Try not to get in her way this spring.

Jessica Jones is getting back to unfinished business when “Marvel’s Jessica Jones” returns exclusively to Netflix for Season 2 on March 8!


Take a look at the teaser that debuted at Brazil Comic-Con today above. Get ready to discover Jessica’s troubled past when Season 2 of “Marvel’s Jessica Jones” premieres with 13 one-hour episodes on March 8, 2018 at 12:01 am PT globally on Netflix.

Watch the first season of “Marvel’s Jessica Jones” streaming now only on Netflix, and stay tuned to @JessicaJones and the official Jessica Jones Facebook page for the latest!

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Learn more about what went into the biggest video game release of 2018!

Eric Monacelli, Senior Producer, Marvel Games:

Deciding to team with Insomniac Games and PlayStation to develop “Marvel’s Spider-Man” was a no-brainer. What came next, well, that took some mental gymnastics. When you have the power and responsibility to work with a beloved character whose history is so rich and so layered–a character that many feel is the world’s greatest hero, and maybe even the greatest character in fiction itself–we knew we had to thwip up something original yet familiar, and, of course, amazing and spectacular.

First, our creative teams instantly bonded when we realized we all shared a similar childhood memory of fighting pretend villains while slinging imaginary webs in Spider-Man underwear. Next, we recognized that collaborating with some of the tremendous talent working on Spider-Man comic books today would be essential. That’s when writers Dan Slott and Christos Gage swung into our Spidey Web of Trust. The teams at Insomniac Games, PlayStation, and Marvel Games have been hard at work on making the game great since then. Here’s a glimpse into our shared vision from some of our biggest Web Heads:

If you want to hear more from the Marvel writers contributing to the project, head over to the This Week in Marvel podcast to listen to Dan Slott and Christos Gage talk more in-depth about what’s it been like to write and collaborate on the game of our (and hopefully your) dreams.

“Marvel’s Spider-Man” launches in 2018. Mark your calendars and get ready for greatness!

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Take a look at exclusive WORLD WAR HULK II pages courtesy of Greg Pak and Tom Brevoort!

Marvelites, level up your weekend with a brand new episode of This Week in Marvel, the official Marvel podcast!

Take an epic look at all the comics coming this week like HAWKEYE, DOCTOR STRANGE, and CAPTAIN AMERICA, with Ryan, Ben and Tucker. Tune in for a riveting WORLD WAR HULK II chat with Ben and Greg Pak (1:05:25)! In fact, get an exclusive taste of WORLD WAR HULK II below thanks to Greg Pak and Tom Brevoort! Christine and Eric dish out some TV news from the West Coast and discuss all things Marvel Games with Tim Hernandez and Danny Koo (1:20:45). Close everything out with Ryan, Ben and Tucker answering your questions and comments (1:38:15)!

Download episode #319 of This Week in Marvel from Marvel.com, check out Marvel Podcast Centralgrab the TWiM RSS feed and subscribe to This Week in Marvel on iTunes, so you never miss an episode! We are now also on Soundcloud! Head over now to our new hub to listen to the full run of This Week in Marvel!

This Week in Marvel will focus on delivering all the Marvel info on news and new releases–from comics to video games to toys to TV to film and beyond! New episodes will be released every Friday (or so) and TWiM is co-hosted by Marvel VP & Executive Editor of Digital Media Ryan “Agent M” Penagos and Marvel Editorial Director of Digital Media Ben Morse, along with Marvel.com Editor Eric Goldman, Marvel.com Assistant Editor Christine Dinh, and Manager of Video & Content Production Blake Garris. We also want your feedback, as well as questions for us to answer on future episodes!  Tweet your questions, comments and thoughts about TWiM to @AgentM@BenJMorse@chrissypedia or @Marvel with the hashtag #ThisWeekinMarvel!

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The digital series was nominated twice in the Short Form New Media Adapted category.

“Marvel’s Agents of S.H.I.E.L.D.: Slingshot” has received two nominations from the Writers Guild of America for their annual WGA Awards. The digital series received two of the four nominations in the category Short Form New Media Adapted.

