Writer Tom Taylor teases the Orphans of X as Marvel Legacy begins!

Coming up, things get more personal than ever for Laura Kinney.

Having returned from her Brood-killing mission alongside the Guardians of the Galaxy, Laura has no choice but to return to the place where her journey began—to fight for the family she has left.

On October 11, writer Tom Taylor and artist Juann Cabal reintroduce Laura and Daken in ALL-NEW WOLVERINE #25!

We caught up with Tom to hear more about the Marvel Legacy beginning of a complex new partnership for Laura and her long-lost “brother.”

Marvel.com: Catch us up on what’s been going on in the wonderful world of Wolverine!

Tom Taylor: At the moment, we’re just coming back from space—Laura, Gabby, and Jonathan have been off with the Guardians of the Galaxy. They dealt with a massive threat there and now they’re coming back to Earth in the hope of finding some normalcy in their new residence on Roosevelt Island. But—of course—we’re going to be turning their world upside-down.

Something very bad happens. Daken will be taken…but a piece of him will also be found.

Marvel.com: Oh no.

Tom Taylor: Yeah, right!? That will start Laura on a very big journey which will involve her past, her present, and her future. There will be an intensity in our Legacy arc that we haven’t seen before. By the end of the first issue of our Orphans of X run, everybody will want to pick this book up.

Marvel.com: Just to recap, it wasn’t so long ago that Daken and Laura were—literallyat each other’s throats. Where do we find their relationship now?

Tom Taylor: Daken and Laura are actually quite close. We saw it in Marjorie Liu’s run and we saw it in the recent Immune arc where Daken comes—not to help Roosevelt Island in the middle of their horrible infestation—but to help Laura. Daken doesn’t get close to a lot of people. But he does respect Laura and I think that becomes quite clear.

We are playing with them as brother and sister and I think that comes through in all of Orphans of X, but in the beginning of Orphans of X, Daken gets taken prisoner (I can’t say by who yet!) and Laura has to deal with that. But it feels quite traumatic, and this will be one of the most intense arcs we’ve ever done.

Marvel.com: It seems so cool to go back to Laura’s roots with Legacy—to see her challenged in such a personal way.

Tom Taylor: She’s a fantastic character—she has an incredibly traumatic past but she’s not a victim. Particularly after everything she went through in Enemy of the State arc, she has really come through it and become a hell of a hero—as I hope we saw on the moon with the hive…like, she just went to an alien moon, took on the Brood, and she saved an entire island of people! She kicks ass in every way.

Marvel.com: Generally speaking, what does the legacy of Marvel Comics mean to you?

Tom Taylor: I’m a fanboy and I always have been. I’m a fan of these great characters. And when Marvel calls you up and says, “Hey Tom, do you want to write Iron Man?” you absolutely lose it! You just do! It feels insane. Like, this stuff just doesn’t happen. My first gig in American comics was writing Star Wars. And it’s just like…you’re kidding me. You want me to write Luke and Han and Leia? What!? I’m a guy from Melbourne, Australia. This just doesn’t happen.

I think we were talking about something else with Marvel at one stage and then they were like, actually, would you like to do Wolverine? What person in the world would say no to that!? Of course I want to do Wolverine! I’ve been reading Wolverine comics my whole life, I have shelves of them—yes I want in on this. I love Laura, ever since I saw her in “X-Men: Evolution”!

It’s just exciting to be on all of this and—I think I can say this—I’ve just been offered a new project for Marvel and it’s exactly the same. I have a very packed schedule but I just thought, you know what, I’m going to immediately drop everything I’m doing to jump onto this and make it as good as I possibly can; it couldn’t be more exciting to do another incredible Marvel property and to try to do my best at it.

Marvel.com: That’s so exciting! So Legacy must be a treat to work on.

