Enjoy the latest episode of the official Marvel podcast, with comics, movies, TV, games, and more!

We’ve got a brand new episode of This Week in Marvel to help you kick off the weekend!

In the latest episode of the official podcast covering all things Marvel, Ben and Alex get you up to speed on all the latest comics releases! Head over to the West Coast to hear Ryan and Christine give you all the games news coming out of E3 (54:20) while Marc talks to Mick Wingert (Iron Man) and Harrison Wilcox about this weekend’s fourth season premiere of “Marvel’s Avengers: Secret Wars” (58:25). Also, go inside the Marvel Publishing creative summit with writers Dan Slott and Mark Waid (1:14:52)! Hear from Brian Crosby on all the Marvel excitement coming to Disney theme parks and live events (1:25:19)! All this as well as your questions and comments (1:41:55)!

Be sure to join our #TWIMURC in two weeks when we have both coasts tackle X-Cutioner’s Song Pt. 2! Share your thoughts with us using the hashtag #TWIMURC!

Download episode #294 of This Week in Marvel from Marvel.com, check out Marvel Podcast Centralgrab the TWiM RSS feed and subscribe to This Week in Marvel on iTunes, so you never miss an episode! We are now also on Soundcloud! Head over now to our new hub to listen to the full run of This Week in Marvel!

This Week in Marvel will focus on delivering all the Marvel info on news and new releases–from comics to video games to toys to TV to film and beyond! New episodes will be released every Thursday (or so) and TWiM is co-hosted by Marvel VP & Executive Editor of Digital Media Ryan “Agent M” Penagos and Marvel Editorial Director of Digital Media Ben Morse, along with Marvel.com Editor Marc Strom, Marvel.com Assistant Editor Christine Dinh, and Manager of Video & Content Production Blake Garris. We also want your feedback, as well as questions for us to answer on future episodes!  Tweet your questions, comments and thoughts about TWiM to @AgentM@BenJMorse@chrissypedia or @Marvel with the hashtag #ThisWeekinMarvel!

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The Sith Lord’s first ongoing series begins with one of the best single Star Wars issues ever.

We all know that the first Star Wars film changed the face of pop culture forever when it hit theaters 40 years ago—but it’s not just the movie that’s celebrating that milestone in 2017. Star Wars comics arrived with force in 1977, and hundreds of issues later, they’re more popular now than ever.

To celebrate the 40th anniversary of Star Wars, we’re looking back at our 40 favorite moments from the history of comics from a galaxy far, far away—one day at a time.

Though several limited series of the past had featured Darth Vader as their—for lack of a better word—protagonist, not until 2015’s Marvel relaunch of Star Wars comics did the Dark Lord of the Sith receive his own ongoing title. It was worth the wait, though—DARTH VADER ranks among the best Star Wars comic series ever, and its first issue kicks things off memorably.

Darth Vader (2015) #1

Darth Vader (2015) #1

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Anyone who’s seen “Return of the Jedi” remembers Luke Skywalker’s dramatic entrance into Jabba’s Palace on Tatooine. Set shortly after the events of “A New Hope,” DARTH VADER #1 offers an alternate take on this scenario. Vader’s entrance closely mirrors his son’s that will occur a few years later, though with decidedly more sinister methods—mostly involving a lightsaber—used to reach the gangster. “I have only killed two [guards],” the man once known as Anakin Skywalker tells Jabba. “Do not make me reconsider my generosity.”

As the issue continues, we realize its ties to Jason Aaron’s STAR WARS, with references to Vader’s first direct altercation with Luke mentioned—and the fact that Vader’s appearance at Jabba’s Palace is “unofficial,” with the “official” one to occur in STAR WARS #4. We also experience a conversation with the Emperor in which Palpatine expresses his disgust with Vader for the destruction of the Death Star, and that now he will be taking orders from Grand General Tagge. When Palpatine asks Vader if he has anything further to report, he willfully neglects to mention important facts such as the death of Obi-Wan Kenobi.

DARTH VADER #1 proves that writer Kieron Gillen and artist Salvador Larocca absolutely get this character and this universe. And they won’t let up for the duration of the series’ 25-issue run.

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Does Green Goblin or Norman Osborn pose a bigger risk to the Universe?

