Hear from the star of "Marvel's Inhumans" about his new podcast and more!

Anson Mount from “Marvel’s Inhumans” and his podcast co-host Branan Edgens stop by Marvel HQ to talk about their new show The Well and much, much more!

Download episode #307.5 of This Week in Marvel from Marvel.com, check out Marvel Podcast Central, grab the TWiM RSS feed and subscribe to This Week in Marvel on iTunes or Soundcloud! Head over now to our new hub to listen to the full run of This Week in Marvel including our latest episode!

This Week in Marvel focuses on delivering all the Marvel info on news and new releases–from comics to video games to toys to TV to film and beyond! New episodes will be released every Tuesday and Thursday (or so) and TWiM is co-hosted by Marvel VP Executive Editor of Digital Media Ryan “Agent M” Penagos and Editorial Director of Marvel Digital Media Ben Morse with Manager, Video & Content Production: Blake Garris, Editor Marc Strom, and Assistant Editor Christine Dinh. We also want your feedback, as well as questions for us to answer on future episodes! Tweet your questions, comments and thoughts about TWiM to @AgentM, @BenJMorse, @blakegarris or @Marvel with the hashtag #ThisWeekinMarvel!

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Marco Checchetto takes aim at an Old Man Logan prequel!

Clint Barton has unfinished business in the future. The accomplished archer may survive in the Wasteland, but he finds himself still dealing with his past in the pages of OLD MAN HAWKEYE by Ethan Sacks and Marco Checchetto. Set five years before the events of the original “Old Man Logan” story by Mark Millar and Steve McNiven, the 12-issue limited series will chronicle the Avenging Archer’s adventures as he tries to make good on his mistakes even as his eyesight fails him.

We talked with Checchetto about referencing McNiven’s original opus, working with Sacks, and coming up with all new denizens of the Wasteland!

Marvel.com: What was the process like for developing Clint’s look a few years before we first saw him in “Old Man Logan”?

Marco Checchetto: I drew Clint slightly different from the version seen in “Old Man Logan.” He still has sight and is still fit. He was a super hero. I’ve only filled him with scars, and one of them has the shape vaguely reminiscent of the “A” of the Avengers. I took off his glasses and then I decided to loosen his hair. As for clothes, I wanted to give them a more military and technical look. My intention, then, is to give him, as much as possible, a melancholy look. Hawkeye knows that the super hero times are over, but he does not accept it.

Marvel.com: Between the original “Old Man Logan” story and the current ongoing series, we’ve seen many aspects of the Wasteland. How has it been mixing the previously glimpsed with your own designs?

Marco Checchetto: For this prequel, I chose to stay close to what we saw in the [original] “Old Man Logan” [story] and the great work of Steve McNiven. I’ll be very respectful in regards to already known places. As for the whole “new” environments, on the other hand, it is a continuous challenge and it is certainly one of the most exciting factors in this series for me.

Marvel.com: Along similar lines, you’re dealing with old, new and re-designed characters set in this alternate future. How has it been working out those designs?

Marco Checchetto: In this case, also, for the characters who appeared in the original series, I will remain very close to what we have already [seen]. The most important part, however, will surely be the new characters. We will see the Wasteland versions of many characters known and loved by readers. I can only mention a couple of them for the moment: Madrox and Venom. The others will be a surprise along with many easter eggs that will awaken the memory of old readers and will stimulate the curiosity of the most recent readers.

Marvel.com: Have any of the new characters or design elements given you more of a challenge than the others?

Marco Checchetto: For some of these characters it was not simple. The one that has created [the most] problems is definitely Venom, because I wanted it to be different from everything we have already seen. I wanted it not only to be a black liquid, but a sentient organ, and so I created a real internal matter of flesh and viscera. It will be hard to draw it on all the pages, but I hope it gives an added value [where it appears].

Marvel.com: How has it been working with writer Ethan Sacks so far?

Marco Checchetto: Ethan is fantastic, the story is marvelous, and every time I get the script of a new issue I devour it to know what madness I will have to draw this time. Each issue is full of surprises, and despite being a very long [series]—12 issues—I’m sure I’ll miss it in the end. The script is clear and precise, but gives me the right space to express myself with the setting of the page that I prefer. Ethan is an enthusiast and that exudes from his pages. I’m sure you’ll love this series.

