Three legendary writers book return trips to Wakanda!

With writer Ta-Nehesi Coates doing stellar work on the current BLACK PANTHER series and T’Challa making his solo film debut in February, three of the most iconic writers to ever pen stories for Wakanda return to the hero they helped make a household name; in February 18’s BLACK PANTHER ANNUAL #1, three distinct eras of the Panther will be revisited.

Don McGregor, the foundation-building scribe behind stories like “Panther’s Rage,” teams up with artist Daniel Acuna for a tale that takes King T’Challa out of Wakanda and onto the streets of New York for a gripping mission. Then, former BLACK PANTHER writer Christopher Priest will be joined by artist Mike Perkins for a story starring friend of Wakanda Everett K. Ross. And last but not least, the man behind “Who is The Black Panther?” and the director the recent film “Marshall”—starring the MCU’s T’Challa himself, Chadwick Boseman—will reunite with artist Ken Lashley for a sequel of sorts to their classic, “Black To The Future!”

We reached out to each of these legends to pick their brains about coming to a character they left such indelible marks on.

Marvel.com: What excited you most about returning to Black Panther?

Reginald Hudlin: When I was told that the book would feature me, Christopher Priest, and Don McGregor each doing Black Panther stories, it just felt historic. I knew I had to be a part of it.

Christopher Priest: Nothing. Seriously, nothing at all. It was terrifying.

My original run, especially the Marvel Knights installments, have finally found an audience. When we were actually doing the book, we literally couldn’t give copies away. There was enormous sales resistance and a lot of literal hate—and threats—from fans outraged that we gave Panther an iPhone. Seriously; there was this anti-tech backlash, “purists” who, from what I could tell, were confusing Black Panther with Tarzan. Panther is not Tarzan.

So, in those days, I’d spend a lot of energy engaging these fans and trying to please, please, sir, get them to go read FANTASTIC FOUR #52 and learn who Panther really is rather than who so many fans apparently believed he was—some kind of caveman or maybe Ka-Zar. He’s not Ka-Zar. He is ruler of one of the most technologically advanced societies in the world. Yes, dude, he can use an iPhone.

Don McGregor: It was excitement I felt when [editor] Wil Moss first approached me about coming back to write the Panther after being away from T’Challa for decades. I loved writing him, and I spent years with T’Challa’s voice in my head, trying to “hear” not only him, but all the characters in Wakanda around him.

I actually wrote that I was of the mind not to do it up on my Facebook page. I did not want to disappoint the readers who held such love for these characters, and how much, over the years, these stories had meant to them. The worst fear the storyteller can have, I suppose, is that you come back with a short piece and the reaction is “Man, Don had it back then; he should have left it alone!” But, when I wrote about it in the social media so many people responded that they wanted me to do it, I began to re-appraise accepting while I was visiting my daughter in California.

Marvel.com: How do you feel about the character’s growing pop cultural profile, with his appearance in “Captain America: Civil War” and now his own upcoming film?

Don McGregor: I think it’s terrific! The Panther has always been an important super hero in opening up the comics medium to the different kinds of characters and stories that can be told. I spent years of my life with him, so there becomes an intimacy of daily contact with each other, of staying open to what you can do as you continue to write the next issue. You often spend more time with the title characters of your series than you do with many of the people you know. It becomes a part of you, facing the next page, the next panel, trying to get it as right as you can in the moment you are creating it.

I thought Chadwick Boseman [brought] the right combination of grace and momentum and solemnity and strength to The Black Panther that was always the way I saw him. I am so glad [Marvel staffer] Peter Charpentier made it possible for me to meet with Chadwick during the San Diego Comic-Con this last summer.

Christopher Priest: Well, I certainly think it’s great. Chadwick Boseman’s end-of-innocence portrayal of a young T’Challa elevated the game for African—and African American—super heroes.

