Check out the bite-sized podcast preview of this week's new Marvel Comics!

New year, new podcast!

2018 begins with a brand new weekly show: The Pull List! Tune in on Tuesdays to get a taste of the books, characters, and storylines that’ll be waiting for you on stands at your local comic shop or online retailer every Wednesday on New Comic Book Day!

Hosted by VP & Creative Executive of New Media Ryan “Agent M” Penagos and Marvel.com Assistant Editor Tucker Markus this week, get a peek inside the best books and why you should grab them tomorrow!
Download episode #1 of The Pull List from Marvel.com, check out Marvel Podcast Central, grab the This Week in Marvel RSS feed, and subscribe to This Week in Marvel for The Pull List updates on iTunes! Then head over to our Soundcloud hub to listen to more from Marvel!

With new episodes every Tuesday, The Pull List provides a bite-sized preview of each issue on stands that week! We want your feedback on the new show, so tweet your questions, comments, and thoughts about The Pull List to @AgentM, @tuckermarkus@chrissypedia, @TheEricGoldman, or @Marvel with the hashtag #ThisWeekinMarvel!

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After 10 years and 189 issues, Slott will move from the adventures of Peter Parker to Tony Stark.

The end of an era is here, as Don Slott will be ending his epic run on THE AMAZING SPIDER-MAN with issue #801 – as the writer prepares to begin guiding the next chapter of Tony Stark’s life in the pages of IRON MAN.

Slott spoke to Vulture.com about this big change, saying, of his decision to leave AMAZING SPIDER-MAN after a decade of writing the series (and 189 issues!), “I could always see the next furlong, I could always see what was ahead. Like, Get this far and I’ll make it to the next wave of ‘Brand New Day’ writers, then, ‘If I make it this far I get to one out of every five issues of AMAZING [ever published]. If I get it to this far, I get to [issue No.] 700.’ And so on. So I kept having these benchmarks to hit. And then I realized, once you hit ten years and then issue 800, the next benchmarks were way too far away. [Laughs.] So I always knew that was the zone.”

He goes on to explain that he’ll likely need to adjust to not telling Spider-Man stories, because having written the book for so long, “There are days where everything gets seen through the Spider-Man filter first. If I’m walking down the streets in New York and I notice something, I’d go, ‘Oh, how would Spider-Man deal with that?’ It’s a reflex muscle in the back of your head. Or you read a news story. Something happens and you go, ‘How would Spider-Man deal with that? What is that? What if that was Mysterio?’ When you do this for ten years, that’s just the way you’re wired.”

As for his new gig on IRON MAN, Slott tells Vulture, “I’m all excited. They’d asked me to do IRON MAN a while back, but by then I was at [SILVER] SURFER and I had Spidey and I was already overcommitted, so it kept gnawing at me. Like, ‘Oh, man. I really do want to do Iron Man. This would be fun.’ And when that came around again, it was like, ‘Okay, yeah. Yeah, yeah, yeah, yeah, yeah, yeah. I want IRON MAN. I want this. I want this really bad.'”

Regarding his thoughts on Tony Stark, Slott explained, “Reed Richards explores the universe. He wants to know everything and go everywhere. Tony Stark builds the future. It’s not that he’s not out to discover the next big thing. But he’s gonna take his own two hands and he’s gonna build where he wants to go, or what he wants to do. He looks at a challenge and goes, ‘How do I machine my way out of this?’”

Slott promises, “There will be a very unique cast in this book of characters: Iron Man characters you love and Marvel characters that you haven’t seen folded into the Iron Man cast.”

For much more of Dan Slott’s observations on wrapping up his run on AMAZING SPIDER-MAN, his favorite stories he told with the character, and moving to IRON MAN, check out the full interview at Vulture.com!

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The acclaimed writer joins the House of Ideas for new and exciting projects!

Marvel Entertainment is excited to announce that writer Kelly Thompson has joined the House of Ideas in an exclusive agreement!

Thompson’s stellar work on the HAWKEYE ongoing series, last year’s epic JOURNEY TO STAR WARS: THE LAST JEDI – CAPTAIN PHASMA, and the current fan-favorite ROGUE & GAMBIT limited series has captivated readers everywhere—and now she’s set to introduce her one-of-a-kind voice to new corners of the Marvel Universe.