Return to the Wasteland on January 10 with Ethan Sacks and Marco Checchetto in OLD MAN HAWKEYE #1!

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Marc Guggenheim previews a 20th anniversary Excalibur reunion!

Some call Excalibur “the X-Men of Great Britain,” while others just call them “awesome.” Either way, this super hero team will get a special reunion in the X-MEN: GOLD ANNUAL #1!

Writers Marc Guggenheim and Leah Williams join artist Alitha Martinez to re-team Kitty Pryde, Nightcrawler, Prestige, Captain Britain, and Meggan for a face off against a rather unconventional villain. Co-created in 1987 by Chris Claremont and Alan Davis (who provides the cover for this issue), Excalibur makes its triumphant return on January 10!

In anticipation of their coming back together, we spoke with Guggenheim about what makes this super group so memorable.

Marvel.com: What do you think makes Excalibur so unique?

Marc Guggenheim: I’d always seen Excalibur as this really interesting hybrid team born out of, I imagine, Claremont and Davis’ collaborations on UNCANNY X-MEN and CAPTAIN BRITAIN. It seemed almost as if Chris and Alan said to each other, “Hey we’ve worked together on X-MEN and we’ve worked together on CAPTAIN BRITAIN…what about doing a book about both?” In other words, EXCALIBUR exists because of the history of the creators, not out of a need to spin off certain characters or put some characters together with others. To my thinking, this was an extremely unique approach, particularly when you consider that EXCALIBUR premiered back when there weren’t as many X-Men titles as have become the norm. Being one of a very few number of X-titles, EXCALIBUR had a unique position.

Marvel.com: Did you want to explore a certain aspect of the team’s dynamic in this story?

Marc Guggenheim: The “found family” aspect of Excalibur—how these people got thrown together and decided to create their own family dynamic—really spoke to me. And, obviously, it spoke to Leah as well because that element really shines through in her script.

Marvel.com: Knowing how many family reunions go, will there be any bitterness or bickering among the heroes?

Marc Guggenheim: Not really. While I think bitterness or bickering often acts as a component of reunions, it wouldn’t work for Excalibur. It wouldn’t be consistent with the fun, madcap tone that Chris and Alan created.

Marvel.com: Should we expect to run into any classic Excalibur villains?

Marc Guggenheim: Not in this story, no. I really wanted to revisit the character of Starhammer—the D’Bari out for revenge against Rachel Summers who was last seen in UNCANNY X-MEN #135. It’s a super deep cut, but the character has always struck me as more tonally consistent with EXCALIBUR than X-MEN, so he seemed like a natural fit for this.

Marvel.com: In your wildest imagination, where would you want to see the team go after the Annual? 

Marc Guggenheim: Nothing would make me happier than to see Leah Williams relaunch Excalibur into a new series. She totally gets the tone of Excalibur and understands what makes the original series so beloved. And Maggie, the character Leah introduces in the Annual, would make for a pitch-perfect member of the team, in my opinion.

Reunite with Excalibur in Marc Guggenheim, Leah Williams, and Alitha Martinez’s X-MEN: GOLD ANNUAL #1 on January 10!

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Christopher Hastings looks back at the creation of Gwen Poole!

From overnight variant cover sensation to fully fleshed out adventuress, Gwenpool’s come a long way in a relatively short time. Now, poised for the launch of her new story arc “Lost in the Plot,” she’s never been better, more believable, and…well, unbelievable, too!

And on January 10, writer Christopher Hastings and artist Gurihiru‘s UNBELIEVABLE GWENPOOL #24 reteams Gwen Poole with Georges Batroc! Together again, the duo look to exercise their villainous sides by robbing a Manhattan casino. But, as with all of Gwen’s books, the issue contains more layers than might appear.

Before issue #24 comes out, however, we decided to take a look back at how Hastings—Gwenpool’s co-creator, along with artist Chris Bachalo—crafted such a one-of-a-kind character.

Marvel.com: Chris, Gwenpool originally jumped off a variant cover before breaking the fourth-wall and jumping into everyone’s heartshas there ever been a character with such a unique conceptual origin as her?