Reginald Hudlin: I remember all the Black Panther scripts that had been developed over the years. Almost all of them horrible. There were drafts where he grew up in housing projects in America with no idea of his royal heritage. Just ghastly perversions of the original concept.

So, when then-Executive Editor Axel Alonso and I sat down to talk about what was originally conceived to be a [limited series], I wanted to tell the story right. I didn’t know if there would ever be a movie, but I wanted to create a document that would tell fans who he was and be a blueprint for what a movie should be. I haven’t seen the film, but looking at how Klaw is portrayed and the inclusion of characters I created like Shuri, it looks like that is the case.

Black Panther Annual #1 cover by Daniel Acuna

Marvel.com: Are there differences to how you approach the character now versus your original run on the book?

Don McGregor: Surely. You don’t have to do months of research to write a 12 page story as compared with a nearly 200 page graphic novel like “Panther’s Rage.” Back when I was first given the Panther to write there were multiple decisions that I had to make before I wrote one finished page. I not only read the comics; I had to research everything that would create the intricate details of Wakanda. Jack [Kirby] and Stan [Lee] had established it, but it was more a concept in those early stories, since they had a lot of characters with the Fantastic Four to interact with the Panther and whatever super villain they were fighting.

It was during those initial weeks that I discovered not one story had ever had anything to do with
Ramonda, the Panther’s mother, and I decided then that I would not mention her during “Panther’s Rage,” that this would be one big complete story, and then I would do a story dealing with South Africa and Apartheid. This would become “Panther’s Quest,” a story of a son, T’Challa, searching for his mother in an oppressive, racist regime, and how difficult such a place could make on the emotional turmoil of a son searching for a mother he has lost since childhood, a human theme I hoped everyone could relate to, and care about. As you can see, I was already concerned about where T’Challa’s life would go after “Panther’s Rage,” and before I wrote Book One of that series, I needed to know I had somewhere to go as a writer that would challenge me, but also make sure I was not writing the same story issue after issue.

Christopher Priest: Well, yes, I suppose. When I was writing the character 20 years ago, the mission was simpler: this is a story about a guy you think you know but you’ve, in fact, got him all wrong. Skip ahead 20 years, and now everybody is in on the joke. Reader expectation is different. Marvel Knights readers expected an overly serious homily on African culture, so we played against those expectations. Today’s audience already knows T’Challa is a capable—and deadly—adversary and technological genius, so I can’t write those “I can’t believe he took out Mephisto with one punch!” stories because, today’s audience knows he can.

Reginald Hudlin: Some fans on my web site asked me what story I would write if I ever came back to the character. There are a few I have in mind, but my favorite is a big epic story called World War Wakanda. It would be one of the big companywide crossovers. I only had six pages to tell my story, so I did an epilogue where you get glimpses of the result of the story  It also functions as a follow up to the “Black to The Future” story I wrote for the very first BLACK PANTHER ANNUAL.

Marvel.com: What do you think makes Black Panther such an iconic figure?

Don McGregor: I suspect many people love the idea of a character who can move with such power and grace and [certainty], and look absolutely terrific doing so! But, I have the feeling, also, for many people that they admire and want a leader who truly does want to represent as many of his people as he can, and doesn’t merely luxuriate in his power and abilities. I suspect we wish there were politicians that acted as honorably and with concern about all the people in their land.

Reginald Hudlin: He’s the African equivalent of Captain America. In the same way Cap embodies all that is good about America, The Panther symbolizes all that is great about Africa.

Christopher Priest: He’s the black guy. C’mon, let’s be honest. He’s the black guy. And he’s not angry, he doesn’t use slang or “Ebonics,” he pulls his pants up, he keeps his word. Black Panther shames us—all of us—by his nobility. He may well be the single most noble guy on Earth. Do your best. Keep your word. It’s all anyone can ask of you.

T’Challa’s, like, the last noble man on earth. I am by no means anywhere near that noble, but I aspire to be well, if not good, at least as good as I personally can manage. That’s the best any of us can do. Dude: be as good as you personally can manage. Eat your vegetables. Do your best. Keep your word.

