Writer Brian Michael Bendis takes Riri Williams into the Marvel Legacy event!

Writer Brian Michael Bendis normally needs no introduction, but we’re going to make the attempt anyway.

He’s the man who this fall will take INVINCIBLE IRON MAN into the Marvel Legacy event and set the Iron Man Universe on its iron-plated ear. With Tony Stark gone, seemingly disappeared, he’s the only guy who can see Riri Williams through the next massive phase of her, and a few other important characters, development.

Marvel.com: Brian, in general, why is it important for you to highlight the concept of legacy in the Marvel Universe?

Brian Michael Bendis: Well, two things happened when Marvel started playing with this idea for the fall, and [when I heard] the theme, I just started smiling ear to ear, because it’s literally about what all my books are about at the moment. It’s just where I was at in my head. Number one, because some of the characters that I’m writing are legacy characters, they’re actually starting in someone else’s legacy and we’ll see where they end up, in great Marvel tradition. But right now, Miles Morales and Riri are two of the most spotlighted characters in this arena, and it’s just a great opportunity to zero in on what the book has been about.

Now for Iron Man, it’s not just Tony Stark’s legacy. It’s Riri Williams’ legacy, Victor Von Doom’s legacy, and Tony Stark’s legacy. It’s not just a normal person’s legacy; it’s wide, and it’s got a lot of tentacles…not to be too Hydra with the tentacles. But his reach, and the reach of his legacy, from the Avengers to the Stark Foundation, is enormous. So we’re going to get to explore some things about Tony, and about the Iron Man Universe that we haven’t seen before, and it just so happens that we’ve spent the last year and a half building up to this, like this is where I was headed.

Now, what’s cool is, all three of the main Iron Man characters will be joined by other Iron Man characters, looking for what has happened to Tony Stark. If we’re going to get Tony Stark back, what form will that be in? And how cool will the armor be? Now, there are other characters in the Iron Man universe that I’m not mentioning right now, big characters. Amanda, MJ, Friday, Tony A.I., huge characters, a lot going on and a lot of connections to the Marvel Universe, all of which will be detailed and unfolded within the storyline that starts with INVINCIBLE IRON MAN #593.

Marvel.com: How cool is it to go back to the original numbering?

Brian Michael Bendis: You know, when the very fun choice to go back to our original numbering came about, quite a few titles, IRON MAN in particular, are right there at a big anniversary issue. So we’re headed, very quickly, towards a gigantic IRON MAN #600, and I couldn’t be more thrilled.

Marvel.com; When this Marvel Legacy storyline starts, has Tony’s condition changed at all?

Brian Michael Bendis: Tony’s situation has changed. And that’ll be teased in the Marvel Legacy one-shot by Jason Aaron and Esad Ribic, and then I think our INVINCIBLE IRON MAN issue comes out like right after that, and you can dive right in: big, brand new, very reader-friendly Iron Man storyline.

Marvel.com: Of the big Iron Man characters that you’ve mentioned, who would you say will be most moved by Tony’s disappearance?

Brian Michael Bendis: All of them for different reasons, but I have to say, Victor is in the most unusual situation. What Riri is going through, people will identify as “Oh, I’ve looked up to someone.” This relationship is very relatable, in a way. Like, I’ve had mentors in my life, people who I was trying to figure out without directly talking to them, you know what I mean? Trying to figure out stuff about myself through their humanity. Whereas Victor is on just about the biggest, most complicated redemption story…one of the biggest villains in the history of all fiction is trying to claw himself out of the hole. How much he’s been able to do is amazing. But, the enemy list he has created in doing so is enormous, and it’s not just from this dimension. So, his involvement in Tony Stark’s legacy may become, at one point, such a struggle, that he may destroy it. And something new has to be created, or he makes a sacrifice that brings up something new as well. What’s going on with Victor is probably the most unique thing going on story-wise at Marvel.

Marvel.com: Let’s talk about Riri again. What can you say about her further development going into this storyline? Is this going to be, to date, the ultimate challenge for her?

Brian Michael Bendis: Yes.

Marvel.com: Okay! You heard it here first! Next question!

Brian Michael Bendis: Yeah, listen; we’re just eight issues into her run! The amount of attention she’s garnered from fans in just eight issues is amazing. Compared to seven years ago with Miles, and I know the whole market was different, but it took a while, until the end of the second storyline, for people to really go “Oh okay, he didn’t [bleep] it up.” So, I’ve been quite flattered, to the point of becoming emotional, about how unbelievable the support of Riri has been. There was this young woman online that has been making her own Riri armor and her dad keeps tweeting it. Literally every time we put it out, there are like 60,000 retweets and likes, it’s crazy. It’s insane.

Marvel.com: Good crazy.

Brian Michael Bendis: The best. So, the point is, Riri is at the larva state of her super hero career. She has literally gone out, I think, five times by the time that this Tony storyline starts up again. She’s had some big wins; she’s had some defeating losses. Something crazy happens in the next issue of INVINCIBLE IRON MAN that I don’t want to spoil, but people are gonna be like “What?!” We don’t know what form her version of super heroing will take, she’s still building it. We don’t know what form her technology will take. So, of all the characters, there’s a good chance—and I’m pretty much telling you it is—that she’s going to evolve past the Iron Man construct to something else, and I think that’s pretty exciting.

