Watch a clip of the mutant reveal in this very special episode!

The latest installment of This Week in Marvel has no shortage of huge announcements!

Watch the clip above for some exciting X-Men news, then listen to the full episode below to get the scoop on a big update to the podcast, as well as the usual news on the latest comics, TV, movies, games, events, and everything else Marvel!

That’s right—on July 4, the Reavers are back, and they have a new weapon that only Havok knows about. It’s going to take a ragtag group of X-Men to save a world that hates and fears them! But after his villainous turn, can any of the X-Men really trust him? Can he blame them? Havok! Beast! Dazzler! Warpath! Colossus! It’s an all-new, all-different kind of ASTONISHING X-MEN story from the minds of writer Matthew Rosenberg and artist Greg Land!

Subscribe to This Week in Marvel on Apple Podcasts or download the episode from Marvel.com/podcasts!

With new episodes every Friday, This Week in Marvel delivers all the latest Marvel discussion and news about comics, TV, movies, games, toys, and beyond! Tweet your questions and comments about the show to @AgentM, @jamiefrevele, or @Marvel with the hashtag #ThisWeekinMarvel!

Read More

Artist Phil Noto introduces a new take on Charles Xavier!

Series writer Charles Soule keeps throwing curveballs at his ASTONISHING X-MEN team. And they might not be ready for the latest twist heading their way.

When Part One of the new storyline “A Man Called X” begins with ASTONISHING X-MEN #7, the merry mutants must reckon with a resurgent—and slightly unfamiliar—Charles Xavier. Written by Soule with art by Phil Noto, this epic tale starts with a bang.

We caught up with Noto to discuss teaming up with his POE DAMERON partner on a different series, getting to know a few mutants better, and developing a new look for Professor X.

Marvel.com: There has been an all-star lineup of artists contributing to this run of ASTONISHING X-MEN so far. What most appealed to you about joining in on the fun?

Phil Noto: I was flattered to be included with those artists in the lineup. It’s also been awhile since I’ve worked on an X-book, so that appealed to me.

Marvel.com: This book contains a pretty eclectic group of X-Men. Did any of them offer a surprising challenge when you started digging into the issue?

Phil Noto: Well, I’ve drawn most of them in one form or another—except for Bishop. I think this might be my first official Bishop work, which has been fun because I’ve been a fan of the character since the old X-Men cartoon. Other than a few costume changes with Gambit and Rogue, I felt like I had a pretty good handle on them.

Now, creating a young Xavier definitely felt like a bit of a challenge. He’s more cocky and laid back than his future self. He’s also walking around. I just tried to make him read as X as much as I could, and I think it worked.

Marvel.com: What’s it like shining the spotlight on Professor X this way?

Phil Noto: It was fun to do a Professor-centric issue. I’ve never really spent much time drawing him. And the way Charles has written this new incarnation of Xavier is very cool!

Marvel.com: What can you tell us about the threat Professor X and his team find themselves up against as “A Man Called X” begins?

Phil Noto: After the defeat of the Shadow King, London remains swarming with psychic zombies, with Bishop being one of them. Suddenly, a young Xavier appears—dressed as Fantomex—and tells the team that it’s cool, that he’s got it under control. Next thing you know, there’s a crazy green sun, which can’t be good. Don’t want to spoil more than that!

Marvel.com: You’ve worked with Charles Soule before—how has your collaborative relationship evolved over time?

Phil Noto: Charles and I go way back. We did a THUNDERBOLTS issue together years ago. Working on POE DAMERON with him has been a delight. From planning out the initial story and characters to doing the book together, we definitely have a good rapport. It’s nice to have that kind of relationship with a writer. I usually instinctively know what he’s going for on the page. If I have any questions about something, I can just text him. I think we make a pretty good team!

Writer Charles Soule and artist Phil Noto’s ASTONISHING X-MEN #7 drops on January 3!

Read More

Charles Soule weaves the complex web of Charles Xavier’s return!