The episode “John Hancock” (written by James C. Oliver & Sharla Oliver) was nominated by the WGA, as was the finale installment, “Justicia” (written by Mark Leitner).

“Marvel’s Agents of S.H.I.E.L.D.: Slingshot” takes place shortly before the beginning of “Marvel’s Agents of S.H.I.E.L.D.” Season 4. The digital series features Elena “Yo-Yo” Rodriguez, an Inhuman with the ability to move at super-speed. As a person with powers, she must sign the Sokovia Accords. However, the restrictions of the Accords are in direct conflict with a personal mission she’s desperate to fulfill, one that will test her abilities and will include tense encounters with S.H.I.E.L.D. team members.

The WGA Awards will be held on February 11.

You can watch all six episodes of “Marvel’s Agents of S.H.I.E.L.D.: Slingshot” now on ABC.com or YouTube.

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Artist Phil Noto introduces a new take on Charles Xavier!

Series writer Charles Soule keeps throwing curveballs at his ASTONISHING X-MEN team. And they might not be ready for the latest twist heading their way.

When Part One of the new storyline “A Man Called X” begins with ASTONISHING X-MEN #7, the merry mutants must reckon with a resurgent—and slightly unfamiliar—Charles Xavier. Written by Soule with art by Phil Noto, this epic tale starts with a bang.

We caught up with Noto to discuss teaming up with his POE DAMERON partner on a different series, getting to know a few mutants better, and developing a new look for Professor X.

Marvel.com: There has been an all-star lineup of artists contributing to this run of ASTONISHING X-MEN so far. What most appealed to you about joining in on the fun?

Phil Noto: I was flattered to be included with those artists in the lineup. It’s also been awhile since I’ve worked on an X-book, so that appealed to me.

Marvel.com: This book contains a pretty eclectic group of X-Men. Did any of them offer a surprising challenge when you started digging into the issue?

Phil Noto: Well, I’ve drawn most of them in one form or another—except for Bishop. I think this might be my first official Bishop work, which has been fun because I’ve been a fan of the character since the old X-Men cartoon. Other than a few costume changes with Gambit and Rogue, I felt like I had a pretty good handle on them.

Now, creating a young Xavier definitely felt like a bit of a challenge. He’s more cocky and laid back than his future self. He’s also walking around. I just tried to make him read as X as much as I could, and I think it worked.

Marvel.com: What’s it like shining the spotlight on Professor X this way?

Phil Noto: It was fun to do a Professor-centric issue. I’ve never really spent much time drawing him. And the way Charles has written this new incarnation of Xavier is very cool!

Marvel.com: What can you tell us about the threat Professor X and his team find themselves up against as “A Man Called X” begins?

Phil Noto: After the defeat of the Shadow King, London remains swarming with psychic zombies, with Bishop being one of them. Suddenly, a young Xavier appears—dressed as Fantomex—and tells the team that it’s cool, that he’s got it under control. Next thing you know, there’s a crazy green sun, which can’t be good. Don’t want to spoil more than that!

Marvel.com: You’ve worked with Charles Soule before—how has your collaborative relationship evolved over time?

Phil Noto: Charles and I go way back. We did a THUNDERBOLTS issue together years ago. Working on POE DAMERON with him has been a delight. From planning out the initial story and characters to doing the book together, we definitely have a good rapport. It’s nice to have that kind of relationship with a writer. I usually instinctively know what he’s going for on the page. If I have any questions about something, I can just text him. I think we make a pretty good team!

Writer Charles Soule and artist Phil Noto’s ASTONISHING X-MEN #7 drops on January 3!

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The FF's fifth anniversary was marked by Doom stealing the Silver Surfer's powers.

1917 to 2017: 100 years of Kirby.

Join us to celebrate Jack “King” Kirby’s 100th birthday by learning about the characters and stories he created that changed comics forever. To commemorate Jack’s centennial, we’ve sat down with the modern-day creators he influenced—and the decades of work he gifted us all.