Don’t miss BLACK PANTHER ANNUAL #1, from Don McGregor, Christopher Priest, Reginald Hudlin, and their artistic collaborators, on February 18!

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See how the Lethal Legion members made their debut!

Every Friday we use the powers of Marvel Unlimited to look back at the very first appearance of a major character, place, or object that made waves this week.

A collection of the greatest super heroes on Earth have found themselves facing a monumental challenge in the pages of AVENGERS: NO SURRENDER. With the Grandmaster and the Challenger stealing Earth and utilizing the Lethal Legion and Black Order to enact their cosmic schemes, readers have been introduced—and reintroduced—to a variety of super villains. Two of these baddies have been around for longer than most; the Blood Brothers first premiered in 1973’s IRON MAN #55.

Now members of the Lethal Legion, the pair originally appeared as Thanos’ lackeys in an issue that also introduced Drax and gave an early look at the Mad Titan. The Brothers showed up, knocked Tony Stark out, loaded him onto their ship, and took him to their master’s secret Earthly lair. It was then revealed that Drax actually warned Stark about the oncoming threat before it occurred; to protect himself, he donned the armor just as the Blood brothers entered Stark Industries. Further warning Iron Man about the villains’ presence, Drax telepathically filled the hero’s mind with images of Titan, Mentor, Eros, and Thanos. These warnings, however, proved to be too late.

Iron Man (1968) #55

Iron Man (1968) #55

  • Published: February 10, 1973
  • Added to Marvel Unlimited: November 05, 2008
What is Marvel Unlimited?

Upon regaining his senses inside Thanos’ base, Iron Man blasted the Blood Brothers with his repulsors before escaping to free Drax. The Blood Brothers managed to recover in time, though, and attacked the Armored Avenger once more. Though with the help of the Mentor, Iron Man prevailed again, allowing him to free his newfound friend, Drax.

Iron Man and the Destroyer then teamed up to face the Blood Brothers and bested them with ease. The duo then turned their attention toward Thanos, but the villain fled instead of staying to fight. The alien brutes survived, though, and would go on to menace Iron Man again along with the likes of the Thing, Daredevil, Quasar, and now—in the pages of AVENGERS: NO SURRENDER—the entire Earth!

Flash Forward

Between their early days and their current status as members of the Lethal Legion, the Blood Brothers have encountered some wild events during their stay on Earth. After crashing to the planet on an alien spaceship, the duo managed to enslave a small Alaskan town, fight Drax again, and evade death. After one of the Brothers supposedly died, the other was sent to space jail, which he broke out of before becoming fixture in large criminal gatherings like The Hood’s syndicate, the Siege on Asgard, Mr. Knife’s Slaughter Lords, and even Pleasant Hill, where his long-lost brother was mysteriously revived.

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Check out the bite-sized podcast preview of this week's new Marvel Comics!

Sweet Christmas! It’s Marvel’s The Pull List!

In this episode, Ryan and Tucker preview February 21’s new releases, including LUKE CAGEAMAZING SPIDER-MAN, the BLACK PANTHER ANNUAL, DOCTOR STRANGE: DAMNATION, STAR WARS: DOCTOR APHRA, and all the other books that will be waiting for you in stores tomorrow!