Ever since Cyclops apparently killed Professor X back in 2012’s AVENGERS VS. X-MEN #11, Charles’s consciousness has been forced to cling to life in the astral plane. What kind of impact has this had on him? How will it affect his decisions moving forward?

On January 3, writer Charles Soule and artist Phil Noto begin to answer those queries with ASTONISHING X-MEN #7! In “A Man Called X,” the mutants finally get their reunion—but it may not be exactly what they’ve expected.

We contacted Soule via telepathy to hear more about what to expect in the new issue.

Marvel.com: How has Professor X changed since we saw him last? Will we see a different Charles when he returns?

Charles Soule: As we’ve seen in ASTONISHING X-MEN thus far, Xavier’s spirit, or soul, or life force (depending on how you want to think about it) got taken after his death by one of his oldest and most powerful adversaries—Amahl Farouk, The Shadow King. Farouk brought Xavier’s spirit to his home, in the bizarre parallel dimension called the Astral Plane, where anything you imagine becomes real. So, since his death, Xavier has been held prisoner on the Astral Plane, with The Shadow King toying with him in all sorts of terrible ways. Even worse—time runs differently in Farouk’s dimension, so even though it’s only been a few years since Cyclops killed Xavier in the AVENGERS VS. X-MEN story, for poor Professor X it feels like it’s been millennia.

Marvel.com: What can you tease about how he’ll make his comeback?

Charles Soule: When we pick up the story in ASTONISHING X-MEN, Farouk and Xavier get embroiled in a sort of psychic chess game, with a group of X-Men (Old Man Logan, Psylocke, Fantomex, Rogue, Gambit, Bishop, Angel, and Mystique) as the pieces. The Shadow King plays the game to pass the time, and also to hopefully build himself a pathway out of the Astral Plane so he can wreak havoc in our world. Xavier does his best to beat him…but The Shadow King holds all the cards. We’ll see how it goes.

Marvel.com: Charles has a plan…but it sounds like not everyone supports it. What kind of push back will he face?

Charles Soule: As the story has developed, we’ve seen that the battle on the Astral Plane has had effects that have rippled out into our world, especially in London, where the story takes place. Some sort of psychic infection has been spreading rapidly among the city’s populace (including Bishop!), and the human authorities with the British Ministry of Defence look set to take drastic action to stop it from going any further. Beyond that, Gambit and Logan have both been possessed by The Shadow King and have gone around murdering people, and Archangel looks to be on the verge of losing his mind.

So…things are bad. If Xavier might somehow fix all this, it’ll take drastic measures. We’ll see if the cure will be worse than the disease.

Marvel.com: A lot of readers consider Xavier a favorite. What have you enjoyed about bringing him into this story?

Charles Soule: I like the fact that he’s really very morally grey. He’s not Magneto, but he’s not as far from him as he’d like to think—and the stories we’ve seen with him really bear that out. Xavier is brilliant, incredibly gifted, and always 10 steps ahead. That’s the kind of character I love to write. Also, I just missed him in the stories. Professor X is cool.

Marvel.com: What else would you like to mention?

Charles Soule: We have some fantastic artists coming up on the series for its back half, including my longtime partner on the POE DAMERON series, Phil Noto, for issue #7, and someone I’ve been dying to work with on issue #10—ACO.

Issue #6 ends Act I of the series, “Life of X,” but then we move right into Act II: “A Man Called X,” which flips the story a bit and makes it about something new that will feel completely organic with what we’ve already seen. And then there’s Act III…which will be the culmination of the whole thing. It’s been a blast to construct a series like this, and I hope people enjoy seeing where it goes.

Witness the return of Charles Xavier in ASTONISHING X-MEN #7, by writer Charles Soule and artist Phil Noto, on January 3!

Read More

Check out Old Man Logan’s hunt for the Shadow King with Ed McGuinness!

ASTONISHING X-MEN refuses to give its characters—or readers—a chance to catch their breath. Written by Charles Soule, the series kicked off with artist Jim Cheung, then had pencils by Mike Deodato for the second story—and now sees fan-favorite Ed McGuinness illustrate issue #3!