In AMAZING SPIDER-MAN #32—due out on September 13 from writer Dan Slott and artist Greg Smallwood—Norman Osborn has returned. Spider-Man succeeded in taking down his nemesis at the end of issue #28, but without managing to capture him, it’s only a matter of time before the two clash again.

What we didn’t know then, however, was just how dangerous Osborn had truly become. Has Norman Osborn—the man—replaced his cackling former alter-ego as the most perilous of Spidey’s enemies? Or does the Green Goblin still reign supreme?

To find an answer, we put together a list of pros and cons about Osborn losing the Goblin within.

PRO: Norman Osborn’s activities are no longer hidden behind a mask

In the past, when Osborn would commit villainous deeds, the general public had no idea who really did the crime. His sins were covered by a horror mask. Even after the murder of Gwen Stacey and returning from his faked death, only the heroic efforts of the Daily Bugle staff finally exposed Osborn for being much more than just a cutthroat business man.

Now, there’s no benefit to Osborn’s deeds being shadowed. His machinations in Symarkia occurred in broad daylight—and neither intimidation, nor murder, nor a fleet of lawyers can obscure that now.

CON: A revealed Osborn has no need to pretend

Back when Osborn had to juggle his public life and his masked life, he had to scramble to keep them separate—to keep one from derailing the other. But, as noted above, those days are gone. And with that, so too is the need to be anything but 100% himself—an unscrupulous criminal obsessed with destroying the Wallcrawler.

PRO: He’s been cured of the mental illness that haunts all Green Goblins

The Goblin gas no longer works on Osborn. He no longer suffers from the illness that made him so erratic, that cost him his corporation, that lost him leadership of the Thunderbolts, and—most devastatingly—that robbed him of his place as the head of H.A.M.M.E.R.

CON: The gas’s lack of influence doesn’t mean Osborn has morals now

Just because Norman Osborn has gained control of his mental health does not mean he’s acquired a sense of goodwill. A healthy Osborn remains hungry for power and disinterested in anything except advancing his own sinister agenda.

PRO: He no longer has super powers

Ever since the gas lost its grasp on Osborn, the former Goblin no longer boasts super strength or an increased healing factor. This means that Spider-Man has a tremendous physical edge over his old enemy—the biggest one he’s had since they first tangled.

CON: Norman Osborn is getting craftier

In their latest encounter, he proved this fact—forcing the Webslinger through a series of obstacles that slowly stripped away Spider-Man’s physical advantages, and by the time Osborn finally stepped in himself, they stood on nearly-even ground.

Now imagine that kind of cunning put to use not just to evade the Web-Head—but to strike at him. Imagine when Spidey has no idea he’s been targeted. Imagine when Norman Osborn seizes control and Spider-Man has to react?

Positively terrifying.

AMAZING SPIDER-MAN #32, by writer Dan Slott and artist Greg Smallwood, is available on September 13!

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Writer Al Ewing discusses the raucous raccoon’s newest foe!

Rocket Raccoon’s been traveling around the galaxy for decades—and he’s come up against some formidable opponents in that time. He’s battled cosmic villains, alien races, and sometimes even himself—but he’s never had to contend with an anthropomorphic beaver that’s CEO of a mega-corporation.

Introducing Castor Gnawbarque III—a walking, talking nocturnal mammal that rivals even our hero. And in ROCKET #5, out on September 13, writer Al Ewing and artist Adam Gorham bring the two face-to-face…or snout-to-snout.

What else will we learn about this villainous semiaquatic rodent? We met up with Al Ewing in a secluded beaver dam to find out.

Marvel.com: I’ve got to ask… How exactly does one get in the headspace of a sentient animal?

Al Ewing: I haven’t really thought about it in those terms. I guess I have given Rocket some animal characteristics, in that raccoons have excellent hearing and a very good sense of touch—which ended up informing the comic a lot with Rocket being good at cracking safes. But mostly, I’m just writing an alien who happens to be Raccoonoid instead of humanoid, in a universe where a lot of alien species are some form of evolved animal. In a lot of ways, ROCKET veers into being a funny animal type of book—it’s the easiest thing in the world to describe a new alien as being like a giraffe or a warthog, and our superstar artist Adam Gorham loves to play around with what that might mean.