I look at her like imitating the amazing style of an amazing artist. Like Bill Sienkiewicz is the best example. Very early in his career, he was highly referenced and influence by Neal Adams, and Neil Adams is a very difficult thing to imitate, right? Very difficult. And he did it, and you were like “Wow, you’re an amazing artist, you can do Neil Adams!” right? That’s how I look at Riri right now. She’s amazing. She can do Tony Stark pretty good, but, like Bill Sienkiewicz, will she evolve so far past it that people won’t even remember that she was Iron Man Universe-related? You know, is she capable? And again, you can bring up many other examples in music and television and film where the influence is there, and then they don’t need it anymore, then something else happens. And that’s where Riri’s headed in the next year.

Marvel.com: You’ve got her, you have Victor, you have some other strong personalities in there. Would you characterize what’s going to happen as a violent clash?

Brian Michael Bendis: No. It’s a philosophical [clash], and I’ve already got Riri and Victor’s first meeting out of the way in INFAMOUS IRON MAN, because everybody assumes they were gonna beat each other up. And when you get there, and Victor doesn’t want to fight, there’s no fight. You can hit him all you want, he’s not gonna fight back, and Victor’s not mad at her, and Victor’s not in a crazy, manic state that he usually, or sometimes, is in. He’s calmed down. So, when she shows up in his life, this is a brilliant young woman that he can relate to, and this isn’t someone that he’d wanna fight.

Also, he’s very aware of what it feels like to be in her position, at the beginning of your studies, not even knowing what you don’t know. That’s one of my favorite things, finding something out. Oh, I didn’t even know I didn’t know that, you know? And I know, he’ll get really excited for other people discovering things. So this is the Victor we’re dealing with right now. Not the whole mad genius. Now, does he want to turn her into the whole mad genius? Who knows? And also, may I say, Riri is at a very precarious stage. She’s had a world with nothing but loss and confusion in it. Intelligent characters- intelligent people- in this world we live in right now, find themselves very frustrated. Unintelligent leadership, and science not being the forefront of the society; you can read about it all the time, this is not something that I’m making up. Intelligent children sometimes shut down because they’re like “Whoa boy, this… everything’s weird.” So that’s part of Riri’s development.

Marvel.com: Is she easily influenced?

Brian Michael Bendis: No, not easily influenced. [And] it’s not stubbornness; I don’t see it that way, but I have a person in my life who decides things before they absolutely know them. And sometimes they’re right, because their confidence and intelligence is very strong, and sometimes it’s “Oh no, I was wrong.” But their guess, their instinct is very good, right? So that’s part of where she is. So her instincts [leads to her] calling it like she sees it. Like she sees bull and calls it, and then finds herself in the middle of it.

I have a storyline going right now where she’s right in the middle of terrorist actions in Liberia and S.H.I.E.L.D being S.H.I.E.L.D, she doesn’t buy into any of it. So she’s kind of just making up her own place in it, and it’s throwing off all of the ways that people do things. Maybe in a good way, maybe in a bad way, but she’s gonna have some mistakes she makes, big, big mistakes. But there’s something really brassy and confident about the way she handles things, and that is something Victor is going to be able to talk to her on. He will be able to communicate his philosophies through that idea.

Marvel.com: So far, it doesn’t sound like the tone of INVINCIBLE IRON MAN will change with the advent of Marvel Legacy.

Brian Michael Bendis: Oh no, no. First of all, what Stefano Caselli has accomplished with Riri this year is so amazing that he sometimes gets mislabeled as the creator of the character, even though it’s Mike Deodato who co-created the character. But that’s how strong Stefano’s voice is, and how connected to the action with the character he is, it’s just amazing.

But with him in mind, just doing unbelievable work, that’s the tone of the series. That’s Riri’s worldview, her perspective…you know, we’re so often in her perspective. I know people are very curious where she is in certain spectrums—that’s been a question that people have had. She’s clearly outside of what would be considered normal, on a couple of different things. I think that’s a celebratory thing. I’m surrounded by people in different places in different spectrums, and without diving headfirst into what that is and what that means, we’re gonna explore that as well. And I think a lot of younger readers identify with that, much in the way they identified with the original Peter Parker and his struggles, I really do.

Marvel.com: When you talk about her being brassy, do you think that’s really what people are responding to, or one of the main things?

Brian Michael Bendis: It’s funny that the panels that pop up in my tumblr or Twitter feed always kind of let me know. There’s like, six or seven panels that I see every day, that people go “Yes!” or “I’m scared for her.” It’s a mixture of that, [and] it’s really cute. And I’ll get all “I’m scared for her, too!” Like they’re scared for her, and yeah, I am, too and I wrote it! I’m really scared for her.

Marvel.com: You also have something to say about MIT and Riri?

Brian Michael Bendis: I’m going to be speaking at MIT in November. I was invited by them to come speak about comics and culture. And what was amazing was that we had Riri come to MIT. It was a campus I did a lot of research on for a project that was unrelated to Marvel, an HBO thing that didn’t happen, but I had so much feeling about this place, I loved it, and I said I was definitely gonna have a character there one day. And then years later, it was like “The coolest place we can have Riri live is the MIT dorms!” So when I started putting this in, little did I know, that MIT had completely embraced this character.

They created this amazing admissions video. It was actually pretty hilarious. So in November, at MIT, we’re gonna make a pretty major announcement about Riri. So people that are invested in her, people who are supporting her, there is big stuff coming with her. MIT’s a very unique place for a character in her first year to be so well-received, not unlike what Kamala Khan and Moon Girl experienced.

It’s hard to describe to people, because no one was asking for them. That’s what I love about the Legacy characters. Nobody said “I want Miles,” or “I want Riri,” but then they got them and they were like “Thank you.” And that was the best feeling in the world.