Here’s the full list of what’s available from Marvel this week:

MARVEL PRINT COMICS

  • AMAZING SPIDER-MAN #796
  • ASTONISHING X-MEN #8
  • AVENGERS #681
  • BLACK PANTHER ANNUAL #1
  • DAREDEVIL #599
  • DEADPOOL VS. OLD MAN LOGAN #5
  • DEFENDERS #10
  • DOCTOR STRANGE: DAMNATION #1
  • GENERATION X #87
  • INCREDIBLE HULK #713
  • INFINITY COUNTDOWN PRIME #1
  • LUKE CAGE #170
  • MIGHTY THOR #704
  • MONSTERS UNLEASHED #11
  • STAR WARS: DOCTOR APHRA #17
  • TALES OF SUSPENSE #102
  • VENOM #162
  • X-MEN: GOLD #22

COLLECTIONS

  • ALL-NEW WOLVERINE VOL. 5: ORPHANS OF X
  • ASTONISHING X-MEN BY CHARLES SOULE VOL. 1: LIFE OF X
  • CABLE & X-FORCE: ONSLAUGHT RISING
  • EXCALIBUR EPIC COLLECTION: THE CROSS-TIME CAPER
  • INVINCIBLE IRON MAN IRONHEART VOL. 1 RIRI WILLIAMS TP
  • MARVEL LEGACY HC
  • SECRET WARRIORS VOL. 2: IF TROUBLE MUST COME

DIGITAL COMICS

  • PUNISHER: THE PLATOON #6

ALSO ON SALE ON THE MARVEL APP

  • AMAZING SPIDER-MAN: EXTRA (2009) #1-3
  • CAPTAIN AMERICA: WHAT PRICE GLORY (2003) #1-4
  • DEADLY FOES OF SPIDER-MAN (1991) #1-4
  • X-FORCE (1991) #49-55

DIGITAL COLLECTIONS 

  • SPIDER-MAN: DEADLY FOES OF SPIDER-MAN

FRESHLY DIGITIZED COMICS ON MARVEL UNLIMITED

  • ADVENTURES OF CAPTAIN AMERICA #1-4
  • CAPTAIN AMERICA: THE 1940S NEWSPAPER STRIP #1-3
  • GENERATIONS: WOLVERINE & ALL-NEW WOLVERINE #1
  • ULTIMATES 2 #100

Download episode 7 of The Pull List from Marvel.com, check out Marvel Podcast Central, grab the This Week in Marvel RSS feed, and subscribe to This Week in Marvel for The Pull List updates on iTunes! Then head over to our Soundcloud hub to listen to more from Marvel!

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Jason Aaron and Donny Cates pen the new number ones!

Make Mine Marvel this May!

Jump on board as Earth’s Mightiest Heroes and the Venom symbiote get fresh creative teams and ground shaking new adventures! AVENGERS #1, written by Jason Aaron with art by Ed McGuinness, launches on May 2! And VENOM #1, by writer Donny Cates and artist Ryan Stegman, kicks off on May 9!

Art by Jim Cheung

“Over the next couple of weeks, we’ll be rolling out new beginnings for a few of our key franchises—new creative teams, new starting points, new storylines—all the big stuff that we’ve been building towards since Marvel Legacy began. This isn’t a clearing of the slate—while these new starts will kick off with new #1s, we’ll be maintaining the classic Legacy issue counts as dual numbering on these titles as well,” says SVP and Executive Editor Tom Brevoort. “Oh, and don’t read anything into not seeing a character on the Jim Cheung piece…we can only squeeze so many characters in there without killing poor Jim!”

In AVENGERS, the Big Three are reunited at last! Thor Odinson, Steve Rogers, and Tony Stark join forces once again to save the world from total annihilation at the hands of their most powerful enemies yet: the 2000-foot-tall space gods known as Celestials! And as teased throughout the pages of recent Marvel Comics, the Final Host will arrive…

Joining Thor, Captain America, and Iron Man in the new iteration of the team will be an unexpected, unprecedented collection of super heroes! Get a peek at Ed McGuinness’ art for AVENGERS #1 here!

And while Earth’s Mightiest Heroes fight the good fight on a cosmic scale, an inky symbiote will stretch across the streets of New York City and beyond in writer Donny Cates and artist Ryan Stegman’s VENOM!

In the wake of S.H.I.E.L.D.’s collapse, a primordial evil has been awakened beneath the streets of NYC, and with it, something equally evil has awakened in that most Wicked of Webslingers. This never-before-seen threat could force Venom to relinquish everything it holds dear…including Eddie Brock!