“Marvel was truly my first love. So to be here today, not only writing for Marvel but ‘going exclusive’ with them, is the definition of a dream come true,” says Thompson. “I remember visiting Disney World as a teen and being so consumed by an issue of X-Men that was due to come out that I was checking newsstands like a girl possessed until I located it. So yeah, this is everything I always wanted.”

Marvel Editor-in-Chief C.B. Cebulski agrees, “From the moment she turned in her first script, Kelly has continually brought big ideas, incredible energy, and endless enthusiasm to the Marvel Universe and every comic she’s had a hand in creating for us. We’re honored to now have her as part of the family here and could not be more excited for the fans to read the amazing adventures she’ll be taking our characters on next year—and beyond!”

In the coming months and at San Diego Comic Con this summer, Marvel will reveal more of Thompson’s exciting work. Until then, stay up-to-date with all of Kelly’s books on Marvel Unlimited and Marvel.com!

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Robert Reynolds' dark alter-ego leaps into Battlerealm!

The Sentry revealed his awesome might in “Marvel Contest of Champions” a couple of weeks ago—and while it’s been fun to harness the power of a million exploding suns, one must pay a price for that kind of ability.

This week, The Void comes to collect on that debt. Revealing himself in all his shadowed glory, the unrelenting alter-ego of The Sentry fights for the soul of Robert Reynolds—and will look to plunge all of Battlerealm into darkness.

We talked to Kabam Lead Character Artist Gene Campbell and Game Designer Piero Herrera about The Void and how he aims to tear the Contest apart.

Marvel.com: Uh oh…who let The Void out?

Gene Campbell: It was an accident, we swear! But seriously, The Collector has been waiting for his powerful compatriot, Sentry, to return to him for what feels like an eternity now. For what task exactly? We don’t know…but as expected, the familiar dark force that accompanies him, The Void, still hides within, ready and waiting to reveal itself. Surely The Collector—in all of his ancient wisdom and foresight—expected this. Whatever he tasked Sentry with, he must have thought it worth the risk.

Marvel.com: How did the team decide just how The Void would manifest visually on Battlerealm?

Gene Campbell: We were considering the more monstrous form of Void early on. Early development of Sentry and Void had them switching back and forth during gameplay, but we found it very challenging and confusing to have a man morph into a big tentacle covered space creature like that. The final version also made sense with our storyline. The “Marvel Contest of Champions’” version of Sentry has been to the edge of the multiverse and back, all the while looking for something. He’s older and wiser, and has a better grip on the darkness within. So when his concentration slips, he’s able to contain it better and not let the whole monster out.

 

Marvel.com: Let’s talk a little about the abilities that Bob Reynolds’ evil alter-ego has…how does he differ from The Sentry?

Piero Herrera: Void’s abilities were built around the concept of fear. All of the Champions are vulnerable to the Void’s debuffs and they do direct damage over time—even if Void does not directly land an attack. Summoners have to remove those damaging effects by constantly fighting.

Marvel.com: It looks like his gameplay centers around his Intimidating Presence. What’s going on there?

Piero Herrera: Exactly! After a delay, Void’s Intimidating Presence becomes powerful enough to inflict a debuff onto the opponent. Those debuffs are capable of not only doing direct damage over time but also enable him to deal with the opponent’s abilities—like Regeneration, Power Gain, and Evade.

Marvel.com: Dark Stinghave we seen that ability before? Or is it unique to The Void?

Piero Herrera: Dark Sting is unique to Void. After his Special 2 Attack, he will place two Dark Stings onto the opponent that can turn into Degeneration or a Weakness debuff whenever the opponent’s activate their Special Attack. Try using Dark Sting to get Void’s huge attack increase through his Special 3.

Marvel.com: Considering that The Void is already insanely powerful, who can we team him up with to make him even stronger?

Piero Herrera: Void is great with Sentry, Hulk, and Champions that are part of the Avengers team like Black Widow, Vision, Hawkeye, and Captain America. Pair him up with those Champions and Void will become even more powerful!

Marvel.com: And when does this guy get unleashed to threaten reality as we know it?

Piero Herrera: The Void will be available today—January 18! Make sure to check in-game messaging for more information.

Stay tuned to Marvel.com for more “Marvel Contest of Champions” news and interviews!

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Jason Aaron signals the end for The Mighty Thor!

Jane Foster’s body decays. The War of the Realms rages. The Mangog roars. As these events culminate, a moment of reckoning arrives for The Mighty Thor.