On shelves today, ASTONISHING X-MEN #3 sees Old Man Logan wandering the Astral Plane in an effort to find—and stop—the elusive Shadow King…but can Logan maneuver the mysterious realm of minds without losing himself?

We sat down with Ed to talk about designing the action-packed adventure.

Marvel.com: What’s it like jumping aboard ASTONISHING X-MEN after Jim Cheung and Mike Deodato?

Ed McGuinness: At first…very intimidating—to say the least! Both Jim and Mike are amazing artists that set a pretty high bar. But the only difficult part of the story was getting all the reference right for the individual costumes, as it skips between reality and the Astral Plane quite a bit.

Marvel.com: Does having a story element like the Astral Plane allow you to play with form and function a little more than usual?

Ed McGuinness: Absolutely. Things are always shifting and not always what they seem. The version of the Astral Plane that Logan finds himself in feels desperate and barren—perfectly designed to break him. It allowed me to play with more abstract design elements that contrasted with the complexity of the cityscape in the “real” world where Bishop, Psylocke, and Angel are operating.

Marvel.com: You’ve worked on various X-Men books in the past—what sets ASTONISHING X-MEN apart?

Ed McGuinness: The diversity in attitudes and temperaments between all of the characters. From the whimsicality of Angel to the brooding, one-track mind of Old Man Logan, Charles Soule handpicked some really fun characters and moments—with a few surprises thrown in!

Marvel.com: There’s an awesome spread of Logan dramatically climbing a wall as a group of samurai characters look down at him. What’s it like designing that kind of action?

Ed McGuinness: I based the design of the image pretty blatantly on the Golden Ratio…a really cool, basic composition concept that I actually just stumbled on recently (having never gone to art school). Better late than never! Look it up. It has literally changed how I see everything!

Marvel.com: This was the first time you worked with Charles—did you enjoy the collaboration?

Ed McGuinness: Charles couldn’t have been more of a pleasure to work with. He’s a very strong writer with a really clear vision and direction. I’d work with him again in a heartbeat!

Leap onto the Astral Plane in ASTONISHING X-MEN #3, by Charles Soule and Ed McGuinnessout today!

Read More

Artist Mike Deodato unleashes The Shadow King on Marvel’s mighty mutants!

Nightmares often fuel our fears even during the daytime. As the fragments float through our heads, we spin around to see something glimpsed only in the corner of our eye and then gone.

The Shadow King brings those bad dreams to life as he takes over bodies and plays with victims’ minds. In the pages of today’s ASTONISHING X-MEN #2, by Charles Soule and Mike Deodato, he plagues the newly gathered X-team consisting of Old Man Logan, Psylocke, Fantomex, Archangel, Rogue, Mystique, Bishop, and Gambit.

The first issue of ASTONISHING X-MEN featured the artistic talents of Jim Cheung and the next will see the baton tossed to Ed McGuinness, but right now we’re talking with Deodato about jumping in on this unique project, playing some of the best loved X-folks off of each other, and chronicling these adventures with Soule.

Marvel.com: This book has an interesting approach with different artists tackling each issue. Did that offer any unique challenges?

Mike Deodato: I think the bigger challenges are with the editors who have to coordinate everything and make sure we are all on the same page. Me, I just have to worry about keeping up with the quality of art of the previous artist, which in my case was a tough one to follow.

Marvel.com: The book features Psylocke, Old Man Logan, Bishop, Fantomex, Rogue, Archangel, Mystique, and Gambit. That’s an eclectic team with varying degrees of history between them; do you enjoy playing with all that on the page?

Mike Deodato: Charles did such a great job on the dialogue and interactions between them that made it quite easy for me to figure that out on paper.

Marvel.com: The villain of the piece happens to be The Shadow King. How has it been putting your spin on that classic character?

Mike Deodato: We see his astral version of himself and it is a quite scary one. My approach for the whole story was based on his visual. I wanted it all to look like a very weird and scary nightmare, so I used all that I had learned from books like Eerie and Creepy and all of those masters of horror like Ortiz, Maroto, Wrightson, Sanchez, Corben, and so forth.