Traditionally, you celebrate a fifth anniversary with a gift of wood. The Fantastic Four would have probably appreciated a discarded piece of drywall instead of the challenges Stan Lee and Jack Kirby threw at their heroes in the pages of FANTASTIC FOUR #5760!

Fantastic Four (1961) #57

Fantastic Four (1961) #57

  • Published: December 10, 1966
  • Added to Marvel Unlimited: November 13, 2007
  • Penciller: Jack Kirby
  • Cover Artist: Jack Kirby
What is Marvel Unlimited?

The adventure began with Reed, Sue and Ben getting duped into thinking Sandman and The Wizard planned on confessing to their crimes as a ruse to break out of prison. Sandman succeeded, which Wizard said was part of their plan, but the team felt blindsided by their efforts. Later, Sandman attacked the FF in their own home and made off with some of Mr. Fantastic’s equipment.

Meawhile, Doctor Doom worked on a scheme of his own as he invited the Silver Surfer to visit Castle Doom. Intrigued, the spaceman accepted and demonstrated his astonishing mastery of Cosmic Power to the Latverian leader. The Surfer would live to regret this display and the trust he placed in his host as Doom distracted his guest and then stole his power!

To prove himself, Doom rode the Surfer’s board to Manhattan where he crashed through the FF’s headquarters only to find the Thing there. The ensuing battle tore through the Big Apple until the villain used Vibration Rays to slow Grimm to a standstill, turning him into a temporary statue!

Fantastic Four (1961) #58

Fantastic Four (1961) #58

  • Published: January 10, 1967
  • Added to Marvel Unlimited: November 13, 2007
  • Penciller: Jack Kirby
  • Cover Artist: Jack Kirby
What is Marvel Unlimited?

The souped up despot then made his way to the Southampton cottage the Richards’ had rented for some time away. Around this time, Lockjaw landed Johnny Storm and his pal Wyatt Wingfoot back in New York City as well. The trio had been fruitlessly searching for a way to find the Inhumans. Facing a new problem, Johnny saw the frozen Thing and then zoomed to the cottage to save his sister and brother-in-law from Doom’s attack.

Even though things got pretty hot during his fight with the Human Torch, Doom decided to simply leave the reunited Fantastic Four as they were. In his eyes, seeing Doom take over the world would prove a far worse punishment than actually killing them.

Doom’s arrogance would lead to his ultimate downfall. Richards appealed to the worlds’ governments to focus their efforts against Doom, but – after Ben gave him a walloping dose of motivation – he got to work developing a device that would weaken the villain.

Fantastic Four (1961) #59

Fantastic Four (1961) #59

  • Published: February 10, 1967
  • Added to Marvel Unlimited: November 13, 2007
  • Penciler: Jack Kirby
  • Cover Artist: Jack Kirby
What is Marvel Unlimited?

With time running out before Doom fully took over the planet and then moved on to the stars, the Fantastic Four jumped into action against the madman. Torch did his level best to fry the bad guy to no avail. Then Thing jumped into the ring to fight the foe for a second time. That gave Mr. Fantastic enough time to unleash the Anti-Cosmic Flying Wing.

The doohickey did the job of zapping and angering Doom while absorbing some of his power. However, the real reason for its presence came as it flew up into space where the bad doctor soon lost his power! As Richards explained, when Galactus stranded the Silver Surfer on Earth, that included his Cosmic Energy. When Doom passed a certain point, he lost the power! With that, Doom returned to his usual level of power and the board made its way back to the Surfer.

Fantastic Four (1961) #60

Fantastic Four (1961) #60

  • Published: March 10, 1967
  • Added to Marvel Unlimited: November 13, 2007
  • Penciller: Jack Kirby
  • Cover Artist: Jack Kirby
What is Marvel Unlimited?