With Asgardia on the brink of destruction—and the other realms soon to follow—the wielder of Mjolnir needs to make a choice: will she sacrifice her own life in exchange for those at risk on the other side of the universe? On February 21, witness the beginning of the end in writer Jason Aaron and artist Russell Dauterman’s MIGHTY THOR #704!

We sat down with Aaron for a wide-ranging two-part interview about this modern classic. Read the first half of the conversation here before jumping into Part Two below.

Marvel.com: Jason, tell us about the wonderful artists you’ve worked with on this storyline.

Jason Aaron: I’m tremendously proud of what those guys have put on paper over the course of this run. What Russell Dauterman and [colorist] Matt Wilson are doing on this arc is so great. And, no hyperbole, I genuinely think Russell is doing his best work yet; he just raises the bar with every new storyline. It’s been great to have Russell come back for #702; to have Matt and Russell work together with this arc. I’ve been so blown away with what they’ve done on this series. I wanted to do this finale right and not screw the story up, so it felt good to really just sit down and write those issues all in a row, something I haven’t had the luxury of doing in eight or ten years.

[Artist] James Harren did such a great job on issue #701. I’ve been wanting to work with James for a long time on MIGHTY THOR, actually. That fight between the Mangog and the War Thor was originally going to take place at the end of #700, which would have been just a seven-page  brutal beat-down. But our scheduling changed around a little bit and then we thought, with the art being so evocative, why don’t we just make that fight an entire issue? Initially James had just signed up to draw those pages in #700 but thankfully he was able to do #701 as well and I think he’s the perfect guy to draw that fight. He loves the Mangog and I love his version of the Mangog, so that was a huge thrill.

Marvel.com: How does it feel to see this end on the horizon?

Jason Aaron: This arc is something I knew we’ve been heading towards for a long time, and something I’ve both been looking forward to and dreading. On the one hand it’s a total joy, but it’s also tinged with sadness. I mean, I’m pretty sure that this issue #705 was the first comic that ever made me cry while I was writing it.

Marvel.com: There are going to be a lot of tear-stained issues out there in a couple months.

Jason Aaron: [Laughs]

Marvel.com: As this story comes to a close, I wanted to see if you have any meditations on the concept of “worthiness.” Obviously, you’ve had years of in-depth philosophical examination on that idea in this book…

Jason Aaron: I think I still have lots of thoughts on that idea and you can still see them playing out in this storyline. This is not my last storyline on THOR, so I think you’ll continue to see those themes playing out in the comics for the foreseeable future as long as I’m on the book.

I can see where the end point is for me on this series and I’ve always known what those last few stories will be. Some of it should be obvious and some will be a bit of a surprise.

Marvel.com: Do you ever ponder the concept when thinking about yourself? (Not that you should!)

Jason Aaron: Well, I try not to think of it that way and would never presume to say I’m worthy to follow in the footsteps of people like Jack Kirby and Walt Simonson, but I think, as a creator, the worthiness of your writing is for other people to decide.

A few years ago I was the world’s biggest fan of [writer] Garth Ennis’ PUNISHER MAX run—one of my favorite comic runs of all time. And when Marvel announced that he was leaving, I thought, well, I want to be the next guy. Even though it’s incredibly intimidating to follow something that you have such tremendous respect for, I knew I could never do what Garth had done, but I wanted to carry it on and continue to tell the story of that character in my own way.

That’s how I approach every job. You can’t stop to wonder whether you’re good enough to do this. You can’t get intimidated by that prospect or let it stop you from telling your own story. I certainly don’t feel as good as those creators who I idolize, but…man, I can’t wait to throw my hat in the ring every time.

The finale nears in MIGHTY THOR #704, by Jason Aaron and artist Russell Dauterman, on February 21!

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Meet the girl formed from the shards of the Cosmic Cube!

The picturesque front lawns and friendly neighbors of a sleepy town called Pleasant Hill belied the place’s dark reality—that it was a secret prison for a collection of brainwashed super villains. Introduced in AVENGERS STANDOFF: WELCOME TO PLEASANT HILL #1, the key to maintaining the town’s facade came in the form of a young girl named Kobik.

In an attempt to manage the power of the Cosmic Cube, Maria Hill and S.H.I.E.L.D. accidentally converted the artifact into a person. Coalescing into a form that the powerful device found most comfortable, Kobik was born. As the series continued, through issues like AVENGERS STANDOFF: ASSAULT ON PLEASANT HILL ALPHA #1, Kobik developed distinct relationships with S.H.I.E.L.D. operators, villains, and, eventually, heroes.