Marvel.com: It sounds like you’re still digging this job. Has your own outlook changed on INVINCIBLE IRON MAN as you’ve gone along?

Brian Michael Bendis: No, what happens is, and this is one of the great things about a higher profile gig, is no matter what you’re writing about, you start your research and whatever you’re doing, and then people find out you’re writing about them or writing about something they know, or whatever, like the young woman who’s making her Ironheart armor in her garage. You reach out and they inspire and they share their stories.

There was a friend of mine who has a brilliant young daughter who is literally obsessed with Mae Jameson. That’s real and honest and I have to use that. There’s a scene where you see young Riri trying to get her teacher to give her something to push back against because she feels that that’s what made Mae Jameson great, right? And I know some people said, “Oh, is she asking for…?” and I was like “No, she’s trying to live up to her hero,” without realizing that her hero made it easier for her, and that’s a big lesson for her too.

Every day it’s something new, new people share their experiences, people inspire me to keep going. I can’t wait to get to MIT, I’m literally gonna go live in the dorm, live in Riri’s world, so I’m so excited. And on top this, yes, back to Marvel Legacy. Yes, these legacy characters mean the world to me. I’m very invested in them and I’m very invested in how much the audience has supported it and what we’re gonna do now. And I know when people hear “The Return of the Heroes,” they worry about the new hotnesses. You do not have to. To fans, so you know: you have made it so Riri, Miles, and Jessica Jones can sustain their own titles. It’s insane, right? So, we will never ignore that.

Marvel.com: Last question—do you miss Tony?

Brian Michael Bendis: Oh, no. ‘Cause I got Tony A.I. the whole time, which is uber-Tony, so any great Tony joke I can think of, this guy will do it.

It’s funny: Tony is the itch I never had to scratch. Literally from the moment I came in to Marvel, I’ve been writing Tony in some book. And I never did it on purpose…and everyone’s always focused on how I’m always writing Kitty Pryde in every book. But Tony made it into every book—every book had Tony Stark in it. Totally by accident! You look back and you go, “Oh, that’s funny. Even in the Guardians of the Galaxy, too.”

I never wrote a book without Tony. My love for him is obviously as strong as it can get for a creator and a character that they didn’t create.

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Cullen Bunn kicks off the Venom crossover!

The crossover between X-MEN: BLUE and VENOM starts here!

Spinning out of the aftermath of VENOMVERSE, a new threat looms over all that the mutant’s hold dear. In response, Marvel Girl, Cyclops, Iceman, Beast, and Angel must team up with an unlikely ally—Venom! On January 24, Eddie Brock teams up with the Children of the Atom in writer Cullen Bunn and artist Edgar Salazar‘s X-MEN: BLUE ANNUAL #1!

We spoke with Bunn about what to expect from this show-stopping story.

Marvel.com: Where does this Annual fall in the timeline of the current X-MEN: BLUE series?

Cullen Bunn: The “Poison-X” story takes place some time after Thanos discovers our universe in VENOMVERSE. The Poisons have been working quietly, but quickly, making some dastardly preparations. Of course, the X-Men know nothing of this. They are drawn into this adventure because of the Starjammers. Cyclops learns that his father (Corsair) and the rest of the Starjammers have gotten themselves into hot water involving alien symbiotes. That lures the X-Men into space, and that gets them to bring Venom with them as a kind of subject matter expert.

All this, of course, couldn’t come at a worse time. The X-Men have just returned from their home timeline and are reeling from the repercussions of that trip, and they are right in the middle of investigating the Mothervine conspiracy.

Marvel.com: Who are the Poisons and what do they want?

Cullen Bunn: Imagine a weak, fragile creature…a being with no real power whatsoever, a creature at the bottom of the food chain because it’s not that smart and not that strong. Then, it discovers it can be extremely powerful with no real effort! This creature takes that power and uses it to gain more power. All the while, it has this complex because it knows it was always weak and ineffectual, and now it’s angry it ever felt that way in the first place and wants to vent that rage on the rest of the world.

Poisons have discovered that they are the perfect hosts for alien symbiotes. They have also learned that if they take a symbiote that is bonded with a super-powered individual, they gain all those powers as well. Now they’ve been combing time and space, using these symbiotes as weapons to help them gain even more power. They’re bullies and conquerors, but deep down they are terrified of losing what strength they have. That makes them very dangerous.

Marvel.com: And what can you tell us about Mothervine?

Cullen Bunn: Mothervine is already appearing in the pages of X-MEN: BLUE. It is a formula that Miss Sinister discovered in the DNA of mutants from the Ultimate Universe, and it appears to be granting secondary mutations to those exposed to it. There also seem to be some pretty severe side effects. But Miss Sinister—along with Bastion, Havok, and the White Queen—appear to have a plan for Mothervine. We don’t know exactly what they’re doing, but Magneto wants to know in a major way…

Marvel.com: How does Eddie Brock interact with the Blue team—and what problems does this team-up present?

Cullen Bunn: Venom wants nothing to do with the X-Men and their adventures through space. The X-Men, of course, won’t take no for an answer so they do what X-Men do in situations like this: they try to kidnap him.

You could say that Eddie and the X-Men get off on the wrong foot, but over the course of this story, they start to develop an understanding and even a friendship. I feel like Venom and Cyclops will be friends for a long while after this.

Marvel.com: How do the nuances of Edgar Salazar’s style bring this story to life?

