navigating an angry super villain is approximately three thousand seven hundred and twenty to one! No need to tell Ironheart the odds of victory—chances are, she already knows!

But how invincible is Riri Williams? Can she maintain her sense of youthful idealism and hope in the face of villains seeking her demise daily? Writer Brian Michael Bendis tackles these questions and more not only in the current arc—issue #8 arriving June 21—alongside artist Stefano Caselli, but also in our most recent interview.

Marvel.com: We’ve spoken in the past about Riri Williams as a source of youthful hope for the Marvel Universe. What do you think it is that makes her such a positive character; not just for readers but as a person herself?

Brian Michael Bendis: She has a very unique perspective. I really dove into it when I discovered it, but if I’m honest, it’s hard to describe. She’s a studier. A lot of learning, but not a lot of experience. She has that youthful perspective of not yet knowing just how crappy the world can be. She’s been studying the global situation since she’s been nine years old, but it’s different seeing and experiencing the world versus studying it. That’s something a lot of people can relate to, you know? It’s a real thing in life.

Also, it’s a little similar to what we did with Ultimate Peter Parker in terms of that journey of coming to know something as opposed to just learning about it. But Riri’s process in gaining this perspective couldn’t be more different than Peter’s. The similarity is that they’re both growing up fast as super heroes.

Marvel.com: Sometimes, people do their very best to avoid letting others become aware of their greater weaknesses. What do you think Riri would want to avoid letting people know about herself?

Brian Michael Bendis: She’s terrified. It’s funny, you know? Some people don’t know what they do not know. But then again, there are others who are well aware of what they don’t know and it can be incredibly unnerving. She’s aware of her blind spots, and she can figure out what she doesn’t know.

For example, she could be in a fight and then run the calculations of how much more damage she can take before things go really bad really quickly. And that’s both helpful and a little nerve-wracking to know. With higher intellect comes more fact-based fear.

Marvel.com: Let’s assume you aren’t the mild-mannered writer that you are, and instead, are one of the four-colored comic book villains you write about. How would you go about breaking the heart of Ironheart?

Brian Michael Bendis: [Laughs] I’m actually going to do that in the book, so I can’t tell you that! That’s actually my job: to be the worst person in the world and figure out how to bring low the best person. It’s hilarious you’re asking me that!

Marvel.com: Well, you can’t blame me for trying! Let me ask this another way: How evil are you? What are some ways we can expect to see Ironheart tested to this extent even if in the future? How might you test her limits?

Brian Michael Bendis: [Laughs] Her limits are different. There’s no “Uncle Ben’s killer” to get. It’s not that kind of story. It’s about how she’s going to process her tragedies and move forward in life. That’s what the stories we’re going to tell are going to push her to the limit. Push her up against the wall and make her think twice—like what happened with Peter. How will the technology and legacy that she’s taken on will help her grow?

Invincible Iron Man #8 cover by Stefano Caselli

Marvel.com: It’s interesting as you’ve juxta-positioned Riri against Peter a couple of times. But whereas Peter’s origin seems to be centered around personal responsibility, Riri’s seems more focused on self-assurance.

Brian Michael Bendis: I keep connecting them because, while their stories are so specific, they’re also quite similar in their “everyman” qualities; we can all imagine ourselves in their positions doing something better or more exciting than we might. That’s what inspires.

And going back to your earlier questions, that’s my goal: to create situations that allow me to tell stories where I can push these characters to the extreme. It’s also worth pointing out she’s only two weeks into her super hero origin. She may very well be on a journey that puts her past Ironheart and onto something else. That’s very exciting!

Marvel.com: Looking down that road, there’s a common trope in comics over the past 30 years to go “dark and gritty.” Is this a place you could ever see Riri Williams going?

Brian Michael Bendis: There’s “dark and gritty” and there’s dark and gritty. In a similarly youthful book, Miles finds himself in a pretty dark place. His dark place looks like Matt Murdock’s brunch! [Laughs] It’s all perspective. I look at Riri’s story as a survivor’s tale. I don’t think that kind of darkness has a way “in” right now, but in five years? Who knows? We might discover something that would lend itself to that kind of story. But at the moment, the book is about hope and proactively working to make the world a better place.

As the global news is more chaotic, I’m finding that when I read the scripts back, I’m startled at how intimate and personal they’re getting. Because of that, there’s going to be a lot of “feels” and hope more than I ever have written before.

Marvel.com: Do we need moments of levity when we approach those narrative breaking points for our characters?

Brian Michael Bendis: Yeah, exactly. Fun is a dirty “F word” in some parts of the comics community, but some of my favorite comics right now have a lot of fun in them. Even the darkest ones possess a little fun. You have a suit of armor you made in your garage? You should have fun with it! That would never not be fun—it will always be fun!

See what Brian Michael Bendis and Stefano Caselli have in store for Ironheart in INVINCIBLE IRON MAN #8, coming June 21!

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