Marvel.com: Right! Rocket is so much more complicated than he seems. Is it difficult writing him?

Al Ewing: I think the challenge was reconciling the happy-go-lucky Rocket of my childhood with the very different character he’s become—and finding a way to make those two elements work together. And that’s the joy of it, too, because as soon as I understood that the Rocket of then and the Rocket of now are the same person, a whole chunk of his personality clicked into place. He’s a character who’s fallen a long way from what he was, which makes him very suitable for the kind of absurdist noir we’re telling.

Rocket (2017) #5

Rocket (2017) #5

  • Published: September 13, 2017
  • Cover Artist: Mike Mayhew

Marvel.com: He’s definitely grown a lot since then. What do you think of his modern pop culture presence? Did it alter how you developed him for the book?

Al Ewing: Well, I was already far along with the Rocket book when I saw “Guardians of the Galaxy Vol. 2,” but one thing that struck me in the movie was that Rocket carried a lot of sadness. His arc was all about lashing out, driving people away, dealing with his pain. And, yes, the movie Rocket is a very different character to the one we’re writing, but they do share that emotional core. Rocket’s someone who carries a lot of pain around.

Marvel.com: And how does Castor Gnawbarque III fit into this story?

Al Ewing: Castor Gnawbarque is the guy behind all of Rocket’s troubles…but at the same time, as I’ve been writing him, I’ve realized that he’s not a bad guy. Or he is, but as villains go, he’s a flawed, desperate individual trying to fill a hole inside him that no amount of money can fix. Essentially, he’s quite a small, paranoid man, driven by petty little neuroses. But because he’s so rich and powerful, his desperate scrabbling around for some meaning in life affects more people than just him. Without even thinking about it, he’s causing misery for a whole planet—and Rocket can’t let that go.

Marvel.com: Sometimes villains echo experiences the heroes are going through themselves. How do you think Gnawbarque and Rocket differ—and how are they the same?

Al Ewing: Well, obviously, they’re both small furry mammals and they’re both plagued by inner pain. But where Rocket is a raccoon—a thief—Castor is a beaver—a worker. In some ways, he’s been poisoned by that; work doesn’t make him happy, his damming projects are creating an environmental disaster, but he can’t stop. He’s driven by the ghost of his father—to achieve more and more, without knowing why. In some ways, despite the fact that Rocket’s essentially a failure and a guy who lost everything that mattered to him a long time ago, he’s retained more of his soul than someone like Gnawbarque.

Marvel.com: How does this adventure influence Rocket’s difficulty grappling with his identity and past?

Al Ewing: Rocket has to deal with his identity in a lot of ways over the course of this caper. We’ll see what remains of Rocket when you take every distinguishing feature away and who he chooses to stand by when the chips are down. We’ll also get a good look at how he deals with the ghosts of his past. Frankly, I’m not sure there’ll be a dry eye in the house when this all ends.

Meet Castor Gnawbarque III in ROCKET #5, by Al Ewing and artist Adam Gorham, available on September 13!

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Rainbow Rowell and Kris Anka detail the original team's epic return!

One of the breakout hits of the early 2000s, RUNAWAYS exploded onto the scene and set a new precedent for young super groups across the Marvel Universe. Its team of relatable, plucky, young protagonists has lived long in the memory ever since—and much to our delight, the Runaways are entering the fray once more.

On November 21, the group makes their on-screen debut with “Marvel’s Runaways” on Hulu—and on September 13, the original cast returns in comic book form with RUNAWAYS #1, by writer Rainbow Rowell and artist Kris Anka!

We caught up with Rainbow and Kris to find out what’s happened to Nico, Karolina, Molly, Chase, Old Lace, and Gert since we saw them last.

Marvel.com: We’ve seen Nico go through a lot lately (most notably with A-Force and Ulysses)—what kind of mindset will she be in at the start of issue #1?

Rainbow Rowell: We’ve seen more of Nico in the Marvel Universe than any of the other Runaways—and she’s been through so much trauma. (I mean, she was a prisoner on Murderworld.) Then, just when she started to find some stability with A-Force, she lost them, too. When we meet Nico in RUNAWAYS #1, she’s alone and wondering where she fits—and still (always) struggling to understand her relationship to her own power. That’s a core theme for Nico: she wields great power, but she doesn’t understand it. It just dropped in her lap. And it comes with all these painful limitations.