Christopher Hastings: Gwenpool’s creation process is fairly unique as far as I know. I’d love to find out other cases of creative teams coming up with a character’s backstory after having first appeared as a variant cover.

But as far as Gwen’s fourth wall breaking, she certainly has her influences. She-Hulk and Deadpool have definitely acknowledged they live in a comic, with She-Hulk occasionally stepping out between panels in a similar way to Gwen Poole. Animal Man has also, of course, influenced what we decided to do with Gwenpool. Not to mention the “Thursday Next” series.

I think Gwenpool diverts from other comic characters who break the fourth wall because we take it very seriously and we treat it as if it were real. If Gwen knows that Jane Foster is Thor because she’s read that comic, that’s a pretty big problem for Jane. If Gwen can jump through panels, well, that means she can travel through time. And we like to see how that actually could play out. It adds a lot of really fun story possibilities to the super hero world.

Marvel.com: How did you go about crafting such a unique character?

Christopher Hastings: I wanted some similarities to Deadpool—mercenary work, fourth wall breaking—but for her to have them for her own reasons. And that’s how I came up with the idea of her being a person from the real world transported into the comics. Everything else just spins off of that. She puts on the costume to become a “main character” and not a disposable “extra.” She’s uses weaponry because she has no powers. She’s a mercenary because she wants to have fun in the Marvel Universe, and also she needs money. She talks about everything like it’s a comic book, because she knows it is. And then later down the road, that knowledge sort of expands, it levels up. And now she can see the panel borders and interact with them.

Marvel.com: How did you decide on the balance between humor and drama? And how has that changed for you over time?

Christopher Hastings That balance is one of my biggest interests in writing, and I don’t think I’ve quite cracked it. Every time I sit down to write, I try to learn from how it went last time and how to do it a bit better. I know I’m a comedian. I like jokes, and I like to read and write funny comic books. But I also know that humor can open a back door into your heart, so I try to bring some depth and character to the situation too, so you grow to love the characters. They’re not just disposable joke-spewers. But you don’t want it to get too heavy and dreary either, especially when the reader gets sold something that’s supposed to be funny. You want that drama and that character, because it keeps you coming back, but you it shouldn’t weigh everything down either. Like I said, I don’t think I’ve figured it out yet!

Marvel.com: What element of her growth as a character has received the most surprising reaction from fans?

Christopher Hastings: I can’t believe that some people still think she’s Gwen Stacy! But I think that actually works to our advantage now. People instinctively hate when someone is wrong on the Internet, so whenever someone says she’s Gwen Stacy, an army of Gwenpool readers shows up to tell the real deal about the book. I’m very grateful for those readers.

Marvel.com: Who do you see as Gwenpool’s greatest arch-enemy? And why?

Christopher Hastings: In small ways, she acts as her own worst enemy. She’s impulsive, she doesn’t quite read situations one-hundred percent the right way, and she acts on incorrect assumptions.

But also, in a very literal way, Gwen’s arch-enemy is herself—the future evil version that she’s terrified to become. That potential evil future Gwen has been the reason for everything that’s happened in the series since issue #16.

Marvel.com: With that in mind, what sorts of GWENPOOL stories would you like to tell that perhaps you haven’t gotten to yet?

Christopher Hastings I would love to do a story where Gwen has to chase her future evil version through the past of Marvel Comics, where the future evil Gwen messes with the origins of all the Marvel heroes, stopping them from getting their super powers. Current Gwen would have to fix things, but in order to do that, she’d have to hurt the characters she loved! Uncle Ben would have to die. Banner would have to be cursed to become The Hulk. Tony Stark would have to survive being a prisoner of war. It’s a lot of tragic origins that would just tear Gwen up to be forced to recreate for the greater good. I pitched this story a while ago, and we couldn’t do it for Secret Reasons, so I’m not spoiling anything by laying it out here.

Marvel.com: Likewise, which character would you love to have guest star?

Christopher Hastings I’d really love for Gwenpool and Squirrel Girl to have a story together. I love UNBEATABLE SQUIRREL GIRL, and her writer, Ryan North, is one of my dearest friends and occasional collaborators. It would be a blast.

Marvel.com: Here’s hoping! To finish, what’s coming up in the next few issues of UNBELIEVABLE GWENPOOL that really has you stoked? Something you can’t wait for readers to see?