Cullen Bunn: Edgar has to balance mystery and horror and symbiotes and science fiction in this Annual. We’re in a full-blown science fiction space opera here, and he does a tremendous job of setting us up! I always loved Cosmic X-Men stories as a reader, so I love seeing what Edgar is doing with that kind of tale.

Marvel.com: What’s it been like to write Venom again?

Cullen Bunn: Writing Venom is always a lot of fun. This time around is a little different for me, though, because we’re getting into the symbiote’s head a lot more than I’ve done before. We have internal symbiote monologue and symbiote dialogue, so that’s interesting for me. And having Eddie interact with characters like the X-Men shows a different side of his personality.

Marvel.com: X-MEN: BLUE and VENOM have very different tones—was it difficult to combine those two worlds for this crossover?

Cullen Bunn: To some degree, yes. There were challenges in making this story true to both Venom and the X-Men. In the end, though, every creative team brings their own tone to these characters. I think I’ve struck the right balance of VENOM story and X-MEN story, but I’m also creating a different tone that works with these characters as a whole.

Marvel.com: Can you give us any hints about what the implications of this storyline will be moving forward?

Cullen Bunn: Wow. I don’t know. Well, VENOMIZED has already been announced, so we now know that the Poisons are coming to Earth. Venom and the X-Men will be involved in that story, so Poison-X serves as a prologue of sorts.

I’ll also say this: this story has some bleak moments and hits the X-Men right where it hurts the worst.

On January 24, go cosmic with Cullen Bunn and artist Edgar Salazar’s X-MEN: BLUE ANNUAL #1!

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Celebrating the industry’s top artists to watch!

Marvel is proud to announce the next generation of gifted artists for this year’s Young Guns program!

Originally launched in 2004, each year’s Young Guns selections represent the best and brightest early-career artists in the comic book industry. Previous Young Guns have left their mark through some of Marvel’s greatest heroes, with alumni like Jim Cheung, Steve McNiven, Leinil Yu, Daniel Acuña, David Marquez, Sara Pichelli, and many more drawing some of Marvel’s biggest events and launching groundbreaking new series.

“I still clearly remember the launch of Marvel’s original Young Guns campaign over a decade ago, crafted as an innovative way to recognize and promote the upcoming artists we believed in—and knew would one day be superstars!” says C.B. Cebulski, Editor-in-Chief of Marvel. “From its inception, Young Guns has always been about living up to Marvel’s long legacy of identifying and hiring unique and groundbreaking talent to give our fans the best looking comics on the stands. And here we go again! Introducing the class of 2018, six artists poised for greatness, whose art will grace the pages of some of the coolest comics of the year!”

2018’s Young Guns inductees are:

Starting on January 31, in addition to their regular series, each of the Young Guns will create a special limited exclusive variant cover for six new books, including AVENGERS #678, X-MEN: RED #1, MARVEL TWO-IN-ONE #3, DOCTOR STRANGE: DAMNATION #1, BLACK PANTHER #170, and AMAZING SPIDER-MAN #797! Check your local retailer for variant availability!

More exciting new projects and series from Young Guns 2018 will be announced in the coming months. Read up on the next generation of all-stars below!

Spanish artist Pepe Larraz penciled The Mighty Thor, previously having illustrated stories in anthologies such as Web of Spider-Man, Marvel Adventures Super Heroes and X-Men: To Serve and Protect. A rising star, Larraz pitted ’90s rivals against each other in Deadpool vs. X-Force and worked on Wolverine & the X-Men before venturing into a galaxy far, far away with Kanan—then back to the Marvel Universe again with Uncanny Avengers.

Spanish artist Javier Garrón studied architecture before his work on webcomics and blogs got the attention of the American comics industry. Garrón made his Marvel debut with Cyclops in 2014, which led to work on the “Black Vortex” event crossover between New X-Men and Guardians of the Galaxy. Future work included Legendary Star-Lord, the IvX event, and the spot of lead artist on Secret Warriors.

Marco Checchetto early contributions to the revival of Marvel Comics Presents revealed him as one of the industry’s top new talents. Checchetto has made his mark on both the Marvel Universe—with runs on Amazing Spider-Man, Daredevil and Punisher—and a galaxy far, far away, with Star Wars: The Screaming Citadel, Star Wars: Captain Phasma, and the post-Return of the Jedi thriller Star Wars: Journey to Star Wars: The Force Awakens – Shattered Empire.

Artist and writer Aaron Kuder cut his teeth in the comics industry working on the New York Times best-selling book The Armory Wars and Key of Z, both with Claudio Sanchez from Evil Ink Comics. After work at DC on books such as Action Comics, Kuder returned to Marvel for an exclusive agreement in 2016 with work on top-tier titles such as the X-Men-shattering Death of X and All-New Guardians of the Galaxy.

If you’ve read any Marvel series since 2009, chances are it featured a cover from artist Michael Del Mundo at some point. Del Mundo’s artwork has fronted such well-known series as Amazing Spider-Man, Vision, and Invincible Iron Man. After delivering gallery-standard illustrations page after page in Elektra, he brought his unique talents to Secret Wars tie-in Weirdworld and its subsequent All-New, All-Different Marvel relaunch, and Marvel’s flagship title Avengers.

Russell Dauterman is best known as the artist of Marvel’s Thor comics.  Written by Jason Aaron and starring Jane Foster as Thor, the lengthy run has become a best-selling, Eisner-nominated series.  Previous work includes such titles as CyclopsNightwing, and Supurbia.  Russell has also designed characters and created covers for various Marvel, BOOM! Studios, DC, Valiant, and Image titles.  Outside of comics, Russell has illustrated children’s books and worked as a costume illustrator in the film industry, most notably on Marvel Studios’ Captain America: The First Avenger.  Russell is currently continuing his character-defining run drawing The Mighty Thor.