Tom Taylor: Yeah—and we’re seeing things like going back the Muramasa Blade here, which has been a huge part of Logan’s past and what that came to mean. And now that his children have to deal with that will be a really big thing. That’s the kind of Legacy thing that we’re seeing in this, and I have to say that the artwork by Juann Cabal and [colorist] Nolan Woodard together looks like nothing you’ve ever seen. The three of us are just jamming so well! We’re adding extra beats everywhere and it’s amazing to be working with these talented guys.

ALL-NEW WOLVERINE #25, by Tom Taylor and artist Juann Cabal, drops on October 11!

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Greg Pak introduces Marvel Legacy with a return to Planet Hulk!

On October 18, Amadeus Cho makes an unexpected interstellar trip as writer Greg Pak and artist Greg Land head back to a brutal world with INCREDIBLE HULK #709!

Marvel Legacy begins with “Return to Planet Hulk: Part One,” as the young genius goes where another Hulk has gone before—Bruce Banner. But the planet Sakaar has changed since the Doctor visited years ago. And Amadeus finds himself in unfamiliar territory—on the continent of Filia, halfway around the globe from where The Hulk landed before. Thrust into a conflict he didn’t expect, The Totally Awesome Hulk will have to use every ounce of his intellect and power to survive.

We grabbed a few minutes with Greg Pak to see what’s in store for Amadeus on Planet Hulk.

Marvel.com: Amadeus Cho has learned a lot about himself and his Hulk persona recently. How does this new self-awareness influence his experience on Sakaar?

Greg Pak: Amadeus started off as the Hulk a couple years ago with this big, loopy idea that he could be the best Hulk ever; he never saw being the Hulk as a curse. He doesn’t think of himself as a tortured soul like Banner. He figured he’d become the Hulk and show the world how awesome the Hulk could be. But over the last few storylines, Amadeus has come closer and closer to the darkness within himself. To be specific, he’s got a Dark Hulk inside that’s fighting to get out—and he’s terrified of what he’ll become if that happens.

So as this new storyline begins, Amadeus gets pulled into the brutal world of Sakaar at the absolute worst time—when he’s trying to suppress the brutal monster within.

Marvel.com: How does Amadeus find himself on Sakaar?

Greg Pak: The story took place in TOTALLY AWESOME HULK #23, which just hit stands, so I don’t want to spoil it too much. I’ll just say that Amadeus ends up deciding he’s too dangerous for planet Earth in his current state, so he exiles himself to try to figure out what’s going on with this Dark Hulk inside. But then he gets a signal from Sakaar—someone desperately needs help from The Hulk. And he’s still that cocky kid who thinks he’s going to be the best Hulk ever, so he can’t stop himself from responding.

Marvel.com: You’ve said before that we’ll see a different side of Sakaarliterallyin this story. What new friends and foes will Amadeus find in his time there?

Greg Pak: During the original PLANET HULK story, the Hulk fought the evil Red King of Imperia, freed the slaves and gladiators he’d oppressed, and united the different people of the continent in a new alliance. (Whoops! Spoiler alert!)

This time ’round, Amadeus lands on a different continent on Sakaar—the land of Fillia, which had been at war with the Red King. So you’d think the Fillians would be happy that The Hulk took out the Red King…but once The Hulk disappeared, a thousand new murderers arose in the chaos and now Fillia’s a blasted wasteland where a terrible warlord hunts small clans for sport. One of these clans has put out a call for The Hulk—and they’ve gotten Amadeus.

So we’ll meet a stalwart headman, a scrappy insectivore hiver, an eerie priestess, a manic lackey, and a brutal warlord. It’s a big, epic battle-axes-and-blasters sci-fi fantasy, and you’re going to love it.

Marvel.com: Should we expect to see familiar faces from the original PLANET HULK story?

Greg Pak: Since we’re on the other side of the planet, we won’t see exact characters from the original PLANET HULK. But this fits right into all that worldbuilding we did for PLANET HULK, so you’ll see folks from the various species we established during that story. And you’ll see a disturbing perversion of the myths and legends we introduced there too.