Christopher Hastings As silly as this may sound, I’ve really come to love the version of Batroc the Leaper that we’ve made for this series. He’s become a mentor figure to Gwen—kind of a cranky uncle. UNBELIEVABLE GWENPOOL #24 completely focuses on Gwen and Batroc’s relationship, and we get to do some cool stuff with both Gwen’s comic powers, and Batroc’s uh…really great kicks and jumps. Seriously.

Read UNBELIEVABLE GWENPOOL #24, by Christopher Hastings and artist Gurihiru, on January 10!

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Who is spreading symbiotes through NYC? Marvel.com’s resident therapist hypothesizes.

After being contacted by the S.H.I.E.L.D. agent Bobbie Morse, aka Mockingbird, this profile of the super powered criminal known as Maniac was prepared. As details are scant, this summary relies on a significant amount of conjecture and hypothesis in lieu of an in-person intake or other therapists’ notes. Please account for this in reviewing it.

The subject, the criminal — colloquially, a super villain — Maniac is most likely Lee Price. Price had recently been identified as a criminal associate of Felica Hardy, aka the recently regressed criminal Black Cat, and a former host of the symbiote that creates the Venom identity (former hosts include Eddie Brock and Flash Thompson).

The subject’s childhood was marked by chaos and trauma. His parents frequently fought with one another and abused him in multiple ways including verbal, physical, and via neglect. To make matters worse, Price did not connect well with others his own age — either because of difficulties in his home or other personality factors — and as a result had a limited social support network. The one friend this writer was able to locate mention of in old New York State Office of Children and Family Services (OCFS) records reacted violently when authorities attempted either contact or arrest — depending on accounts — of said child because he was a mutant.

Venom #159

Maniac’s apparent attempts to spread symbiotes to others, when viewed through the lens of his past, thus makes a kind of sense. He is creating a network of friends/families on whom he can rely for companionship, comfort, support, and shared goals. However, he is unable, seemingly, to trust others to be with him because they wish to – he does not trust them to do it of their own free will. Thus, the bits of symbiote he ensnares them with eliminate their free will and, essentially, force others to become his friends/partners in crime.

Previous to now, the only place that Price seemed to feel mastery and find a sense of camaraderie with others is as a member of the US Rangers. This also offers some explanation for why he’d desire to build his own team. However, ultimately, the Rangers cost him three fingers and medically discharged him, leaving him once more alone. Therefore, once again, he is seeking to control his environment by refusing to allow others the free will to “ruin” his group.

The subject is definitely fueled by a desire to achieve mastery once more. This is held up by testimony from Eddie Brock via his connection to the Venom symbiote. When Brock helped separate the symbiote from Price and successfully rejoined it, he claims the symbiote provided him information about the previous host. In this case, the alien “told” Brock that the subject refused to merge with the creature and “work together” and instead sought to bend the symbiote to his will. Rather than fully tap into what the alien could offer the subject, Price made it more of a tool, choosing control over increased power and/or efficiency. Again, this speaks to a lack of trust in others to stick with him.

Venom #160

What this does not do is offer much insight into what Maniac’s end goals might be. Does he seek to infect everyone and thus, in essence, make everyone his family? Is he looking to strike out at old resentments, a possibility reinforced by rumors about those he has recently converted? Is this a limited time thing or would he prefer to maintain it as long as possible? This writer hesitates to guess at this time with the resources available to me.

For a more in-depth exploration of symbiotes and how they can influence behaviors, I have referred S.H.I.E.L.D. to Doctors Mike Costa and Gerardo Sandoval who are experts in the field. Even though Lee Price has sought to dominate his alien “companion” it may still be influencing his thoughts, feelings, and behaviors and any thorough profiling should account for that. The report will be available on January 10 in the file marked VENOM #160.

Psy D. Candidate Tim Stevens is a Staff Therapist who is only influenced in his thoughts, feelings, and behaviors by the union of chocolate and peanut butter.

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The youthful original X-Men encounter a teleporting tyrant!

1917 to 2017: 100 years of Kirby.

Join us to celebrate Jack “King” Kirby’s 100th birthday by learning about the characters and stories he created that changed comics forever. To commemorate Jack’s centennial, we’ve sat down with the modern-day creators he influenced—and the decades of work he gifted us all.