Get ready for a Venom adventure 1000 years in the making…And catch a glimpse of Ryan Stegman’s VENOM #1 art below!

Read AVENGERS #1, by Jason Aaron and Ed McGuinness, on May 2! Then catch VENOM #1, by Donny Cates and Ryan Stegman, on May 9!

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Old Man Hawkeye writer Ethan Sacks joins the podcast!

Kick your big Marvel weekend off right with a brand-new episode of This Week in Marvel!

In this installment, Tucker yells, Alex invents a reason to go to Hong Kong, and Ryan doesn’t like rollercoasters. Then, OLD MAN HAWKEYE writer Ethan Sacks drops by to talk about the future of the series and how he got his start in comics.

Download the episode from Marvel.com, check out Marvel Podcast Centralgrab the TWiM RSS feed, and subscribe to This Week in Marvel on iTunes so you never miss an episode! Then head over to our Soundcloud hub to listen to the entire run of the show!

With new episodes every Friday, This Week in Marvel delivers all the latest Marvel discussion and news about comics, TV, movies, games, toys, and beyond! TWiM is hosted by Marvel Creative Executive Ryan “Agent M” Penagos, Marvel.com Assistant Editor Tucker Markus, and Assistant Manager of Social Media Alex Lopez. We want your feedback—as well as questions for us to answer on future episodes—so tweet your questions and comments about the show to @AgentM, @tuckermarkus, @alexl0pez_, or @Marvel with the hashtag #ThisWeekinMarvel!

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Dan Slott nears the end of his AMAZING run with a milestone issue on May 30.

After 10 years, Dan Slott’s epic run on AMAZING SPIDER-MAN is nearing its end in a big way with the “Go Down Swinging” arc, and AMAZING SPIDER-MAN #800 will be an appropriately huge issue in more ways than one.

Slott and artist Stuart Immonen will unveil what’s being touted as the biggest Peter Parker and Norman Osborn story of all time, joined by Humberto Ramos, Giuseppe Camuncoli and Jim Cheung. AMAZING #800 will mark the first Marvel comic to ever hit 800 issues, and will feature 80 pages of brand-new story from Slott, who has written more issues of AMAZING SPIDER-MAN than any creator.

Slott’s time on AMAZING – before he moves over to IRON MAN – will wrap up in #801, but first “Go Down Swinging” is giving fans one of the most exciting stories in Spider-Man lore, culminating with Spider-Man facing his most evil villain yet.

Said editor Nick Lowe, “AMAZING SPIDER-MAN #800 is the biggest single-issue story I’ve ever worked on. It’s 80-pages of story! And Dan and Stuart are being joined by some very important past AMAZING SPIDER-MAN artists to bring it to you in the coolest way possible! Everything you’ve loved about Dan Slott’s run on this book is on full display in this monumental issue that will have you shivering, crying, cheering, laughing and wishing it would never end!”

THE AMAZING SPIDER-MAN #800
GO DOWN SWINGING
Written by Dan Slott
Art by Stuart Immonen, Humberto Ramos, Giuseppe Camuncoli
Cover by Alex Ross
On-Sale 5/30/18

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Kelly Thompson and Marc Guggenheim unite! Chris Claremont returns!

It’s almost time for Kitty Pryde and Colossus to tie the knot…but a Marvel Wedding is never a simple affair!

This May, take part in epic and adventurous stories written by Kelly Thompson and Marc Guggenheim! Plus, a wedding gift all on its own in the form of a brand-new Kitty Pryde story from legendary writer Chris Claremont, who returns to the X-Men just in time for the celebrations! But remember, when super heroes get together, mayhem ensues…and the X-Men are no exception.