Marvel.com: When we last saw Karolina, the Runaways were going through a difficult time. What’s she been up to recently?

Rainbow Rowell: I feel like Karolina is the stealth Runaway. We know the least about what her life has been like since the book ended. But we do know that she has a girlfriend—Julie Power. When we meet up with Karolina again, she’s been doing a lot of emotional work to make peace with her past. (Having super villain parents, betraying them, causing interstellar disasters, etc.) She’s doing her best to move forward, which means leaving the life she had with the Runaways behind.

Marvel.com: Molly’s a mutantwhere has that taken her over the last few years? Can you describe her headspace these days?

Rainbow Rowell: Molly is living off the super hero grid. She’s living with a loving guardian, who’s trying to let her have a normal tweenhood. I think Molly’s reunion was one of the most fun to write—because she just really misses everybody.

Marvel.com: Chase often served as the friendly, upbeat member of the group. Will we see more of that from him? How has he been impacted by his recent experiences?

Kris Anka: Yes, definitely [he was the upbeat teammate]. We pick up with Chase looking to bring his family back together. I think he’s been through a lot of trauma over the past few years and I think that’s made him feel a bit rudderless and desperate to find something to drive him again. Rebuilding his Runaways helps with that a lot.

Marvel.com: Old Lace—the Runaways’ favorite dinosaur! How has she gotten along without Gert? Does she still have a telepathic link with Chase?

Kris Anka: I feel like she’s been doing alright. She’s missed Gert a lot, of course, but knowing that Chase would also do anything for Gert has given Old Lace someone to bond with. But she’s immensely glad to have her Arsenic back.

Marvel.com: Without giving too much away, can you tease anything about how Gert comes back to life? After being dead for so long, what kind of state will we find her in?

Kris Anka: Well, it hasn’t been too long for her. She’s going to be dealing a lot with how, to her, it has felt like a quick nap. It’s quite a shock for her. As for a tease, you’re not going to have to wait long to find out how!

Marvel.com: How’s your experience been resurrecting such a popular series?

Rainbow Rowell: Oh, I hope people are looking forward to it. Fortunately we’ve managed not to focus too much on people’s expectations…I had the arc written before the series was announced. And when I’m working with Kris, we’re just really focused on the characters. (We were both huge fans of the original series by Brian K. Vaughan and Adrian Alphona, so we hit the ground running.) It’s been such a gift for me to collaborate with someone who’s as invested as I am in this story. I can talk to Kris in minute detail about these characters—and he’s right there with me. It feels like we’re making this book for the Runaways.

Kris Anka: It was hugely daunting. It actually took some convincing to get me on board with this, honestly [Laughs]. Having grown up on this book, it wasn’t something I wanted to mess up. It’s been a great book to work on though. It feels a lot like meeting up with old friends again.

“Marvel’s Runaways” debuts on Hulu this November 21! And on September 13, Rainbow Rowell and Kris Anka present the original team in an all-new comics adventure with RUNAWAYS #1!

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Take an odyssey through the King’s career with the Avengers writer!

1917 to 2017: 100 years of Kirby.

Join us this month to celebrate Jack “King” Kirby’s 100th birthday by learning about the characters and stories he created that changed comics forever. To commemorate Jack’s centennial, we’ve sat down with the modern-day creators he influenced—and the decades of work he gifted us all.

Even legendary artists can take a little getting used to. Your reaction can all depend on exactly when you first experience their work and the kind of art you had seen up to that point. While Jack Kirby remains one of the most beloved creators in the comics world, not everyone fell in love at first sight.

AVENGERS and CHAMPIONS writer Mark Waid happened to be one of those exceptions when he first read a Kirby comic. However, he soon became enamored with the style and kinetic energy that makes the creator “King” to this day.

Fully converted towards the Kirby aesthetic, Waid has written many of Jack’s most prominent co-creations including Captain America, Hulk, the Fantastic Four, Ka-Zar, S.H.I.EL.D. and numerous others. We talked with the writer about that first less-than-great initial exposure, developing a love for Kirby, and his tendency to always look back at the master’s original stories.