In November of 1963, Jack Kirby’s art featured in eight different comics from Marvel! Hank Pym transitioned from Ant-Man to Giant-Man in TALES TO ASTONISH #49, Molecule Man debuted in FANTASTIC FOUR #20, and the merry mutants faced off against The Vanisher in UNCANNY X-MEN #2! Today we’ll focus on that last one, an issue written by frequent Kirby collaborator Stan Lee. The issue began with Cyclops, Iceman, Angel, Marvel Girl, and Beast splitting up to make their way to Professor X after he mentally called for them.

Once the students gathered before Xavier, their mentor told them that he sensed the presence of an evil mutant called The Vanisher. The telepath then showed them how this new rogue robbed a bank at gunpoint and then teleported away without much fuss. To prepare for this new kind of foe, Professor X sent his students to the Danger Room where they trained. Meanwhile, Vanisher struck again, this time popping into the Pentagon to let the chief of staff know that he would steal the continental defense plans in a few days! After word of his exploits spread, the vanishing villain became a huge figure in the underworld, with hoodlums clamoring to work for him.

Having trained up until the last possible moment, the team lit out from the Xavier mansion to Washington, D.C. to put a stop to the baddie’s brazen operation. They didn’t arrive in time, though, to stop Vanisher from grabbing the plans. The X-Men did show up during the ne’er-do-well’s escape though and started giving him trouble, but the whole thing turned into a super-powered version of keep away as everyone went after the case holding the defense plans. Still, Vanisher wound up making his escape, marring the mutants’ reputation with the public in the process.

Uncanny X-Men (1963) #2

Uncanny X-Men (1963) #2

  • Published: November 10, 1963
  • Added to Marvel Unlimited: November 13, 2007
  • Rating: T+
  • Penciller: Jack Kirby
  • Cover Artist: Jack Kirby
What is Marvel Unlimited?

After beating themselves and each other up a bit, Xavier’s students listened as their teacher laid down a new plan of attack to stop Vanisher blackmailing the government out of $10 million in exchange for returning the plans. This lead to a standoff in front of the White House with the X-Men on one side and their opponent on the other, backed by his army of crooks. Professor X then appeared and offered the chance to surrender. The Vanisher scoffed and soon learned the true power of the man he faced as his memories completely fell away, leaving him confused and tired.

The angry mob only felt anger, though, and attacked our heroes, but ultimately stood no chance. Professor X ended the issue with a nice message for everyone: “The greatest power on Earth is the magnificent power we all of us possess…the power of the human brain!”

Stay tuned to Marvel.com for more throughout Kirby Month and beyond! And join the conversation on all of our social channels with the hashtag #Kirby100.

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Artist Pepe Larraz sets the stage for the 16-part weekly saga!

On January 10, the Avengers assemble like never before.

No, not to ring in the New Year together, but to figure out who kidnapped Earth and then try to get it back in one piece! The story—a weekly, 16-part crossover event that calls together the casts of AVENGERS, UNCANNY AVENGERS, U.S.AVENGERS, and OCCUPY AVENGERS—kicks off in the pages of AVENGERS #675, written by Mark Waid, Al Ewing, and Jim Zub with art by Pepe Larraz.

We spoke with Larraz about bringing all these team members together, working on a new character, and jumping into the cosmic action!

Marvel.com: What unique challenges do you come up against when working on a huge, weekly story such as this?

Pepe Larraz: Well, it is probably the biggest thing I’ve ever done at Marvel so far, in terms of characters involved, team size, and work done in advance. The main challenge for me ended up being how to handle all these characters on stage, trying to get the hang of all their personalities—the way they act, talk, and interact with each other. Also, having three or four scenes of epic action happening in different parts of the globe at the same time, and making that easy and clear for the reader. It can be difficult when you have to make two or three big, eye-catching panels on the same page and you have to avoid the panels competing between themselves to win the reader’s attention.

Marvel.com: How much did you have to familiarize yourself with all of the books’ characters? Did you find any surprises as you prepared?