“X-Men Weddings are always a big deal, if only because they’re so rare,” teases Thompson. “I think you probably have to go all the way back to X-MEN #30 in 1994—the wedding of Jean Grey and Cyclops—to get a wedding as potentially big as the wedding of Kitty Pryde and Colossus: two X-Men who’ve been around (and on again/off again) for literal decades.”

In this essential companion to the X-MEN: GOLD storyline “‘Til Death Do Us Part,” get a glimpse at Kitty and Peter’s march toward wedded bliss! It’s a celebration, Marvel style, with all the action, adventure, and surprises that we’ve come to know and love from Marvel’s merry mutants—and it’s only in comic shops this May!

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Preview the director and the writer's exclusive conversation!

The time has come…Marvel Studios’ “Black Panther” is in theaters now!

Travel to Wakanda, meet the King, and explore his world. But when the movie ends, you can continue to journey alongside the Black Panther in writer Ta-Nehisi Coates and artist Leonard Kirk’s BLACK PANTHER. The series, which “Black Panther” executive producer Nate Moore has described as one of the “most inspirational” for the movie, sees T’Challa battling Ulysses Klaue, teaming up with Nakia, Shuri, and Ayo, and handling the responsibilities of the throne.

And on February 28, aside from the action and political intrigue of the story, issue #170 will debut an exclusive conversation between series writer, acclaimed novelist Ta-Nehisi Coates and Marvel Studios’ “Black Panther” director Ryan Coogler! The two creators explore each other’s thoughts on the character, the new film, and the cultural impact of Black Panther.

Here’s a quick snippet of their talk:

Ta-Nehisi Coates: So how do you feel now, after the premiere the other night? Is the weight still on your shoulders? Are you feeling like you did something? Are you happy yet? How you feeling?

Ryan Coogler: At premieres, you got a room full of people who want the film to work, you know what I’m saying? Everybody here wants the film to work. They want to watch a good movie. They want to see something that is going to make them proud. It makes you incredibly nervous, man, and you don’t know if the response is real or not. But I’ll tell you now that that night, the Panther premiere, that experience…Man, that’s one I’m going to remember for the rest of my life. I’m still trying to process it now.

Read the full conversation only in BLACK PANTHER #170 on February 28!

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The Panther encounters the Avengers, the Fantastic Four, Iron Man and more!

For more than 50 years, the Black Panther has stood at the forefront on the Marvel Universe. With T’Challa appearing on the big screen again this year in both Marvel Studios’ “Black Panther” and “Avengers: Infinity War,” take a look back at over five decades worth of comic book adventures for the King of Wakanda!

The Black Panther found himself psychically forced to attend a gathering of heroes at Avengers Mansion in AVENGERS #211. There, he discovered a membership drive of sorts taking place, driven by the mental powers of Moondragon to bolsters the team’s ranks. When fights broke out among those gathered, T’Challa resisted Moondragon’s challenge and any offer of Avengers membership for the time being.

After being among the many heroes present for the tragic events in THE DEATH OF CAPTAIN MARVEL, T’Challa welcomed his friends the Fantastic Four to his African nation of Wakanda in FANTASTIC FOUR #241, and learned that the famous family sought a strange energy signature within the country’s borders. T’Challa disguised himself as one of his warriors to keep an eye on his friends, but when they stumbled upon a man using an ancient alien power to set himself up as a Roman emperor, he moved in to help them bring him down.

Fantastic Four (1961) #241

Fantastic Four (1961) #241

  • Published: April 10, 1982
  • Added to Marvel Unlimited: August 08, 2008
  • Cover Artist: John Byrne
What is Marvel Unlimited?

The cosmic Grandmaster summoned every known hero on Earth to compete in a grandiose game in CONTEST OF CHAMPIONS #1, and the Black Panther learned of the being’s desire to resurrect his brother the Collector should he win. Placed on a team alongside the X-Men’s Angel and the Russian hero Vanguard, T’Challa traveled to a city in Japan in CONTEST OF CHAMPIONS #3 to battle the Thing, Wolverine, and Peregrine. The Wakandan monarch’s team ultimately lost the challenge.