Marvel.com: Do you remember the first Kirby-drawn comic you read? What was your relationship with his work like as a reader?

Mark Waid: It wasn’t a Marvel book, but rather a DC one—and to my eternal shame, I hated it when I was nine. I’d grown up with staid DC illustrators like Curt Swan and George Papp, and Jack’s [work] looked all “wrong” to me. Luckily, I grew up and saw the error of my ways.

Marvel.com: Did you get to know Jack personally? What surprised or impressed you most about him?

Mark Waid: I had one conversation with him, casually, at a convention in Dallas a million years ago. I was amazed by his humility and his accessibility, and listening to him tell war stories was a revelation.

Marvel.com: Jack has three distinct runs on Captain America. Did you have specific takeaways from each one that you incorporated into your time with the character?

Mark Waid: Yes. The Golden Age material taught me action. The TALES OF SUSPENSE era work taught me soap opera. And his mid-1970s run on Cap taught me the value of big, bombastic, all-new villains.

Marvel.com: You worked with the amazing artist Mike Wieringo on most of your FANTASTIC FOUR tenure. His style might not have looked like Jack’s but he perfectly captured the characters and that world. Was that something you sensed going into that collaboration?

Mark Waid: Absolutely. I knew Mike respected “The King” immensely, and Mike’s work was big and bold to match Jack’s.

Marvel.com: You’ve had very well regarded runs on some of Kirby’s greatest co-creations. Why do you think you’re able to tap into what makes these characters tick so well while also taking them on new adventures?

Mark Waid: Because they’re great characters, one and all. My job is to dig down and rediscover what I love about these characters and then show it to you. And Kirby’s creations and co-creations are so emotional, so human at the core, that it’s almost impossible not to be able to tap into them.

Marvel.com: You made Jack Kirby a “Higher Power” in FANTASTIC FOUR #511. He has these great lines about imagination and story. How much of that came from Jack and how much came from your own experience working on comics?

Mark Waid: At least half of those lines came from Jack quotes. His phrasing, his language is unique. In my mind, Jack was not especially articulate and yet incredibly well-spoken. He twisted words like no other comics author, and yet their meaning was always clear, always strong and on-point with a distinct flavor.

Marvel.com: You also incorporated the “Man Called Death” pilot pages into S.H.I.E.L.D. #9. How was it working that into the tale and how does it feel to have most likely given some readers their first exposure to “The King”?

Mark Waid: When I die and my life flashes before my eyes, that experience makes the highlight reel. There was so much energy in just those few pages that it was actually daunting to put dialogue to them –but now I can say that, in a very peripheral way, I got to work with “The King.”

Marvel.com: When working on books that feature direct Kirby creations or legacy versions—like INDESTRUCTIBLE HULK, S.H.I.E.L.D., or the Avengers books—do you look back at his original runs to get a better sense of what makes them tick?

Mark Waid: No question. The advice I give all writers is to always go back to ground when you take over existing characters and get a sense of why they’ve been pop-culture icons for all this time. You’re looking for that “X-factor” that the creators brought to the table so that you can find a way to modernize it without disrespecting it. If you’re ever stumped on a “take” for a character, go back and study author intent. The secrets are there.

Stay tuned to Marvel.com for more throughout Kirby Month and beyond! And join the conversation on all of our social channels with the hashtag #Kirby100.

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Witness the tough choices one Jedi makes in the wake of Order 66 & the growing shadow of the Empire.

Each week Star Wars Spotlight combs through the digital archives of Marvel Unlimited to showcase one classic story from that distant galaxy filled with Jedi, Sith, princesses, scoundrels and droids.

The dawn of the Empire marked an era of great struggle and strife throughout the cosmos. Senator-turned-Emperor Palpatine – also known as Darth Sidious of the Sith – enacted his secret, sinister plots to gain complete control.

That’s the setting for the 2006 Legends Continuity series STAR WARS: DARK TIMES. In the first arc, which ran for issues 1-5, Welles Hartley, Mick Harrison and Doug Wheatley introduced readers to Former Jedi General Dass Jennir and Bomo Greenbark, a Nosaurian, fighting against Clone Troopers on New Plympto.