Pepe Larraz: I came from working on UNCANNY AVENGERS, so some of them felt pretty familiar to me. I had worked with some of the others during my career in comics, but most of the characters proved to be new to me as an artist. So I did some research on the backgrounds of the ones that have predominant roles in the series, such as the U.S.Avengers or the Occupy Avengers, to understand what motivates them.

I had a blast drawing the Black Order because Jerome Opeña‘s designs look really fantastic. I also had the privilege of redesigning the existing members of the Lethal Legion and to also create a few new ones. Yes, as you can expect, this series is cramped with characters!

Marvel.com: In addition to the characters, you also begin the event with these cosmic objects falling to Earth. How did you go about designing those?

Pepe Larraz: It was quite simple, to be honest. The script calls them “piramoids,” so the shape their shape seemed quite obvious. Then I tried not to add anything superfluous—the main idea was to keep the alien technology as simple as possible. You’ll see the signs Jim Zub designed on them later on. We all provided ideas for the designs, so all of them ended up being more or less the result of teamwork.

Marvel.com: This also features the return of a mysterious forgotten Avenger by the name of Voyager. What can you tell us about bringing her to life on the page?

Pepe Larraz: The Voyager design is a joy, with that classic Jack Kirby-ish look to it. I wanted to transmit the feeling of a mystery being unfolded with every new issue of the script. Okay, you don’t remember her, but all of the Avengers trust her, so what could possibly go wrong? She feels so self-assured—she has such authority—that you get convinced immediately.

Marvel.com: Did you notice a difference between how each different writer approached the material?

Pepe Larraz: Not really, because they’re so well coordinated. I didn’t even notice that different hands wrote it because all their styles and approaches to the scene seem melted together on this collective script. I think this will be one of the better things of this series: the script has three different writers, three heads full of ideas, but one unique voice. I’m glad to be part of this project and have the privilege of working with Mark Waid, Al Ewing, and Jim Zub, all together. It’s an absolutely new experience. Sometimes it can be exhausting, sure, for the amount of characters on every page, but the story is awesome, and the artist group—Paco Medina, Kim Jacinto, and I—want to transfer that “awesomeness” into the pages the best we can. Hope you enjoy it as much as we do!

Witness the beginning of the end of an era with AVENGERS #675, by writers Mark Waid, Al Ewing, Jim Zub, and artist Pepe Larraz on January 10!

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How is it to live every day seeing the flaws in everyone and everything?

The client, Karnak Mander-Azur, is a self-identified Inhuman and longtime advisor to the Royal Family. Currently he belongs to an Inhuman/S.H.I.E.L.D. collaborative organization known as the Secret Warriors, although I am unclear on whether or not this is a formal designation or a colloquial title adopted by the group. He presents as a man in above average physical health who is noticeable by the facials tattoos that indicate his membership in a religious movement known as the Tower of Wisdom.

Karnak joined the movement after his parents refused to let him undergo the Terrigenesis process due to how the Mists affected his brother Triton. Instead, Karnak studied under the Wisdom monks, learning both philosophy and a variety of martial arts. These studies are credited with his abilities — the client is a master planner who is evidently able to see the flaws in everything including people, objects, and plans — although it is unclear if this is a “power” or just a highly developed skill. It also marks him as distinctly different from the rest of the Inhuman population who undergo exposure to the Mists; while not all react to the gas and change, participation in the process is nearly 100 percent. The combination of his experiences, his skillset, and being this literal outlier often leaves him feeling very separate from others. In therapy, we have also explored if he furthers this sense of separation on his own, choosing it instead of reaching out, but so far the client is fairly resistant to this avenue of discussion.

Karnak has recently undergone some fairly significant life changes. In the first place, in response to knowledge he still has not fully articulated, he ended his own life. Through a process this writer confesses he does not wholly understand, but hinges on another Inhuman that was genetically related to Karnak that could absorb the genetic memories of dead Inhumans, Karnak was reborn. While retaining his memories, he lost his distinctive head shape. While this seems to have cost him nothing, it is worth note as it is significant change to his appearance.

Secret Warriors  (2017) #12

Secret Warriors (2017) #12

Since his rebirth, he has been far more paranoid, secretive, and withdrawn as well. While being a member of a team, he often seems to be working at odds with their goals or following a very different route without explaining or alerting his teammates to his choices.