It didn’t quite play into this particular story all that much, but Stan and Jack also finally released the Inhumans from their captivity. After Black Bolt told the citizens to hide underground tunnels, he unleashed the power of his voice to destroy the walls, and much of the city in the process. The Council of Elders then informed the Royal Family – that’s Black Bolt, Medusa, Gorgon, Crystal, Triton and Karnak – to return to the human world. Never let it be said that Lee and Kirby didn’t pack as much action and intrigue as possible into these big anniversary stories!

Stay tuned to Marvel.com for more on Jack Kirby’s legacy and join the conversation on all of our social channels with the hashtag #Kirby100.

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Review the history of the Iron Spider as a new villain takes up the mantle!

Every Friday we use the powers of Marvel Unlimited to look back at the very first appearance of a major character, place or object that made waves this week.

Young heroes often look to their older counterparts for inspiration. Sometimes they need help managing a super villain or bearing the weight of responsibility, and sometimes they just need help coming up with a codename.

Taking on an identity previously held by a hero can be an act of honoring what came before—or a convenient shortcut to earning the public’s trust. That, however, usually doesn’t end up being the case with villains—their identities and gear often wind up on the black market, which is how Miles Morales’ uncle Aaron Davis became the new Iron Spider!

Having assumed his new identity, he then gathered Spot, Bombshell, the new Electro, Hobgoblin, and Sandman to form a new Sinister Six in order to harass our hero in SPIDER-MAN, by writer Brian Michael Bendis and artist Oscar Bazaldua.

This Iron Spider sports a different color scheme than the original—black and gold instead of red and gold—and adds to the long journey the mantle has gone on since its full debut in 2006’s AMAZING SPIDER-MAN #529. At that point, Peter Parker had been a member of the Avengers for a while and, as a result, Tony Stark had taken an interest in the kid that he saw as a kindred spirit in the sciences. So, naturally, one technological genius gave another a bleeding edge upgrade in the costume department—and the resulting hero collaboration resulted in the Iron Spider.

Amazing Spider-Man (1999) #529

Amazing Spider-Man (1999) #529

  • Published: February 22, 2006
  • Added to Marvel Unlimited: November 13, 2007
  • Rating: T+
  • Writer: Stan Lee
  • Penciller: Mike Deodato
What is Marvel Unlimited?

The first version of the suit featured a bullet and heat-resistant surface, built-in scanners, a heads-up display, GPS, a gas-resistant mask, and a mesh webbing that allowed the hero to glide through the air. By AMAZING SPIDER-MAN #530, Stark added even more goodies, like an invisible mode and the ability to look like other existing costumes.

As this story took place during the buildup to Civil War, Peter started to wonder if Tony only gave him the new costume as a means to convince him to support the Super-human Registration Act, though he supported it (and revealed his true identity to the world in the process) nonetheless. But as the world—and its super villains—seized on the innocent lives connected to Peter Parker, and thus Spider-Man, the Wallcrawler’s support for the SRA receded as he saw its potentially disastrous personal ramifications.

Amazing Spider-Man (1999) #530

Amazing Spider-Man (1999) #530

What is Marvel Unlimited?

Finally changing his mind on the matter, Parker threw down with Iron Man—and only narrowly escaped the fight when The Punisher stepped in to save him. After joining Captain America’s anti-Registration side, Parker ditched the Iron Spider costume, eventually switching to his classic black costume after Civil War ended with Steve Rogers’ death.

Flash Forward

The Iron Spider costume didn’t just gather cobwebs in Parker’s closet, however. It next appeared in AVENGERS: THE INITIATIVE #3 on a trio of heroes referred to as the Scarlet Spiders. Read more about the arachnid triumvirate in THE INITIATIVE #7!

Even Mary Jane Watson got in on the Iron Spider action in last year’s AMAZING SPIDER-MAN #15, by Dan SlottChristos Gage, and artist Giuseppe Camuncoli with a stunning Alex Ross cover! She pulled it on while Iron Man and Spider-Man took on Regent, eventually attacking the villain herself, giving Spidey enough time to save a prison full of captured innocents and close out the climactic “Power Play” storyline.

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The prodigious savant of mnemonic talents tears up the Battlerealm.