Congratulations to the 2018 Young Guns!

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Relive T'Challa's historic debut and tag along for his first groundbreaking adventures!

For more than 50 years, the Black Panther has stood at the forefront on the Marvel Universe. With T’Challa appearing on the big screen this year in both Marvel Studios’ “Black Panther” and “Avengers: Infinity War,” take a look back at over five decades worth of comic book adventures for the King of Wakanda!

The famous Fantastic Four found themselves amazed by the gift of a technologically advanced flying vessel in 1966’s FANTASTIC FOUR #52, a present from the people Wakanda and an invitation to visit their small African nation. Upon landing in a bio-organic mechanical forest, the super hero family fended off a seeming attack by a black-clad individual, only to discover him as T’Challa, the leader of Wakanda and known as their champion, the Black Panther.

In FANTASTIC FOUR #53, the Panther explained to Reed Richards and the others that his country’s greatest asset, the sound-absorbing metal vibranium, existed only within its borders. He further detailed a recent attempt by the evil Ulysses Klaw to steal the metal, a fact then made all-too clear by Klaw’s attack on T’Challa and the FF. The heroes held the poacher off, and Klaw disappeared into his own sonic device.

Fantastic Four (1961) #52

Fantastic Four (1961) #52

  • Published: July 10, 1966
  • Added to Marvel Unlimited: November 13, 2007
  • Penciller: Jack Kirby
  • Cover Artist: Jack Kirby
What is Marvel Unlimited?

Hotheaded Johnny Storm wanted to visit his Inhuman girlfriend in FANTASTIC FOUR #54, so T’Challa lent him a Wakandan flying craft to rush to the Hidden Land. There, the Human Torch became embroiled in a dangerous fight against Prestor John and the Evil Eye. T’Challa also gifted Reed with pure vibranium bands in FANTASTIC FOUR #56 to defeat Klaw again and made his first 1967 appearance dealing with yet another flying ship in FANTASTIC FOUR #60 when the team returned to America and Doctor Doom stole the Silver Surfer’s cosmic power to try and take over the world.

Upon an expedition to Panther Island in FANTASTIC FOUR ANNUAL #5, the Black Panther and his Wakandan soldiers discovered both the intrepid Inhumans and evidence of the Psycho-Man’s underground headquarters. T’Challa joined with the Fantastic Four soon after to turn the tide against the emotion-controlling villain and send him packing back to the Microverse.

Captain America never expected a summons from far-off exotic Wakanda, but one arrived in 1968’s TALES OF SUSPENSE #97 to bring the Black Panther’s plea for Cap to help him against an invasion by mysterious forces.

Cap’s Wakandan flying craft came under attack on his way to the African country in TALES OF SUSPENSE #98, just the first salvo in T’Challa’s war with Baron Zemo and the villain’s orbiting solar ray projector. It took timely assistance from Agent 13 in TALES OF SUSPENSE #99 to turn the tide against Zemo, but Cap and the Panther still fought hard to win the day in CAPTAIN AMERICA #100.

Tales of Suspense (1959) #98

Tales of Suspense (1959) #98

  • Published: February 10, 1968
  • Added to Marvel Unlimited: April 28, 2007
  • Penciller: Gene Colan
  • Cover Artist: Jack Kirby
What is Marvel Unlimited?

After things settled down a bit, Cap called his fellow Avengers back in the States to strongly suggest they consider T’Challa for membership among Earth’s Mightiest Heroes in AVENGERS #51. When the Panther flew to their New York headquarters to meet the famous team in AVENGERS #52 he discovered a room full of seemingly deceased heroes. It took being arrested and squaring off against the dreaded Grim Reaper for T’Challa to win his spurs as the newest member of the Avengers.

With little time to settle in, the Black Panther found himself at odds with the Magneto-controlled X-Men in AVENGERS #53 and skirmishes with both Cyclops and the Beast. Once the confusion cleared, he stood with his teammates in battle against his old foe Klaw and the new Masters of Evil in AVENGERS #54, and the revelation of stone-cold Ultron-5 behind the scenes of the attack in AVENGERS #55.

Avengers (1963) #52

Avengers (1963) #52

What is Marvel Unlimited?

The Panther joined with Captain America to travel back in time in AVENGERS #56 to solve the mystery of Cap’s partner Bucky during World War II, but that stood as only an appetizer for the adventure of meeting the synthezoid Vision in AVENGERS #57. Later, T’Challa helped welcome the Vision into the ranks of the team in AVENGERS #58, as well as find himself baffled by the appearance of newcomer Yellowjacket and the disappearance of Hank Pym in AVENGERS #59.

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Enjoy the latest episode of the official Marvel podcast, with comics, movies, TV, games, and more!

Happy Monday, True Believers! Start your week off right with a brand new installment of the official Marvel podcast, This Week in Marvel!

In this episode, Ryan is joined by RISE OF THE BLACK PANTHER writer Evan Narcisse to dig into a classic Black Panther story, talk breaking into comics, and share their favorite video games. Also, the team gives you everything you need to know about the latest news and releases from Marvel comics, TV, gaming, and more!