Additionally, most of the Royal family, arguably the individuals he is closest to and calls friends and family, have left the planet and did so largely without explanation. While he largely downplays this development on his psyche, for an individual who is slow to trust and has few supports, this sudden loss of so many people from his life has undoubtedly affected him.

Due to his overall hesitance to open up, much of our therapy has been focused on daily coping skills. With his ability to see flaws everywhere, day-to-day life is a series of encounters that scream at him to solve problems that he cannot, for many reasons, starting with the fact that it is impossible to make a person perfect. For another example, it is difficult to get anyone to listen to you when you claim there is a structural flaw in a building that will cause it to collapse in 96 years. We are working on active ignoring, how to evaluate which flaws are fixable and worth focusing on now, which can be delayed, and which, ultimately, must be accepted. Along with this we are working on emotion regulation to help him connect better with others and reduce his susceptibility to anger, disappointment, etc., with normal human failings. Lastly, we have been practicing mindfulness techniques, something the client has taken to very well given his experiences in studies in the Tower of Wisdom.

As part of his therapeutic process, Karnak Mander-Azur has agreed to attend a group session as a kind of exposure therapy for managing his emotions and his reactions to the flaws of others. He will attend Doctors Matthew Rosenberg and Javi Garron’s group starting on January 10, 2018 and information on his progress with be available in file SECRET WARRIORS #12.

Psy D. Candidate Tim Stevens is a Staff Therapist who thinks you—yes, you!—are flawless.

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Guess the identity of Kamala Khan’s mystery foe!

Ms. Marvel has gone missing. And in her place, her friends have decided to take up her position as New Jersey’s finest crime stopper.

But in part two of the “Teenage Wasteland” arc, an old enemy makes their return with a few unexpected tricks set for Kamala Khan’s buddies. It all takes place on January 10 in writer G. Willow Wilson and artist Nico Leon’s MS. MARVEL #26!

One question, though: who might this mysterious big bad be?

From the moment Kamala stepped through the transformative Terrigen Mist, nefarious nincompoops started showing up to cast their villainy about town in her beloved Jersey City. Ms. Marvel’s seen everything from a Canadian Ninja Syndicate to internet fanfic trolls—and once she even fought alligators. But who might show up in issue #26?

We took a look at the rogues’ gallery of MS. MARVEL villains to get a hint at who the culprit could be.

Lockdown
Rebecca St. Jude started her career as a Carol Cadet, but the power of apprehending criminals quickly went to her head. Having gotten a taste for tasering and detaining people indefinitely, Lockdown came up against Kamala before getting arrested by the Jersey City Police Department for impersonating a law enforcement officer.

She’s got the pedigree, but does the giant robot gecko on the cover of issue #26 seem like her way of doing things? Maybe? But also maybe not.

Discord
Josh Richardson (A.K.A. the guy Rebecca St. Jude tasered) got a taste for evil and ended up joining forces with Lockdown and Chuck Worthy. Taking on the code name Discord, Josh acted as the enforcer for Worthy’s K.I.N.D. initiative, rounding up Inhumans in a detention center without cause.

Smashing up Jersey City with a giant lizard-bot doesn’t seem like something Discord would do, but his boss, the pro-gentrification Chuck Worthy, might be a little more into the idea…

Doctor Faustus
A frequent collaborator of Worthy’s, Doctor Faustus masterminded the Hope Yards Development and Relocation Association, which turned out to be a secret Hydra cell. Faustus also once used a special drink concoction to inoculate the local populace with mind-controlling nanomachines…so he knows how to effectively craft crime on a major scale.

Might Doctor Faustus turn his dastardly minded methods to a massive city-destroying machine chameleon? He seems to use subtler tricks than that, but we wouldn’t rule it out.

Hijinx
Hijinx, the leader of the Canadian Ninja Syndicate (a group Kamala scuffled with on the road to Civil War II), once planned to drive a tank through Jersey City—sort of like a lizard robot. Though, most recently, Hijinx and the Syndicate actually teamed up with Ms. Marvel to fight Lockdown. Though have they done a heel turn when Kamala least expects it? Maybe!