When the super villains of Pleasant Hill rebelled against their carefully designed mental manipulation and began wreaking havoc across the landscape, the Avengers and the Uncanny Avengers came to fight. Throughout the Avengers: Standoff event, which occurred in the pages of ALL-NEW, ALL-DIFFERENT AVENGERS, CAPTAIN AMERICA: SAM WILSON, AGENTS OF S.H.I.E.L.D., NEW AVENGERS, UNCANNY AVENGERS, as well as several other titles, a war between good and evil expanded across the Marvel Universe—with Kobik caught in the middle.

After disappearing in the wake of Standoff, Kobik reemerged in THUNDERBOLTS. As her relationships with Baron Zemo, Erik Selvig, and Bucky Barnes became strained, the sentient Cosmic Cube kicked off the events of Secret Empire. In a desperate attempt to save Steve Rogers’ life, Kobik altered the mind—and history—of Captain America, retroactively making him an agent of Hydra. Upon realizing the damage her actions caused, Kobik retreated to her own mindscape, where she encountered the real Steve Rogers, who resided there after being replaced.

As the event came to its dramatic conclusion in issues #8, #9#10, and Secret Empire: Omega #1, the living Cosmic Cube proved to be the only figure that possessed the ability to resist the might of “Stevil” Rogers. With the United States reinvented as the Hydra ideal, the real Captain America nowhere to be found, and Hydra Cap ruling uncontested, the fate of the globe rested on the shoulders of Kobik—the little girl; the master of reality.

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Jason Aaron sounds a death knell for The Mighty Thor!

As Mangog rampages through Asgardia, Thor—the last hope for the innocent lives at risk—lies dying from a cancer that has brought her body to the brink.

Jane Foster, faced with the responsibility of her heroic mantle and the sickness that it exacerbates, can see the end on the horizon. And as “The Death of the Mighty Thor” story arc continues, we can too. Today, issue #703 of writer Jason Aaron and artist Russell Dauterman’s MIGHTY THOR sets a grave course of events in action—and on February 21, issue #704 escalates the situation entirely.

We caught up with Aaron for an expansive two-part interview about the climax of this iconic series.

Marvel.com: Now that “The Death of the Mighty Thor” arc has begun, what’s going on in Jane’s head?

Jason Aaron: Well, in issue #702, we saw Odinson confront her and point blank tell her that she’s got to stop. He’s one of the few people who knows her secret and knows what being Thor is doing to her, so he directly confronted her and she seemed to understand and relent. But by the end of the book she had collapsed, so…as to what she’s facing and where her mind’s at, I think you’ll have to see issue to issue.

I will say that issue #703, directly and specifically lays out what her situation is, what her health looks like, and what that means going forward. By the next issue, the decision she faces is very clear.

Marvel.com: As a quick catch-up, what events have been leading to this moment in MIGHTY THOR?

Jason Aaron: Well, Jane Foster’s been Thor for the last two years or so and that whole time she’s been fighting some of the biggest, craziest enemies from around the various realms—most importantly Malekith the Accursed, who’s at the center of a War of the Realms that’s created chaos across the landscape.

So at the same time Thor’s been dealing with all of that, she’s had cancer as Jane Foster and the two kind of spiral together; being Thor is making her condition worse. See, every time she transforms into Thor, it neutralizes the cancer treatments she’s been receiving. And when she goes back to being Jane she’s worse than before. Jane knows all this, but she continues to pick that hammer up because somebody’s got to. Somebody has to do that job and try to stop this War of the Realms from spreading to every realm.

So she’s been dealing with all that, and then in issue #700—the beginning of this whole arc—the Mangog showed up. Mangog is one of the original Stan Lee and Jack Kirby villains and one of my favorite Thor villains.

Marvel.com: And even War Thor couldn’t stop him.

Jason Aaron: Right, he beat the crap out of War Thor. He defeated War Thor and tore the hammer apart.

Marvel.com: So what does the Mangog want?

Jason Aaron: The Mangog hates the gods and wants vengeance against them because he was born when Odin slaughtered an entire alien race. The Mangog exists as sort of the combined rage and hate of all those billion, billion beings channeled into one monster, out for justice. It’s come for revenge many times over the years and gets defeated, but always somehow comes back stronger than he was before.