The duo survived the battle at Half-Axe Pass by falling into a large hole. It worked out as the Troopers rolled in and killed all of the rebels. From there, they wound up on the Uhumele, a ship captained by Schurk-Heren and piloted by Crys Taanzer. Wanting to find his captured wife and daughter, Bomo asked them for help. To earn heir passage, Jennir orchestrated a way for them to get off-planet before the Troopers could fully inspect their ship.

They then set out for the horrid slave planet Orvax IV to save Bomo’s family. The idea of selling slaves did not sit well with the newly christened Darth Vader either, having been one as a child. Palpatine explained it away as a more humane alternative than killing them, but Vader remained unconvinced.

On Orvax, they found Bomo’s people, but discovered that his wife Mesa died while trying to save their daughter Resa, who had just been sold. Sending everyone else back to the ship, Jennir used his Jedi abilities to track down the seller. After finding out who bought her, Dass shot the being in the head to keep their mission a complete secret.

As the Uhumele set course for Esseles, where Resa had been taken, Vader traveled to Murkhana where a group of Clone Troopers reportedly failed to follow Order 66 – the command to kill all Jedi – after working with one for so long. The Emperor sent his underling to quell independent thought, sending a message to the former Anakin Skywalker at the same time.

Back on Esseles, Jennir, Bomo and the crew decided to go into Dezono Qua’s villa guns blazing to get Resa back. Upon confronting Qua, he admitted to not only buying Resa, but also eating her. Jennir stepped in to kill the monster in part to spare Bomo from having such a thing on his conscience. They all moved on feeling the dark reach of the Empire towards further adventures.

From the Jedi Temple Archives

Dass Jennir and Bomo may have gotten along well enough in this first arc of DARK TIMES, but that hadn’t always been the case. In fact, the Jedi originally found himself on New Plympto in order to squash the Nosaurian Separatist movement. Enemies became allies, however, after Palpatine took over and issued Order 66. With the Clone Troopers flipping the script on Dass, he joined up with the Nosaurians to push back the tide of white armored killers. However, as seen in the first issue of this series, their efforts proved woefully minor as their fellow warriors ended up on the wrong end of Trooper blaster fire while the women and children were sold into slavery. If you’re wandering what happened to the rest of the Nosaurians on Orvax IV after they discovered what happened to Bomo’s family, it’s not great. Dass Jennir stood over their cage and told them it would be better to survive as slaves to be hunted down if he attempted to free them. Not exactly the behavior we expect from a hero of the galaxy, but then again, this proved a highly difficult time for everyone not associated with the Sith.

Move from the rise of the Empire to the very beginning of the Order in the pages of STAR WARS: DAWN OF THE JEDI by John Ostrander, Jan Duursema and Dan Parsons.

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Two Wolverines lock claws in a memorable match-up drawn by Ramon Rosanas!

Ever since DEATH OF WOLVERINE, readers have felt a Logan-sized hole in their lives. Other clawed individuals have stepped in to do some of the jobs other heroes won’t touch like Laura Kinney, who now holds the name Wolverine, and Old Man Logan, but what about the original? With the publication of GENERATIONS: WOLVERINE & ALL-NEW WOLVERINE this week by writer Tom Taylor and artist Ramon Rosanas, we’ll finally have a few answers.

We got in touch with Rosanas about reuniting the clone and her fallen mentor in an issue that celebrates the House of Ideas’ long history of legacy heroes.

Marvel.com: Ever since the “Death of Wolverine” story, people have been wondering when Logan would make his return to comics. How does it feel to be drawing this huge issue in his history?

Ramon Rosanas: Very proud! Wolverine is one of the most loved characters and to be part of his story makes me feel very happy.

Marvel.com: Laura’s gone through a good deal of changes since Logan died. What can you tell us about the emotional connection they will feel when reunited and how that comes across on the page?

Ramon Rosanas: It’s really magical. They are two strong characters. Finding them in an emotional union is a key moment in their personality. I love to draw emotions. I already did it with Deadpool and Ant-Man. I feel comfortable with these stories and this script has given me touching moments.

Marvel.com: Laura might be the All-New Wolverine, but Logan’s the classic model. How do they compare when leaping into battle in this issue?