Download episode #325 of This Week in Marvel from Marvel.com, check out Marvel Podcast Centralgrab the TWiM RSS feed, and subscribe to This Week in Marvel on iTunes so you never miss an episode! Then head over to our Soundcloud hub to listen to the entire run of the show!

With new episodes every Friday (or so!), This Week in Marvel delivers all the Marvel discussion and news—from comics to TV to film to video games to toys and beyond! TWiM is co-hosted by Marvel VP & Creative Executive of New Media Ryan “Agent M” Penagos, Marvel.com Assistant Editor Tucker Markus, Assistant Manager of Social Media Alex Lopez, Marvel.com Editor Eric Goldman, and Marvel.com Assistant Editor Christine Dinh. We want your feedback, as well as questions for us to answer on future episodes, so tweet your questions, comments, and thoughts about TWiM to @AgentM, @tuckermarkus@chrissypedia, @TheEricGoldman, or @Marvel with the hashtag #ThisWeekinMarvel!

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Ben Reilly takes over as Spider-Man, battling Carnage, Hobgoblin, Lizard, and more.

For over 50 years, Spider-Man has been a sensational standout in the Marvel Universe and the web-slinger swung onto the silver screen once more in 2017’s “Spider-Man: Homecoming” and will do so again in Marvel Studios’ “Avengers: Infinity War” in 2018! In celebration of his memorable history, we present Spidey’s spectacular step-by-step story…

With Spider-Man in his past, Peter Parker moved to Portland, Oregon, only to encounter the threat called Tendril in SPIDER-MAN: THE FINAL ADVENTURE #1-4. Meanwhile, the new official Spider-Man, Ben Reilly, took a job in a coffee shop in SENSATIONAL SPIDER-MAN #0 to make ends meet, while Mysterio planned a comeback. Later, Spidey battled Sandman in AMAZING SPIDER-MAN #407, the deadly Poison returned in SPIDER-MAN #64, and a couple of eco-terrorists stirred the pot in SPECTACULAR SPIDER-MAN #230.

Amazing Spider-Man (1963) #407

Amazing Spider-Man (1963) #407

  • Published: January 10, 1996
  • Added to Marvel Unlimited: May 20, 2013
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After a hair-raising adventure with the Black Cat in SPIDER-MAN UNLIMITED #11, Ben discovered Mysterio’s new cable network in SENSATIONAL SPIDER-MAN #1, took the fight to the master of mysteries in AMAZING SPIDER-MAN #408, and won the day in SPIDER-MAN #65. Peter Parker’s other clone Kaine found himself resurrected in SPECTACULAR SPIDER-MAN #231, held off an attack by the Rhino in SENSATIONAL SPIDER-MAN #2, and joined a cadre of villains against Spider-Man in AMAZING SPIDER-MAN #409, knowing that the wallcrawler must die for him to continue to live in SPIDER-MAN #66.

Ben and Peter heard of a skeleton found in a smokestack in SPECTACULAR SPIDER-MAN #232, the Burglar’s daughter, Jessica Carradine, entered Ben’s life in SENSATIONAL SPIDER-MAN #3, Carnage returned for a rampage in AMAZING SPIDER-MAN #410, and the symbiote chose the new webslinger as a host in SPIDER-MAN #67. Spider-Carnage ran amuck in SPECTACULAR SPIDER-MAN #233 until Ben resisted the creature’s influence.

Amazing Spider-Man (1963) #410

Amazing Spider-Man (1963) #410

  • Published: April 10, 1996
  • Added to Marvel Unlimited: May 20, 2013
What is Marvel Unlimited?

Jessica learned Spidey’s secret identity in SENSATIONAL SPIDER-MAN #4, and Ben and Peter buried the mystery skeleton in AMAZING SPIDER-MAN #411. The wallcrawler faced a new and improved Hobgoblin in SPIDER-MAN #68, fell under his assault in SPECTACULAR SPIDER-MAN #234, and turned the tables on the criminal in SPIDER-MAN #69. Ben also beat a murder rap in SPIDER-MAN UNLIMITED #12, and witnessed the latest return of the Molten Man in SENSATIONAL SPIDER-MAN #5.

Questions concerning a corporation called Multivex attracted Spidey’s curiosity in AMAZING SPIDER-MAN #412, Mysterio shrunk him down to bug-size in AMAZING SPIDER-MAN #413, and the deadly Delilah brought new dangers in AMAZING SPIDER-MAN #414. Hammerhead vied with Don Fortunato for the Kingpin’s criminal empire in SPIDER-MAN #70, and wound up in the same hospital as a very ill Peter in SPIDER-MAN #41. The Will o’ the Wisp reappeared in SPECTACULAR SPIDER-MAN #235 to aid the webslinger versus Dragon Man in SPECTACULAR SPIDER-MAN #236.

Sensational Spider-Man (1996) #8

Sensational Spider-Man (1996) #8

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Jessica Carradine became even more conflicted over Ben in SENSATIONAL SPIDER-MAN #6, Ben believed Peter’s sickness stemmed from clone degeneration in SENSATIONAL SPIDER-MAN #7, and the Looter stole high-tech super villain weaponry to use for himself in SENSATIONAL SPIDER-MAN #8. During the Onslaught event, Spidey clashed with Sentinels in AMAZING SPIDER-MAN #415 and SPIDER-MAN #72, then pondered a world without its heroes in AMAZING SPIDER-MAN #416.