Marvel.com: Your cover to issue #2 with the X-Men sitting in a theater with skull faces is very striking. Can you talk about how that may connect with the story inside?

Mike Deodato: I dunno if I can say anything without spoiling it actually. It will make sense after you read it. It was Mark Pannicia’s idea. A lot of covers I do are ideas given to me by writers or editors but I get all the credit in the end.

Marvel.com: How has it been working with Charles on this issue?

Mike Deodato: Very nice and supportive guy. It is a very complex issue to be translated for the artist but he made it look very simple. I hope we can do it again in the future.

Get your hands on Charles Soule and Mike Deodato’s ASTONISHING X-MEN #2 today!

Read More

Charles Soule and Jim Cheung launch a monumental adventure for the mighty mutants!

On July 19, Charles Soule and Jim Cheung present ASTONISHING X-MEN #1! But get your exclusive first look at pages from the issue right now!

Astonishing X-Men #1 cover by Jim Cheung

Astonishing X-Men #1 preview page by Jim Cheung

Astonishing X-Men #1 preview page by Jim Cheung

Astonishing X-Men #1 preview page by Jim Cheung

Astonishing X-Men #1 preview page by Jim Cheung

Astonishing X-Men #1 preview page by Jim Cheung

ASTONISHING X-MEN #1
Writer:
 Charles Soule
Artist/Cover: Jim Cheung
Only the X-Men can save us!
An ancient evil is attacking the world’s most powerful minds. It will have them by the time you finish this sentence, and a moment later, it will have us all. A band of X-Men discovers the truth behind the threat, but there is no time left. Psylocke, Old Man Logan, Bishop, Archangel, Fantomex, Rogue and Gambit will attempt to save a world that hates and fears them. Why? Because they are the X-Men.

From writer Charles Soule joined by a roster of superstar artists beginning with Jim Cheung. ASTONISHING X-MEN. It’s the X-book you need.

On sale July 19!

Read More

Charles Soule gives us the inside scoop on his new series roster!

A surprising rag-tag group of X-Men bands together to save our world from a new threat with results—dare we say—astonishing.

Writer Charles Soule’s new series, ASTONISHING X-MEN, hits on July 19 and it boasts double the drama, triple the mutant action, and a roster of artists to rival that of the characters. But let’s get one thing straight; you won’t find a typical X-Men story within the pages of this book. Why, you ask? We talked to Charles Soule to find out just what makes this title so different.

Marvel.com: Can you set the scene for us? What’s going on as this book kicks off?

Charles Soule: ASTONISHING X-MEN begins with an attack on the world’s psychics, both super hero-types and not. It’s vicious, and quick, and things are looking terrible from page one. We pick up the main thread of the story in London, where one of these attacks is taking place. Psylocke is at ground zero, and sends out sort of a psychic distress call to anyone nearby who might be able to help. A group of X-Men arrives to see what they can do…and we’re off.

Marvel.com: How does this book differ from other “team” books?

Charles Soule: Well, it’s not a team, really. This isn’t a group of X-Men with a mission statement and headquarters. It’s a cast of super-powered people, all of whom have been involved in questionable things in their past, coming together to try to solve a problem. Mostly, I’m writing it like a novel, or maybe a TV show; different characters have different arcs, and are more or less prominent at different times. The whole book is something like a puzzle box, with many layers of reveals; it’s not a “villain of the week” thing, really. It’s one huge story, with a lot of pieces that are all moving quickly, which start to link up or latch together as the story continues. It’s just…intense, I’d say. Focused and fast.

Marvel.com: Roll call! Give us a run down of the cast and what each member brings to the table.

Charles Soule: Psylocke, Logan—Old Man version—Rogue, Gambit, Fantomex, Mystique, Bishop, Angel. They all have their strengths as characters, but what I like about them is that they’re all sort of compromised, in a way. They all have dark moments in their past, secrets, strange interactions with the rest of the cast. Makes for some fantastic soap opera, which in turn gives real emotion and stakes to the action beats—that’s what you want, I think.