Taskmaster brings both swords, a shield, and a whole lot of photographic reflexes to Battlrealm ready to kick hero butt. Ol’ Tasky’s not worried about being on Battlerealm, his skills let him go up against the toughest heroes the Contest has to offer. We talked to Kabam Art Director Gabriel Frizzera and Character Designer Simon Cameron about Taskmaster and what he brings to “Marvel Contest of Champions.” Read on to learn more!

Marvel.com: Firstly, let’s talk a little about what the Taskmaster is doing in the contest. He’s not really a go getter unless there’s money involved. Is someone else behind his appearance?

Gabriel Frizzera: Not that the Taskmaster had any choice. Like all of M.O.D.O.K.’s associates, he was once captured in a crystal by the Collector, but forgotten in a backroom somewhere in the Battlerealm. When M.O.D.O.K. freed him, he promised lots of units and gold, but also a regular job in a top-notch Hotel/Spa/Boot Camp for Champions. It beats being forced to fight in The Contest, he thought.

Marvel.com: Tasky looks really cool here in the white, blue, and orange. He’s always had a fairly consistent costume, what did the team do to set him up for “Contest of Champions”?

Gabriel Frizzera: We looked at different inspirations. His costume is definitely one the most iconic in the Marvel Universe, with the skull mask, hood and the orange-white-blue colour scheme. But there has been some pretty cool updates in recent years, especially from animated shows that made him more tactical and armored. We wanted to keep him as classic as possible but add some of the modernized elements, so we kept the cool palette, but removed the “pirate boots” and the cape, which in our opinion would just get in the way of some of his acrobatic moves. His mask is also more angular and less of a literal skull.

Marvel.com: Taskmaster is, in a lot of cases, defined by his foes. He can mimic their moves, allowing him to pick them to pieces at his leisure. Did you guy give any extra thought to the kind of animations Taskmaster would have at his disposal?

Gabriel Frizzera: For sure! This was a chance to pay homage to some of the other Champion’s favorite moves. We lifted some of the coolest animations in the game and blended them together, so when you see him use weapons, he’s mimicking the Punisher, or Moon Knight, for example. When he’s using martial arts, it’s most likely from Black Panther or Iron Fist, or other iconic fighters in the game. It was a lot of fun to make a “collage” of moves and see them come together in a seamless moveset.

Marvel.com: Let’s talk a little about his key abilities like Exploit Weakness, and Intuitive Pattern Recognition. What does he do?

Simon Cameron: Exploit Weakness is one of Taskmaster’s main abilities. Every few seconds the last unique attack Taskmaster’s opponent attempted is set as his target (the attack doesn’t have to have hit, just been attempted). Then to trigger Exploit Weakness, you need to land that same attack back on the opponent within a short window. Triggering Exploit Weakness does Direct Damage to the target, as well as giving Taskmaster a short window to safely trigger his Heavy Attack, instantly resetting his Exploit Weakness target. If his Signature Ability, Intuitive Pattern Recognition, is unlocked he also places Concussions Debuffs on his target when triggering Exploit Weakness.

Marvel.com: And what about Photographic Reflexes and Learn the Foe? Those sound perfectly built for Taskmaster.

Simon Cameron:  Photographic Reflexes gives Taskmaster the ability to reduce his opponent’s Offensive Ability Accuracy as he observes them performing different attacks, and reduce their Defensive Ability Accuracy by performing different attacks. While Learn the Foe gives him increasing resistance to Debuffs for each one that triggers on him in a fight

Marvel.com: What kind of characters do we want on his team?

Simon Cameron: Taskmaster loves to team up with other skill Champions. He has synergies with the likes of Crossbones, Moon Knight, Winter Soldier, and Hawkeye.

Marvel.com: And lastly, when do we get to pick him up for ourselves?

Simon Cameron: Taskmaster’s already in the game! Grab him now!

Stay tuned to Marvel.com for more “Marvel Contest of Champions” news and interviews and follow us on Twitter @MarvelGames!

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Writer Evan Narcisse uncovers T’Challa’s first days as king!