Peter’s condition worsened in SPECTACULAR SPIDER-MAN #237, a more monstrous Lizard tore up the landscape in SPECTACULAR SPIDER-MAN #238, and the original Lizard arrived in SPECTACULAR SPIDER-MAN #239 to put an end to it all. The webslinger teamed up with Luke Cage and Iron Fist in SPIDER-MAN UNLIMITED #13, mixed it up with Swarm in SENSATIONAL SPIDER-MAN #9 and SENSATIONAL SPIDER-MAN #10, and once again landed in the middle of battling crimelords in SPIDER-MAN #73 and SPIDER-MAN #74.

Amazing Spider-Man (1963) #418

Amazing Spider-Man (1963) #418

  • Published: December 10, 1996
  • Added to Marvel Unlimited: April 30, 2014
What is Marvel Unlimited?

Recovered from his sickness, Peter donned a spare mask to help Ben versus the Host in AMAZING SPIDER-MAN #417, put his head together with his double for a serious talk in SPECTACULAR SPIDER-MAN #240, and stood up against Gaunt while Mary Jane went into unexpected labor in SENSATIONAL SPIDER-MAN #11. While the two heroes battled Gaunt, the baby sadly arrived stillborn in AMAZING SPIDER-MAN #418, and Peter faced the real culprit behind all of his and Ben’s misery, the long thought dead Norman Osborn, in SPIDER-MAN #75. In that debacle, Peter once more took on the role of Spider-Man when Ben lost his life to Osborn’s treachery.

Later, Peter and Mary Jane dealt with not only the loss of Ben but also their child in SPECTACULAR SPIDER-MAN #241 while the Chameleon waited offstage to reveal his next scheme.

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Charles Soule and David Marquez unravel the mystery this April!

Snikt!

The sound rings across the universe…and can only mean one thing: the return of Wolverine!

He’s been popping up in some of your favorite books lately; holding an Infinity Stone, keeping his secrets close. But his return has been an unsolved mystery—until this April, when writer Charles Soule and artist David Marquez reveal the timeline of events that’ll lead to Logan’s shocking return with THE HUNT FOR WOLVERINE: ALPHA #1!

The 40-page issue, featuring a cover by Steve McNiven, begins the twisted tale of Logan’s reemergence. Then, this May, the story evolves into four different tales from different creative teams, each one containing its own distinct genre and mystery: action/adventure (Adamantium Agenda), horror (Claws of the Killer), dark romance (Mystery in Madripoor) and noir/detective (Weapon Lost.) And it’s all being orchestrated by the man that crafted the “Death of Wolverine” in the first place.

Soule recalls, “Steve McNiven and I took on the incredible task of killing Wolverine back in 2014—it was one of my earliest projects at Marvel, and such a huge opportunity. Intimidating, tricky, all of that—but ultimately, I think we created a book (alongside [inker] Jay Leisten, [colorist] Justin Ponsor and [letterer] Chris Eliopolous) that we’re all really proud of.” He continues, “There’s really only one project that could top it—being part of the story that brings Logan back! THE HUNT FOR WOLVERINE is just the opening chapters of a mystery that will reach all sorts of cool hidden corners of the Marvel Universe, and will tell a story that will hopefully have us looking at Logan in an entirely new way.”

“I’m really looking forward to seeing how fans start to put the pieces together,” says the scribe. “There’s a big payoff coming down the road, and all the interlocking parts of THE HUNT FOR WOLVERINE build to it. The more you read, the more clues you get. It’s really fun—especially since I have a bit of a reputation in X-continuity for knocking off beloved mutants. This time, it’s nice to be part of bringing someone back!”

THE HUNT FOR WOLVERINE: ALPHA #1 begins an epic story that will impact Marvel heroes and X-Men alike—and it culminates this summer in one of the most shocking, daring stories in Wolverine’s history! The journey—and the mystery—begins here, and you’re not going to want to miss your chance to take part in Wolverine’s return.

Writer Charles Soule and artist David Marquez’s THE HUNT FOR WOLVERINE: ALPHA #1 unfolds this April!

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Prep for the new series by looking back at David Haller’s first appearance!

Every Friday, we use the powers of Marvel Unlimited to look back at the very first appearance of a major character, place, or object that made waves this week.

While fans have been celebrating David Haller’s return to comics in writer Peter Milligan and artist Wilfredo TorresLEGION #1 (out next week!), the character’s presence hasn’t always prompted such a positive response. In Haller’s first appearance, his arrival wasn’t cheered—it was met with dread.

The young man known as Legion debuted in 1985 on the second-to-last page of writer Chris Claremont and artist Bill Sienkiewicz’s NEW MUTANTS #25. Presented as an entry in Moira MacTaggert’s notes on the mutant subjects of Muir Island, the reveal not only gave us our first look at Haller, but a wealth of introductory information.

New Mutants (1983) #25

New Mutants (1983) #25

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He looked like a teenager. He’d been catatonic for half of his life. And he possessed telekinetic and telepathic abilities passed onto him by his father…Charles Xavier. Haller’s mother, Gabrielle, was one of Xavier’s patients when he worked as a therapist. And, despite their relationship, the Professor never knew that David was his son.

In the following issue, David lost control of his powers and blew up part of Moira’s facility. Concerned for the well-being of her mutants, MacTaggert called in Professor X for some assistance. Charles came, and brought Banshee, Warlock, Doug Ramsay, Wolfsbane, and Dani Moonstar with him.

New Mutants (1983) #26

New Mutants (1983) #26

What is Marvel Unlimited?

In his inspection of the Island, Xavier began suspecting foul play when he met Gabrielle Haller there. She explained that David was her son, but held back on telling him the father’s identity. In an attempt to quell the chaos, the world’s most prominent telepath then entered Legion’s mind—but found himself, shockingly, ousted from his mental plane.