We talked in issue #701 a little bit about why that is, what fuels the Mangog, and how he’s become a bigger thing than just a means of vengeance against Odin for that original sin…he’s sort of become a bigger force of nature, a cosmic judgment against all the gods. It remains ambiguous whether he’s justified in that vengeance or not, though, and very much ties into the themes going back to my first arc on the book and that initial idea: “Are the gods really worthy?”

Marvel.com: It’s so amazing that the thematic seeds of this finale were planted so long ago. Did you have the big story events planned from the very beginning or did they evolve organically over time?

Jason Aaron: Oh, I’ve known for years that the Mangog was coming. I always had plans to use him from the get-go and, if you go back over the course of my whole run, you’ll see references and teases to the Mangog going back several years. I’ve always known we were building towards that and I’ve known from the beginning of the Jane Foster Thor story that her story was building towards this very specific moment.

Marvel.com: What inspired your choice to bring the book to this point?

Jason Aaron: I mean, when I first started working on MIGHTY THOR, the first thing I did was sit back down and read those first Lee and Kirby issues from the very beginning. I think a lot of what I’ve done—the toys I’ve played with—has come from those issues. You know, I’d never read a lot of those stories before and the Mangog was one of the first things to jump out to me.

I wasn’t a huge THOR fan at first, if you can believe it.

Marvel.com: Really?!

Jason Aaron: I mean, I knew the Walter Simonson stuff, but that was my only reference, really. But when I read all the way through, I realized that the character that I was drawn towards was Mangog. And the more I read, the more I could see stuff that I really wanted to sink my teeth into.

I think the job is that, no matter the character, you don’t ever want to go into it and just preach to the choir, assuming everybody already knows why this character is cool. You want to show why this character is different from any other character in the Marvel Universe; what makes their adventures so unusual and exciting. I do try to keep that up in every new issue.

Marvel.com: Of course, this is very much Jane’s story, but I’m curious about the Odinson’s emotional reaction to all of this. If Jane dies, might he get his identity as Thor back? Does he want it back? He must be feeling a lot of conflict.

Jason Aaron: Well, he’s got a very conflicted relationship with the hammer and that idea of worthiness. But as far as his relationship with Jane goes, I think he’s just worried about his friend. Regaining that hammer isn’t even part of that equation right now—he just wants to try to save her life.

The thought about the Thor identity is definitely one of the questions going into this story. I would say most all of them will be answered by the end of it. Maybe not all of them, but a lot of them…just perhaps not in the way that you’d expect.

The end begins in Jason Aaron and artist Russell Dauterman’s MIGHTY THOR #703—available now! Then continue the tale in issue #704 on February 21!

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The master and padawan took center stage in this 2002 limited series.

Each week Star Wars Spotlight combs through the digital archives of Marvel Unlimited to showcase one classic story from that distant galaxy filled with Jedi, Sith, princesses, scoundrels and droids.

We only got a relatively small glimpse of Qui-Gon Jinn’s relationship with his padawan Obi-Wan Kenobi on the big screen in 1999’s “Star Wars: Episode I – The Phantom Menace.” However, in the world of the Legends continuity, more adventures came to light featuring the important pair of interplanetary protectors, like the one chronicled in STAR WARS: QUI-GON & OBI-WAN – THE AURORIENT EXPRESS.

This 2002 two-issue limited series by Mike Kennedy and Lucas Marangon began with a conversation between master and padawan about the moral relationship between the intent of an action and the positive or negative results before they both jumped out of a ship.

Star Wars: Qui-Gon & Obi-Wan - The Aurorient Express (2002) #1

Star Wars: Qui-Gon & Obi-Wan - The Aurorient Express (2002) #1

What is Marvel Unlimited?

They soon landed nicely on the luxury cruise liner, The Aurorient Express, sailing through the atmosphere the gas planet Yorn Skot. The vessel no longer responded to communication attempts and sank further and further into the intense pressure of the atmosphere below. With no real protective force set up on the planet, our Jedi heroes literally leaped into action to save the day, but the mission would prove far more complicated than originally anticipated!

Immediately upon landing on the ship, Qui-Gon and Obi-Wan found themselves attacked by unexpected commercial-grade security droids. Our heroes avoided death, but made quite a scene as they finally entered the ship. Jumping right into their duties, our heroes met with the captain to try and discover the cause of the ship’s descent, not to mention the unexpected presence of those droids and a core bomb or two planted somewhere onboard!