We’ve all come to know and love T’Challa as the King of Wakanda, but few Black Panther stories have shown us how he came to the throne—and how he evolved into a leader—in the first place.

On January 8, RISE OF THE BLACK PANTHER #1 kicks off a limited series that dives into the early days of T’Challa’s life and reign. Writers Evan Narcisse and Ta-Nehisi Coates join artist Paul Renaud to explore how the death of King T’Chaka changed both his son and the nation of Wakanda forever.

We spoke with Narcisse about his process, his collaborators, and writing an icon like Black Panther.

Marvel.com: You’re jumping from comic book journalism to writing comics themselves. How does it feel to make that transition?

Evan Narcisse: This is my first creative writing—my first published creative writing, I should say—and my first time writing comic scripts. Doing this job, I had researched what comic scripts looked like before. One of the things that was so daunting and encouraging ended up being that there’s no set format—everybody does it a little differently. Some people have really rich, florid descriptions in terms of art direction and what the characters think and feel. Some people have very lean pages. Mine probably tended more towards the former than the latter. It’s a lot harder than it looks from the outside looking in. It’s a hybrid beast that looks like a movie script but also has to do some actual storytelling in the document. You have to guide the artist but not restrict them. It’s a lot more surprising and eye opening than I thought.

Marvel.com: BLACK PANTHER writer Ta-Nehisi Coates has been working with you on this book. What’s that relationship like?

Evan Narcisse: He’s mostly consulting; the vast majority of the plot and the script come from me. I’ll run stuff by him and we’ll make sure we’re in sync in terms of whether T’Challa would do something this way or that. But, yeah, most of it comes from me. I’m a huge T’Challa fan and I have been for years, so I feel like I have a good internal sense of where I want him to be and how I want him to come across in this work.

Marvel.com: How does it feel to work with artist Paul Renaud on your first Marvel book?

Evan Narcisse: We met for the first time in New York City. I’ve seen his work around on CAPTAIN AMERICA: SAM WILSON stuff and loved it. I saw what he did on GENERATIONS: THE AMERICAS and thought it looked really great and felt super excited to find out he was going to be the guy on this book.

Marvel.com: Describe your process of creating RISE OF THE BLACK PANTHER alongside Ta-Nehisi and Paul.

Evan Narcisse: The process of honing your skills happens in installments. What I’m thinking of now is, like, wanting to do things a little bit differently in an issue means you have to work ahead to iterate to see if you actually accomplished the ambitions you set for yourself or if it’ll going to put you behind schedule. It can be a really intense learning process.

I have the advantage of talking to Ta-Nehisi every day. We’re friends so we talk about comic book stuff anyway. He told me, “In a year’s time, when you’re still doing this, you’ll look back on these scripts and see how much better they could have been.” It’s been really fun just figuring out the tools and what tools work best for me and what tools I feel like I want to try out.

Also, it can be weird. I’ve realized that your fandom comes out not just textually but mechanically. So, the kind of comic book writing I’ve enjoyed since childhood has been coming out of me organically. Which isn’t to say my stuff will read like Denny O’Neil or my favorite writers, but there are certain rhythms I feel like I’m doing my own spin on.

Marvel.com: Which writers have influenced your work? Do you count any prior BLACK PANTHER scribes among them?

Evan Narcisse:  You can’t talk about BLACK PANTHER in 2017 without talking about Christopher Priest. He gave T’Challa a really intense refocusing and reimagining that is impossible to ignore. It’s masterful. As a comic book critic, I’ve written about Priest’s work many times over the years and, even though he’s been resurgent in 2017, he’s still underappreciated. I tweeted out earlier that I reread the “Storm und Drang” storyline from BLACK PANTHER #26#29, where T’Challa brings the world to the brink of war. Magneto, Dr. Doom, Deviant Lemuria, and Namor, all heads of state, powerful heads of state, jostle around each other with all these different agendas. I think it’s one of the best examples of geopolitical storytelling and the idea of statecraft in super hero comics. So, Priest for sure.