Haller’s mindscape proved to be an expansive and potent place. When Xavier returned to Legion’s mind, he found himself in an epic Soul War with one of David’s alternate personalities that’d hijacked one of the young man’s mutant powers. During this battle, Charles also learned of his own connection to the boy.

New Mutants (1983) #27

New Mutants (1983) #27

What is Marvel Unlimited?

After resolving the fight and concluding the mindscape adventure, Charles sat down with David in the real world only to discover that three other personalities all still lived inside Haller’s head. Saddled with such a complex and fragile mental state, Legion received word from his father that he would have his support as he grew older. Despite this promise, Charles and David were set for a challenging father-son relationship in the many years ahead.

FLASH FORWARD

A decade after making his first appearance, David Haller changed all of reality in a story called “Legion Quest” that ran through X-FACTOR #109, UNCANNY X-MEN #320#321, X-MEN #40#41 and CABLE #20. In that crossover, David decided that Magneto’s madness was the source of much of the world’s trouble, so he traveled back in time to kill him. Ultimately, however, Haller ended up accidentally killing his father instead, kickstarting the “Age of Apocalypse” storyline in the process. That event eventually led to the X-Men sending Bishop back in time so that he’d stop the wrongful assassination. In the process, Bishop stabbed Legion with his own psi-blade, sending them both spinning into Limbo.

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After 10 years and 189 issues, Slott will move from the adventures of Peter Parker to Tony Stark.

The end of an era is here, as Don Slott will be ending his epic run on THE AMAZING SPIDER-MAN with issue #801 – as the writer prepares to begin guiding the next chapter of Tony Stark’s life in the pages of IRON MAN.

Slott spoke to Vulture.com about this big change, saying, of his decision to leave AMAZING SPIDER-MAN after a decade of writing the series (and 189 issues!), “I could always see the next furlong, I could always see what was ahead. Like, Get this far and I’ll make it to the next wave of ‘Brand New Day’ writers, then, ‘If I make it this far I get to one out of every five issues of AMAZING [ever published]. If I get it to this far, I get to [issue No.] 700.’ And so on. So I kept having these benchmarks to hit. And then I realized, once you hit ten years and then issue 800, the next benchmarks were way too far away. [Laughs.] So I always knew that was the zone.”

He goes on to explain that he’ll likely need to adjust to not telling Spider-Man stories, because having written the book for so long, “There are days where everything gets seen through the Spider-Man filter first. If I’m walking down the streets in New York and I notice something, I’d go, ‘Oh, how would Spider-Man deal with that?’ It’s a reflex muscle in the back of your head. Or you read a news story. Something happens and you go, ‘How would Spider-Man deal with that? What is that? What if that was Mysterio?’ When you do this for ten years, that’s just the way you’re wired.”

As for his new gig on IRON MAN, Slott tells Vulture, “I’m all excited. They’d asked me to do IRON MAN a while back, but by then I was at [SILVER] SURFER and I had Spidey and I was already overcommitted, so it kept gnawing at me. Like, ‘Oh, man. I really do want to do Iron Man. This would be fun.’ And when that came around again, it was like, ‘Okay, yeah. Yeah, yeah, yeah, yeah, yeah, yeah. I want IRON MAN. I want this. I want this really bad.'”

Regarding his thoughts on Tony Stark, Slott explained, “Reed Richards explores the universe. He wants to know everything and go everywhere. Tony Stark builds the future. It’s not that he’s not out to discover the next big thing. But he’s gonna take his own two hands and he’s gonna build where he wants to go, or what he wants to do. He looks at a challenge and goes, ‘How do I machine my way out of this?’”

Slott promises, “There will be a very unique cast in this book of characters: Iron Man characters you love and Marvel characters that you haven’t seen folded into the Iron Man cast.”

For much more of Dan Slott’s observations on wrapping up his run on AMAZING SPIDER-MAN, his favorite stories he told with the character, and moving to IRON MAN, check out the full interview at Vulture.com!

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The acclaimed writer joins the House of Ideas for new and exciting projects!

Marvel Entertainment is excited to announce that writer Kelly Thompson has joined the House of Ideas in an exclusive agreement!

Thompson’s stellar work on the HAWKEYE ongoing series, last year’s epic JOURNEY TO STAR WARS: THE LAST JEDI – CAPTAIN PHASMA, and the current fan-favorite ROGUE & GAMBIT limited series has captivated readers everywhere—and now she’s set to introduce her one-of-a-kind voice to new corners of the Marvel Universe.

“Marvel was truly my first love. So to be here today, not only writing for Marvel but ‘going exclusive’ with them, is the definition of a dream come true,” says Thompson. “I remember visiting Disney World as a teen and being so consumed by an issue of X-Men that was due to come out that I was checking newsstands like a girl possessed until I located it. So yeah, this is everything I always wanted.”

Marvel Editor-in-Chief C.B. Cebulski agrees, “From the moment she turned in her first script, Kelly has continually brought big ideas, incredible energy, and endless enthusiasm to the Marvel Universe and every comic she’s had a hand in creating for us. We’re honored to now have her as part of the family here and could not be more excited for the fans to read the amazing adventures she’ll be taking our characters on next year—and beyond!”

In the coming months and at San Diego Comic Con this summer, Marvel will reveal more of Thompson’s exciting work. Until then, stay up-to-date with all of Kelly’s books on Marvel Unlimited and Marvel.com!

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