The further they dug into the mystery, the more dirt they turned up in regards to both passengers on the ship and the people working on it. More surprisingly, they came to realize that more than one group worked to sabotage the ship for very different reasons.

Star Wars: Qui-Gon & Obi-Wan - The Aurorient Express (2002) #2

Star Wars: Qui-Gon & Obi-Wan - The Aurorient Express (2002) #2

What is Marvel Unlimited?

By the end of the story, we get a very clear view of who did what and for which reasons, offering a very concrete example of the opening conversation about the moral difference between, as Obi-Wan said in the first issue, “a noble act committed for despicable purposes…or a despicable act committed for noble purposes?”

As we know, Obi-Wan would go on to work his way through that particular moral quandary along with many others both on screen and in the comics, but it’s interesting to see a younger version of the character getting his first taste of it out in the field.

FROM THE JEDI TEMPLE ARCHIVES

If the art seen in THE AURORIENT EXPRESS seems familiar, that because Lucas Marangon also drew the hilarious TAG & BINK Star Wars comics that have been previously covered here in Star Wars Spotlight. In addition to working on short stories in books like STAR WARS TALES, he’s also used his talents to color a variety of different books over the years and even draw covers and variants for titles like STAR WARS: GENERAL GRIEVOUS.

Next time we’ll witness a group of newly minted Jedi on their first real mission in STAR WARS: JEDI ACADEMY – LEVIATHAN by Kevin J. Anderson and Dario Carrasco.

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The series receives two Diamond Gem Award nominations!

Every year, Diamond Comic Distribution’s Diamond Gem Awards recognize the comics and graphic novels that have most helped the industry grow over the previous 12 months. And this year, Marvel.com would like to celebrate MOON GIRL AND DEVIL DINOSAUR for receiving nominations in the categories of Best All Ages Series and Best All Ages Original/Reprint Graphic Novel!

Lunella Lafayette, A.K.A. Moon Girl, was created by Brandon Montclare, Amy Reeder, and Natacha Bustos in 2015—and the world’s smartest person hasn’t looked back since! In response to the nods, series editor Chris Robinson cheers, “It’s no surprise that MOON GIRL AND DEVIL DINOSAUR continues to bring Marvel fans young and old into comic shops, whether they prefer trades or single issues. Kudos, of course, to the series’ creative team, writer Brandon Montclare, artist Natacha Bustos, colorist Tamra Bonvillain, and letterer Travis Lanham—but let’s not forget the wonderful staff at local comic shops everywhere who evangelize the series every month. Thanks y’all!”

The Diamond Gem Award nominations stand as the latest testament to the unique joy, power, and excitement that MOON GIRL AND DEVIL DINOSAUR provides in every issue—in 2016, the series took home a Glyph Comics Award for Best Female Character. The Glyphs recognize outstanding comics made by, for, and about people of color.

As The Smartest There Is in the Marvel Universe, Lunella Lafayette uses her mighty mind, love of science, and best dino pal to save the day as she continues to grow and learn about what it means to be a hero. If you haven’t picked up this one-of-a-kind series, stop by your local shop to find out more!

MOON GIRL AND DEVIL DINOSAUR #26 is on sale now! And, on January 31, read writer Brandon Montclare and artist Natacha Bustos’ MOON GIRL AND DEVIL DINOSAUR #27!

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Check out the bite-sized podcast preview of this week's new Marvel Comics!

Get ready for New Comic Book Day with The Pull List!

This week, Ryan and Tucker preview VENOM, INC., ALL-NEW WOLVERINE, AVENGERS: NO SURRENDER, WEAPON X, and all the other comics that’ll be waiting for you in stores tomorrow!

Download episode #2 of The Pull List from Marvel.com, check out Marvel Podcast Central, grab the This Week in Marvel RSS feed, and subscribe to This Week in Marvel for The Pull List updates on iTunes! Then head over to our Soundcloud hub to listen to more from Marvel!

Hosted by VP & Creative Executive of New Media Ryan “Agent M” Penagos and Marvel.com Assistant Editor Tucker Markus, The Pull List gives you a taste of the books, characters, and storylines that’ll be waiting for you on stands at your local comic shop or online retailer every Wednesday! We want your feedback on the new show, so tweet your questions, comments, and thoughts about The Pull List to @AgentM, @tuckermarkus@chrissypedia, @TheEricGoldman, or @Marvel with the hashtag #ThisWeekinMarvel!

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