Ramon Rosanas: They are two generations. Getting them together has been great. I love to see them in that kind of relationship formed between parents and children when you discover that your daughter surpasses you, that she has taken a few steps ahead of you but that you can still protect and teach her many things.

Marvel.com: What can you tell us about the kind of trouble Laura and Logan get up to in this issue and did it offer a lot of design opportunities for you?

Ramon Rosanas: I have enjoyed drawing ninjas and Japanese settings. I have experimented giving the scenes an aspect close to the Manga style; although that has also given me a few headaches in combining both styles of work. I have been allowed to draw Logan in his classic outfit, in civilian clothes, and in his usual T-shirt as the story progressed. And I did the same with Laura, leaving her with a T-shirt like Logan, as if he was “passing the baton.”

Marvel.com: How has it been working with Tom and the gang on this issue?

Ramon Rosanas: I have been part of a great team. I have been able to work with Mark Paniccia whom I love and admire. He was the first editor to open the doors for me in Marvel and to work with him is always really great.

Tom is a great writer. The script describes everything I need to know but at the same time Tom leaves me room to adapt it. He has done a magnificent job throughout the whole episode. I cannot wait to hear from the fans.

Slice and dice alongside Logan and Laura in GENERATIONS: WOLVERINE & ALL-NEW WOLVERINE, available this week from Tom Taylor and Ramon Rosanas!

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The producer/comedian talks comics and more!

The creator of “Home Movies” and “Metalocalypse” — Brendon Small — stops by Marvel HQ to talk comics, his new album and much more!

Download episode #299.5 of This Week in Marvel from Marvel.com, check out Marvel Podcast Central, grab the TWiM RSS feed and subscribe to This Week in Marvel on iTunes or Soundcloud! Head over now to our new hub to listen to the full run of This Week in Marvel including our latest episode!

This Week in Marvel focuses on delivering all the Marvel info on news and new releases–from comics to video games to toys to TV to film and beyond! New episodes will be released every Tuesday and Thursday (or so) and TWiM is co-hosted by Marvel VP Executive Editor of Digital Media Ryan “Agent M” Penagos and Editorial Director of Marvel Digital Media Ben Morse with Manager, Video & Content Production: Blake Garris, Editor Marc Strom, and Assistant Editor Christine Dinh. We also want your feedback, as well as questions for us to answer on future episodes! Tweet your questions, comments and thoughts about TWiM to @AgentM, @BenJMorse, @blakegarris or @Marvel with the hashtag #ThisWeekinMarvel!

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A new era of Star Wars comics begins...

We all know that the first Star Wars film changed the face of pop culture forever when it hit theaters 40 years ago—but it’s not just the movie that’s celebrating that milestone in 2017. Star Wars comics arrived with force in 1977, and hundreds of issues later, they’re more popular now than ever.

To celebrate the 40th anniversary of Star Wars, we’re looking back at our 40 favorite moments from the history of comics from a galaxy far, far away—one day at a time.

“I have a very good feeling about this,” says C-3PO within the first few pages of STAR WARS #1. Beyond simply speaking for himself by turning one of Star Wars’ most well-known phrases on its head, he’s even more so speaking on behalf of us, the fans. The first Star Wars title published by Marvel since the 1980s, this issue represents a rebirth for comics set in a galaxy far, far away, with every action taken and word spoken officially now adopted as Star Wars canon.

Star Wars (2015) #1

Star Wars (2015) #1

  • Published: January 14, 2015
  • Added to Marvel Unlimited: July 27, 2015
  • Rating: Rated T
  • Writer: Jason Aaron
  • Cover Artist: John Cassaday
What is Marvel Unlimited?

Thankfully, the issue’s story and art perfectly match the cinematic tone of its source material. You can practically hear the actors’ voices and John Williams’ score in your head as you read Jason Aaron’s words and marvel at John Cassaday’s spot-on, dynamic art. Set within the months following the destruction of the first Death Star, we follow all of our favorite characters—Han, Luke, Leia, Chewbacca and the droids—as they infiltrate an Imperial outpost. Things go well for a while…but then Darth Vader shows up. After an incredible moment where he defends himself against a barrage of blaster fire, Vader ignites his lightsaber—with Luke right before him.

Now at issue #36, STAR WARS continues to delight fans on a regular basis. And it’s still a very good feeling to read it.

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