Kamran
Kamala’s crush-turned-nemesis seized Ms. Marvel and took her to Lineage—the leader of a radical Inhuman terrorist organization—who tried to recruit the hero in his dark campaign. She refused (obviously!) and later escaped. Then Kamran appeared again to kidnap Kamala’s brother Aamir! Even though the villain hasn’t appeared since that abduction, his under-the-radar approach might make him the perfect man for this latest assault.

Though if Kamran doesn’t seem quite convincing, consider…

The Inventor
Kamala’s first villain was a half-cockatiel, half-Thomas Edison clone created by a scientist named Knox. The bird-faced replicate, who took on the codeman “The Inventor,” immediately started experimenting as evil bioengineers; The Inventor and Knox forced young people to serve as living batteries.

Though The Inventor supposedly perished in battle against Ms. Marvel, that biomechanical lizard looks a lot like something he might put together. And remember those alligators we mentioned earlier? Those were bioengineered alligators, sent by none other than the Inventor!

Maybe he’s got a thing for taking down cities with artificial scaly beasts.

Find out the true identity of the big bad in MS. MARVEL #26, by writer G. Willow Wilson and artist Nico Leon, on January 10!

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Meet one of the most deadly and persistent super villains of all-time!

1917 to 2017: 100 years of Kirby.

Join us to celebrate Jack “King” Kirby’s 100th birthday by learning about the characters and stories he created that changed comics forever. To commemorate Jack’s centennial, we’ve sat down with the modern-day creators he influenced—and the decades of work he gifted us all.

How do you stop a villain from the future, who knows the past and also comes stocked with weaponry to make even Tony Stark’s head spin? Jack Kirby and Stan Lee answered that very question in 1964 with AVENGERS #8. In that issue, Earth’s Mightiest Heroes met at Stark’s mansion by request from the Pentagon who showed them a video of an unidentified flying object landing in Virginia. Unafraid of the human element, the craft’s pilot smoothed over a mile of forest to land and then used another ray to vibrate the approaching tanks to pieces!

Before long, the invader revealed himself as Kang, the Conqueror! At the government’s request, the Avengers flew off to investigate. When they arrived at the craft, they found their foe lounging on an invisible, floating chair, completely unimpressed with their appearance. The villain then very simply stated his objective of taking over the entire planet and backed that up by tossing the mighty super heroes around like paper dolls.

Once the under-secretary of defense showed up, Kang explained that he had been born in the year 3000, mastered time travel, and then visited the past as Rama-Tut, first seen in FANTASTIC FOUR #19. While trying to return to his home time, he actually went to the year 4000 where warring barbarians wielded technologically advanced weapons built in a bygone era. However, the self-styled Conqueror grew bored with the war-ravaged climes and decided to return to an earlier Earth. He ordered his minions to build him another time machine and that’s how he came face to face with the Avengers.

Avengers (1963) #8

Avengers (1963) #8

  • Published: September 10, 1964
  • Added to Marvel Unlimited: November 13, 2007
  • Penciller: Jack Kirby
  • Cover Artist: Jack Kirby
What is Marvel Unlimited?

Uninterested in Kang’s claims of dominance, the Avengers attacked the would-be despot, but didn’t fair well. The time traveler zapped Giant-Man, deflected Mjolnir, and foiled Wasp’s attempts at de-powering his helmet. Tired of the battle, the rogue had the male members of his opposition sucked into holding cells inside his ship and then gave the world an ultimatum: surrender or die.

Kang would soon learn the error of his ways in ignoring The Wasp and Rick Jones, though. Jones called in his Teen Brigade pals and feigned allegiance, causing all kinds of trouble along the way. They even managed to free our heroes! Meanwhile, Wasp searched Hank Pym’s lab and found a power ray she thought would tip the scales in their favor.

Reunited, the Avengers pressed their attack, which included a blast from the gun that unleashed a suit-melting acid on Kang. The invader then unleashed a Neutrino Missile, but Iron Man easily deflected it as Giant-Man sealed off the launchers on the ship. Besieged and beleaguered, The Conqueror could do nothing more than retreat to his chronal conveyance and make a hasty retreat! And that’s how you beat a time traveler!

Check out more Kang in video game form with “LEGO Marvel Super Heroes 2”!

Stay tuned to Marvel.com for more throughout Kirby Month and beyond! And join the conversation on all of our social channels with the hashtag #Kirby100.

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