Someone who seems unsung, not in general, but in terms of shepherding a certain vision of T’Challa, is Jonathan Hickman. He wrote T’Challa in his FANTASTIC FOUR run, setting up the King of the Dead aspect of the character. That fed into NEW AVENGERS—one of the best Avengers comics ever, but a low-key T’Challa book. That version of the Illuminati met in Wakanda. Again, his wants and needs clashed with the duty he had to do as a super hero in his rivalry with Namor.

One other thing that’s important to me about Black Panther and his creative legacy is his importance as a character that black creators could touch and leave an imprint on. I feel like every time a black writer or artist or editor has worked on a Black Panther book, the sensibilities of the characters got strengthened. You can go back to Billy Graham as the artist on that amazing Don McGregor run in JUNGLE ACTION. He was a superlative artist for his time; his draftsmanship and the tools in his storytelling are all super ambitious and genius level compared to some of the other work from the 1970s. From him, to Priest, to Reginald Hudlin and now to Ta-Nehisi…it’s important. Black Panther has always been symbolically important and I think black creators feel opportunity, responsibility, and a sense of kindred energy when working on the character. I certainly do.

Marvel.com: Do writers from outside the world of comics influence you? What other writers—or even just books or films—inform your comic writing?

Evan Narcisse: Probably my favorite movie of all time is Terry Gilliam’s “Brazil,” this really dark, satirical fable about living in a dystopian society. Unfortunately, it feels pretty relevant, in terms of the control of information and the constant battle for political narrative supremacy, to where we find ourselves nowadays.

There’s a novel from 1981 called “The Chaneysville Incident” by an author named David Bradley. A good friend in college gave it to me to read and it blew my mind. It’s this story about a black historian who goes back to his hometown in the rural South to dig into his old family history. He finds out about the way that his forbearers grew up under Jim Crow and the kind of stuff they had to endure and rebel against and the personal cost of all of that on his family. It’s a very dark book, beautifully written. It has stayed in my mind while writing RISE OF THE BLACK PANTHER because the story I’m writing is, in part, a generational one. It’s about T’Challa grappling with his own history.

Chimamanda Ngozi Adichie wrote a book called “Half of a Yellow Sun.” She’s an amazing Nigerian writer. One of the things I have to think about when writing BLACK PANTHER is the idea of diaspora. It may seem a little counterintuitive, because Wakanda has kept to itself and not a lot of Wakandans live outside of Wakanda, but I want to explore what it’s like when that does happen. What does it mean to come from an isolationist country? It can be exceptional and aspirational, but it’s xenophobic to a certain extent, by virtue of necessity. They’re on a continent where every other country got colonized and invaded. So there ends up being a certain warrior sociopolitical mindset that they’ve had to adopt and iterate on in order to maintain their status. But also, how long can you maintain yourself as an “island”?

That’s one of the things T’Challa has to grapple with. It’s not a spoiler to say that T’Challa’s big decision in the series will be to open up the country and declare their existence to the Western world and simultaneously deal with all the repercussions that happen internally and externally as a result.

Marvel.com: How did you land on telling the story of this liminal time in T’Challa’s life? It seems to have certain parallels with the upcoming “Black Panther” film.

Evan Narcisse: My conversations with Wil Moss, my editor, early on, were about an “early years” T’Challa story and the place I landed ended up being his first year as king. The first conversations we had were about T’Chaka and I came on the idea that T’Chaka’s assassination, his death, had to be a major political event in Wakanda’s history. It’d be like JFK’s assassination—the kind of thing that changes an entire country’s mindset. It’s the kind of event where you mark off time between everything that came before it and what comes after it. In the first issue, we explore some of what came before it, with T’Chaka in his prime—something we haven’t seen much. We’ve seen flashbacks and we’ve seen him a little older and we’ve seen him as a ghost. The “after” stuff will obviously be T’Challa’s reign. It’s an established part of the character that his father being this amazing king wears heavy on him. At the same time, he deals with threats his father never dealt with. So, that informs his decision to open up Wakanda.