T’Challa next traveled to Washington D.C. to support the Hulk’s plea for amnesty from the President of the United States in INCREDIBLE HULK #278. When a supposed alien attack broke out, the Black Panther fought alongside the green giant to stop it, and then later raised his voice in triumph as the Hulk stood hailed as a hero.

Iron Man Annual (1970) #5

Iron Man Annual (1970) #5

What is Marvel Unlimited?

Tony Stark visited some holdings in Wakanda in IRON MAN ANNUAL #5, but ran face first into a gambit by Madame Slay to kill T’Challa. The Panther’s old foe Erik Killmonger then claimed the heroic mantle while Iron Man helped T’Challa behind the scenes to root out the true villain of the piece: The Mandarin.

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Dive into the Marvel library with Erik Killmonger!

Before Marvel Studios’ “Black Panther” hits the big screen this weekend, we decided to look back at the comic book history of a few of T’Challa’s greatest nemeses. Part One covered the life and times of Ulysses Klaue, and today we’ll review the Black Panther’s other archenemy: N’Jadaka, A.K.A. Erik Killmonger!

Forced into servitude by the evil Ulysses Klaue, N’Jadaka’s father was forced to help the mastermind steal vibrantium from Wakanda. The heist culminated in Klaue’s murder of King T’Chaka before the villain went on a rampage, killing N’Jadaka’s entire family before taking him captive.

Jungle Action (1973) #6

Jungle Action (1973) #6

What is Marvel Unlimited?

After escaping Klaue’s clutches, N’Jadaka ended up in Harlem, New York. There, the young man developed a deep hatred for T’Chaka, believing that his weak leadership was responsible for the death of his family. In return for these perceived failures, N’Jadaka vowed to take revenge on T’Chaka’s son, T’Challa. During his time in Harlem, N’Jadaka changed his name to Erik Killmonger and dedicated his life to avenging his family’s murder.

Erik cultivated his combat skills, and eventually got his Doctorate in engineering, before contacting T’Challa himself for permission to return to Wakanda. His request was granted, and once in the country, the villain began working to overthrow the King. After wreaking havoc on several small villages, Killmonger lured The Black Panther into coming to help. Then, using his trained leopard, Preyy, as well as a number of his followers, the man formerly known as N’Jadaka attacked. After being defeated in his initial run-in, Killmonger returned again with the aid of fellow baddies Sombre and King Cadaver. After another battle, T’Challa prevailed again, this time killing his foe in the process.

Black Panther (1998) #16

Black Panther (1998) #16

What is Marvel Unlimited?

Killmonger was resurrected by his followers and, in a meeting of villainous minds, teamed up with Klaue to take down T’Challa. This time, however, he succeeded, defeating T’Challa and taking control of Wakanda. Though, when Killmonger tried to consume the Heart-Shaped Herb to undergo the full process of becoming The Black Panther, the Herb turned out to be poisonous to those not of the royal bloodline. After recovering from being poisoned, Erik learned that T’Challa had retaken his place on the throne, but had not resumed his duties as The Black Panther—a New York cop named Kaspar Cole had taken over the mantle instead. Killmonger created a synthetic version of the Heart-Shaped Herb and came to New York City for a rendezvous with Cole, and attempted to woo him into revolting against T’Challa to no avail.

Recently, since T’Challa resumed his position as The Black Panther, Killmonger was the despotic ruler of Wakanda’s neighbor country, Niganda. After capturing T’Challa’s sister, Shuri, Wakanda invaded in retaliation and, in the chaos, Erik Killmonger was killed again.

Black Panther (2005) #35

Black Panther (2005) #35

What is Marvel Unlimited?

Meet Erik Killmonger, Ulysses Klaue, and the rest of the characters in Marvel Studios’ “Black Panther” on February 16!

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