Astonishing X-Men #1 cover by Jim Cheung

Marvel.com: What brought this mismatched group together and what’s the chemistry like? Any tension to deal with?

Charles Soule: The chemistry is interesting. Psylocke had relationships with both Fantomex and Angel. Fantomex has gotten together with Mystique before. Rogue is—sort of—Mystique’s daughter. Gambit and Rogue are one of the biggest romantic couples in X-land. Angel has a dark alter ego that he’s trying to work to deal with, the Archangel. Bishop was once a genocidal murderer—he was redeemed, but you know, still. And of course, back in his home dimension, Old Man Logan killed every last one of them. So yeah…there’s some tension.

Marvel.com: What is the biggest hurdle facing our heroes and what might they do to clear it?

Charles Soule: The main villain when we begin the story is a longtime X-Men foe: Amahl Farouk, aka The Shadow King. He’s an incarnation of evil and darkness that lives primarily on another dimension called the astral plane. He does manifest in our world from time to time, and he tends to do nasty things like possess people and use their bodies, or drive people mad. He’s a true X-Men “Big Bad;” the first “dark” mutant Charles Xavier ever met, back in the day, and the reason he started the Xavier Institute, to train up mutants to fight similar threats. The astral plane is sort of the Shadow King’s domain, and it’s a place where reality can warp and shift depending on the whims of the people inside it. Amahl Farouk tends to use that quality of the astral plane as a weapon, throwing people into their worst fears. He’s a tough foe.

Marvel.com: Where are the rest of the X-Men?

Charles Soule: As I’ve mentioned, the book moves very, very fast, and most of the events in the book take place before the other X-Men have a chance to get involved, or even get to where things are taking place.

Marvel.com: Do you have any favorite moments in the series so far?

Charles Soule: Every issue is being drawn by a different superstar artist, from Jim Cheung on #1, to Mike Deodato on #2, to Ed McGuinness, [to] Carlos Pacheco, and many more. I’m writing to each artist’s strengths, and making sure that they each get to do something sort of self-contained. Issue #3 is sort of a Wolverine-centered story, for example. They all delve into a lot of X-Men history and legacy, too—so that’s been fantastic, just seeing how all these artists approach this stuff. As far as specific moments, there’s a double-spread in issue #5 that I cannot wait to see. Should be incredible.

Marvel.com: Is there anything else you can tease about what’s in store for our heroes? Any surprises headed our way?

Charles Soule: Absolutely: there’s something big about this series that I haven’t discussed anywhere at all yet—and Marvel’s been great about working with me to make sure we keep a lid on it. There’s a key element to this book that I think will have people very excited, but I think it’ll be best for fans to discover it in the book itself. My Twitter feed should be interesting that day, for sure.

Start watching all the awkward group tension and surprise battles unfold in ASTONISHING X-MEN #1, written by Charles Soule with art by Jim Cheung, out July 19.

Read More

Charles Soule shares some intel on the major mutant milestone coming in July!

Ready to be astonished?!

This July, Charles Soule joins a series of the industry’s best artists as they prepare to unleash ASTONISHING X-MEN! Last month, we spoke with the writer about his upcoming work on the series relaunch after its four-year hiatus, and now we return to try and pry some extra details from him about what he and his collaborators have in store for not only readers but also this brand new configuration of the X-Men.

Marvel.com: Charles, last month the news broke that you’d be spearheading the re-launch of ASTONISHING X-MEN. From those early news releases, we learned you’d be taking readers to “all corners of the X-Men mythology” according to Editor-in-Chief, Axel Alonso. Can you shed a little light on what this means for both new and long-time fans of mutantkind?