And I’m super excited for the “Black Panther” movie. I can’t wait—I know this sounds corny—but I can’t wait for fans everywhere to explore this character and learn about him, because I think T’Challa is one of the best super heroes ever created. I think he’s thematically rich and an exciting character to watch evolve throughout his history. And I’m so honored to be a part of that evolution.

RISE OF THE BLACK PANTHER #1, by Evan Narcisse, Ta-Nehisi Coates, and artist Paul Renaud, kicks off on January 3!

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Find out how the Kree have a played a part throughout 'Marvel's Agents of S.H.I.E.L.D.' history!

By: Jenn Fujikawa and Christine Dinh

Every Thursday, we look back at how the last five years of “Marvel’s Agents of S.H.I.E.L.D.” influenced this past week’s episode. 

The beginning of Season Five of Agents of S.H.I.E.L.D. took viewers to unfamiliar territory. Our agents escaped the Framework, battled Life Model Decoys, and crossed paths with Ghost Rider, only to find themselves, with the exception of Fitz, transported onboard a station—in space!

As they come into contact with the vessel’s inhabitants, it becomes abundantly clear that something has gone terribly awry. Not only do they have to fend off vrellnexians “roaches,” but they come to learn humanity is at the mercy of Kree soldiers and their military governor, Kasius.

This isn’t the first time we’ve seen the Kree in “Marvel’s Agents of S.H.I.E.L.D..” In Season 1, we learned Phil Coulson was resurrected after facing Loki at Battle of New York in Marvel Studios “The Avengers” after being treated with Project T.A.H.I.T.I. serum, GH.325, derived from a blue alien corpse, with abilities to promote advanced cellular regeneration. Eagle-eyed viewers will recall the flashback to Agent Peggy Carter retrieving that very blue alien corpse. In Ep. 14 “T.A.H.I.T.I.,” that very serum saves Skye’s life, without any consequence or side effects that Coulson endured, signaling she’s not quite a normal. In the following episode, Ep. 15 “Yes Men,” Lady Sif mentions the Kree as one of blue-colored species she has met on her travels.

Throughout “Marvel’s Agents of S.H.I.E.L.D.,” the Kree have been present—the Diviner, Hive summoning of Kree Reapers, the Monolith, and now culminating on the Lighthouse under the heel of the Kree ideology of a life earned, a life spent.

The Kree, a scientifically and technologically-advanced race of blue-skinned humanoids from the planet Hala, play a big part in Marvel history, not only in the comics, but in the Marvel Cinematic Universe. The Kree first appeared in FANTASTIC FOUR #65 by Stan Lee and Jack Kirby. Over on the big screen, who can forget Ronan the Accuser in Marvel Studios’ “Guardians of the Galaxy” and his mission to end the Xandarians and their Nova Corps?

In Season 2, Ep. 12 “Who You Really Are,” Vin-Tak, a Kree sent to Earth to track down who activated the Diviner, revealed to Lady Sif and our Agents the true origin of the Inhumans—genetic experiments performed by Kree Reapers in hopes of creating bio-weapons. The Kree left Earth thinking these “genetic abominations” would die off on their own.

The Kree’s large mistrust and disgust of the Inhumans stemmed from Hive, an Inhuman who was supposed to lead the race for the Kree but who ultimately gained too much power and rebelled against them instead. You can thank the Kree for the Monolith and the earliest iteration of HYDRA, but that look back is for another time.

Catch more Kree action in new episodes of “Marvel’s Agents of S.H.I.E.L.D.” Fridays at 9:00 PM ET on ABC. Not only that, keep an eye out for the Kree’s prominent role in the upcoming Marvel Studios’ “Captain Marvel.”

For a look at more references in S.H.I.E.L.D. history, check Marvel.com every Thursday for “Marvel’s Agents of S.H.I.E.L.D.” Throwback Thursday. Don’t forget to follow @AgentsofSHIELD on Twitter and like “Marvel’s Agents Of S.H.I.E.L.D.” on Facebook!

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