Charles Soule: I don’t want to give away too much of the story yet, because ASTONISHING X-MEN is designed to work as a series of reveals. Every time you think you know what’s happening, the script gets flipped a bit, usually around the last page of each issue. It’s like a puzzle box: part of the fun is figuring it all out. That said the book does do a lot with what I think of as X-Men touchstones—significant events in the lore, characters new and old—but rarely the way you think. I call it “weaponized nostalgia.” It’s all explained and laid out, though. Even if you’ve never read an X-Men comic before, it’ll just work as a fun adventure.

Marvel.com: I understand you’re looking to make this book just as much of an “entry-point” title for newer readers as it will be a satisfying experience for long-time fans of these characters. How do you strike that balance between seemingly opposite readerships?

Charles Soule: Not easily! But really, it’s about making sure that (a) each character’s powers are clearly noted or explained when they first appear, (b) writing them like real people who act towards each other the way they should based on their respective histories, and (c) having “nostalgia” or “homage” bits work in and of themselves. Like, if you see someone look at a photo of another character and get sad, that works for someone who knows exactly why they’re sad, but also someone who doesn’t, if it’s written correctly. I’m spending a lot of time on this specific aspect of the book. I don’t think you should need a degree in X-Men-ology to enjoy X-Men comics, but I think having that degree should enhance your enjoyment.

Marvel.com: If we don’t talk about the art, then we’re not talking comics! And this particular series will be taking a rather unique approach to the visuals. Can you walk us through the genesis behind the choice to introduce a new artist with each issue and why you and Marvel as a whole felt this was the strongest way to tell the story you’ll be sharing in ASTONISHING X-MEN?

Charles Soule: Well, again, there’s a story conceit I don’t really want to spoil yet, but I think it will work really well, in part because Marvel is staffing the series with an incredible batch of artists. We start off with Jim Cheung and just go from there, all amazing—or…astonishing, even. I’m tailoring each script to each artist’s strengths, to the extent I can. It’s pretty exciting for me, sort of a high-wire act, to make sure each artist gets what they need to draw a great issue but the overarching story gets served as well. Again, not easy, but fun.

Marvel.com: Although this is a series that you’re structuring to appeal to both new and old readers, I understand you’re dipping deep into the archives of the X-Men’s rogues’ gallery in raising The Shadow King to the forefront as the initial “Big Bad,” and someone who fans could even credit as being the original inspiration for Xavier’s creation of the team.

What made him the right choice for you when it came to launching this new series?

Charles Soule: The Shadow King was the first “evil” mutant Charles Xavier ever encountered, and as we saw way back in UNCANNY X-MEN #117 in 1979, he’s essentially the reason Xavier decided to train up other mutants to fight emerging threats in the world. The nice thing about The Shadow King is that he resides in a place called the astral plane, which is sort of a dream dimension where anything anyone imagines can become real. So, battles there tend to be about willpower; the person who can impose their reality on their opponents, force them to believe in whatever situation they’re projecting onto them, tends to win. In ASTONISHING, we’ll see some fantastic set pieces built around that idea, some of which will tie into signature past events from X-Men history. It’s not all backwards-looking, though. This is a story that moves the X-Men forward in a huge way.

Marvel.com: Although you’ve certainly worked with your fair share of mutants in your time at Marvel, Charles, I believe your time with this particular group is more limited, no? What aspects of these characters made them the right ones to engage in this journey?

Charles Soule: That’s correct. Except for Mystique, I’ve never really written any of this group to any real degree, unless you count Old Man Logan and Wolverine as the same character; they’re not, although of course there are similarities. I like this cast because it gives me an immense amount to work with as far as their interpersonal relationships. Rogue and Gambit have a long history together, romantic and otherwise. Mystique raised Rogue for a while. Fantomex and Angel have both been linked with Psylocke. Old Man Logan probably killed all of these folks back in his own universe. And on and on it goes. The power set is varied, they’re all super cool in different ways—it’s a rich stew, and I feel like I can do a ton with it. I should also say that the eight characters on the cover of ASTONISHING X-MEN #1 are not the only X-Men that will appear in the series, but they’re definitely the leads.

Marvel.com: Before we wrap up, I want to lob one “fastball special” your way. There’s always a concern among comic book fans about consequences. With a new series launch, we expect a certain amount of bombast, but what sort of consequences have you baked into the story you’re preparing to launch? In what ways does this story not only matter, but why is it one that’s going to be a “must read” for X-Men fans of all kinds and varieties?

Charles Soule: I think that will all be made clear on the last page of ASTONISHING X-MEN #1. I think I’m known for writing a certain kind of X-book, after DEATH OF WOLVERINE, DEATH OF X and IVX. ASTONISHING X-MEN is no exception. If people want consequences, they’ll get ‘em.

Charles Soule and the top artistic talent in the comics industry bring you ASTONISHING X-MEN, beginning in July!

Read More

Announcing Cheung, Garney, ACO, Noto, Land, Rosanas and more bringing the story to life!

It shouldn’t be too astonishing that the X-Men are as popular as they are. After all, their collection of diverse of mutants offers a never-ending grab bag of super powered mayhem that usually goes toward saving the day–when they’re not too busy butting heads with the Inhumans, that is. Simply put, there is no shortage of classic “X-Men” content and one particular title is about to re-enter the limelight.

After a four-year hiatus, Marvel is bringing back the “Astonishing X-Men” series this summer under the confident pen of writer, Charles Soule who’s not too worried that he’s got some big shoes to fill. We’re also excited to announce that Jim Cheung, Ron Garney, ACO, Phil Noto, Greg Land, Ramon Rosanas and more will be bringing the serialized, ongoing story to life with some incredible artwork.

Get pumped for the returning title by checking out our interview with Charles who discusses the book’s iconic cast, its use of the entirety of Marvel history and how the series will mutate under his skilled direction.

Marvel.com: “Astonishing X-Men” is a title whose original run spanned from the mid-1990s to 2013. What was the most exciting part about being the person responsible for relaunching it?

Charles Soule: “Astonishing” is one of the fundamental “X”-titles for me, especially the Whedon/Cassaday run. It’s some of the best “X-Men” storytelling of all time. So, exciting, yes – also somewhat terrifying. But like any book I take on, I’ll do my best.

Marvel.com: Over the years, the series was written by a litany of big Marvel creative minds like Joss Whedon, Warren Ellis, Marjorie Liu and Greg Pak. How were you hoping to approach it differently than these writers did in the past? How did you pour your own heart and, forgive me, soul into the writing?

Charles Soule: I’d like to think that any story I do will be different from the other incredible talents who have worked under this banner in the past, just because I’m not them. This sort of “Murderer’s Row” legacy isn’t anything new to me, though – from my very first Marvel project (“Thunderbolts”) to Daredevil to pretty much everything I’ve done, I’ve been working on titles that have superstar creators in their past. You just put your head down and write your story and hope that it can stand next to the other books in the line.

Marvel.com: Going off that, can you talk a little bit about the artistic vision you had for the look and feel of the series?

Charles Soule: I mostly want it to feel epic. I’m trying to go as big as I can both for character moments and “page-feel,” if that’s a term I can coin. I remember when Mark Millar and Bryan Hitch were working in what was termed “widescreen” back on their “Ultimates” project. I’d say it’s something like that, but within every massive beat there’s a character moment (or ten) to back it up. Mostly, I wanted to anchor “Astonishing X-Men” in the real world, so-to-speak. Many times the big superhero stories take place away from population centers, especially mutant stories. I get it – a superhero slugfest with a bunch of civilians around complicates things immensely. I’ve done it myself many times. Setting your battle scene on a remote glacier solves a lot of storytelling problems. However, I think the X-Men are at their best story-wise when they’re not only fighting super-villains, but their activities are seen through the lens of the human world. So, we’ll get a lot of that here – a lot of the action takes place in the heart of London, with all the attendant repercussions. Good times all around.

Marvel.com: We know the series will feature a veritable Who’s Who of fan favorite X-Men (i.e. Old Man Logan, Archangel, Mystique, Rogue, Gambit, Psylocke and Fantomex), but what can you tell us about the villains being featured in the story?

Charles Soule: Not too much just yet… but we’ll get there! I want it to feel like a nice reveal, but the way the story is designed I can pull in bad guys from literally any era of Marvel history. The book is built like a bit of a puzzle box, with multiple layers of reveals. Part of the fun of certain “X”-stories is speculating about what’s really going on, and this is definitely one of those.

Marvel.com: Now onto the heroes. What was the decision process behind choosing these specific characters to make up this team other than being adored by fans and veterans of the original run?

Charles Soule: It’s a mix of characters who I really wanted to write and characters who hadn’t been seen in a bit, or both! I wanted a bunch of people I knew I could write well, but who also had lots of history with each other. All of these people have been “bad guys” at one point or another – checkered pasts all around. Many of them have dated each other, or have been in love triangles… it’s just a feast of drama, and the soap opera stuff is part of what makes the X-Men great. It’s fun to write all these folks, especially in a really focused story like I’m telling in Astonishing. The book has a specific point, story and end goal… which you’ll see soon enough!

Marvel.com: Will we be seeing a different team dynamic than we’ve seen in the past and were there any specific characters you had a blast writing?

Charles Soule: I’ve said this before, but this book doesn’t have a team. It has a cast. It doesn’t have a leader, either. It’s like a novel, or a film, or a TV series. There are characters who are more or less prominent from scene to scene, but this isn’t a story about superheroes coming together with a shared goal to fight bad guys, with a base, and cool coordinated costumes and so on. This is a bunch of flawed, extremely powerful individuals who find themselves in the same place at the same time as something very intense and potentially world-ending happens. Then, we see what they do next. It’s a pretty cool ride, I think.

Read More

A new X-Men series delivers what you've been waiting for as part of ResurrXion!

You asked for it! You got it! The hardest hitting mutants. The biggest villains. The best creators. Marvel is pleased to announce that chart-topping writer Charles Soule (DEATH OF WOLVERINE, INHUMANS VS. X-MEN) will headline the all-new ASTONISHING X-MEN. A new prestigious ongoing series from top-tier creators set to unite some of the most popular, fan-demanded characters in the X-Men mythology for an epic story that will redefine the mutant landscape in the Marvel Universe!

“If you’re going to relaunch a book called ASTONISHING X-MEN, it had better live up to the title,” says Marvel Editor-in-Chief Axel Alonso.  “Charles and his soon-to-be-revealed collaborators are about to unveil a story that touches every corner of the X-Men mythology, and the first issue alone will have massive ramifications for the Children of the Atom.  We can’t wait to tell you more about this book.”

Old Man Logan, Archangel, Mystique, Rogue, Gambit, Psylocke and Fantomex. Together, they are the Astonishing X-Men. But what brings this eclectic collection of heroes together? A familiar menace has once again reared its ugly head – reborn, renewed and resurrected. To defeat one of their greatest foes and rescue one of their own, the X-Men’s greatest will assemble for a mission that will take them places you never thought they’d go!

“Other than the occasional line here and there, I haven’t written most of the characters in the Astonishing X-Men lineup before – for me, that’s a fantastic challenge,” shares Soule. “It’s been fun to get into their heads and think about what they all might have going on at this point in their lives. That said, the series is designed as a fresh starting point, so anyone jumping in with [ASTONISHING X-MEN #1] will get everything they need there to follow the story – even if it’s your first X-story.

Astonishing X-Men #1 cover by Jim Cheung

“The book is designed to tell a very focused, specific story, with a few cool main villains,I’m writing it like a puzzle box, with new layers and reveals opening up every issue. So, you’ll never know exactly where it’s going to go next – but the structure is built in such a way that almost anything from the long, incredible history of the X-Men can pop up. If you think about these characters, they’ve been present or involved for virtually every major era of X history, all the big events. That’ll play a role in a big way.”

As deadly forces await, will the Astonishing X-Men’s first mission also be their last? Find out this July, in the blockbuster ASTONISHING X-MEN #1!

Read More