You’ll see a Marvel hero you might have wished appeared in the original PLANET HULK. I’ll say no more, but definitely don’t miss issues #711 and #712!

I’d also like to plug the gorgeous work of Greg Land, inker Jay Leisten, and colorist Frank Darmata. They’re taking the original designs and worldbuilding for PLANET HULK and putting their own spin on them in this new part of the world—it’s just gorgeous stuff.

Marvel.com: What has been most exciting about this return to Sakaar?

Greg Pak: I absolutely loved working on PLANET HULK back in the day. It remains one of the greatest experiences I’ve ever had making comics, and I’m thrilled to have a chance to dig back into that world whenever the opportunity presents itself. With this particular story, it’s a kick throwing Amadeus into the mix, because he was famously one of the few heroes crazy enough to side with the Hulk during WORLD WAR HULK. So there’s a bit of a comeuppance here—a chance to see how Amadeus handles the kind of brutal world that the Banner Hulk endured. There’s a lot of delicious and scary stuff to dig in with that kind of set up, and I’m having a blast.

I should also note that if you’re digging this vibe, please do check out the “Planet Hulk” prose novel that hits stores on October 4! I got pulled on board to write it last year, and if you dug the original PLANET HULK, I think you’re going to love the prose novel. We got a chance to dig a lot deeper into all kinds of aspects of the story and try some surprising new things. Check it out!

INCREDIBLE HULK #709, by Greg Pak and artist Greg Land, crash lands on October 18!

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Marvel Legacy ushers in a terrible new era for the Merc with a Mouth!

Wade Wilson faced the music in DEADPOOL #36.

The Regenerating Degenerate’s choices during Secret Empire have come back to haunt him…and now he’s at the mercy of Stryfe and on the run from everything he once held dear.

The turning tides in DP’s life herald a new period in his story—and on October 11, Marvel Legacy’s DESPICABLE DEADPOOL #287 marks the start of the chapter.

Written by Gerry Duggan with art by Scott Koblish, Stryfe seeks payment for services rendered. It’s a life for a life—Deadpool owes him four—and the first name on the mutant clone’s list won’t surprise anyone: Cable.

Now Wade, having recently reached higher highs than ever before, hits rock bottom as he’s forced to kill his way out—or face the deadly consequences. Notes Duggan, “He’s putting his head down and just doing what he owes in order to get out of this. He’s not really looking to be very clever at this moment.” The grim circumstances have forced the Merc with a Mouth to recede to just a Merc.

When the thought of reneging on his debt crosses Wade’s mind, he receives an immediate rebuke—if he doesn’t hold up his end of the bargain, the Preston family, and maybe his daughter Ellie, will pay the price. Outsmarting an evil time traveler has to be even harder than it sounds, especially on your own; “There really is no one left that will trust him. He used to be a member of an Avenger squad and unfortunately that’s over. His marriage is over. A lot of his friendships are done,” explains Gerry.

So, has Wade Wilson completely resigned himself to this bleak fate? Gerry doesn’t seem so sure: “Even though Wade seems like he’s still doing terrible things—and he is—he’s still doing honorable things, so that still acts as his motivation.”

Duggan continues, “We spent a lot of years building him up and we’re destroying him in quick time. We’ll see what he has left after we strip everything away, it will be interesting to see what survives of the character after this.”

DESPICABLE DEADPOOL #287, written by Gerry Duggan with art by Scott Koblish, hits on October 11!

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Writer Marc Guggenheim peers inside the head of the terrifying TV tycoon!

After years of drawing the X-Men to his own nightmare realm, Mojo has decided to mix it up and swing by New York City instead. On October 18, Mojo takes Manhattan in X-MEN: GOLD #14!

Written by Marc Guggenheim with art by Marc Laming, the mutant crossover continues as the Gold team fights alongside their X-MEN: BLUE counterparts in a war with Mojo, the Brood, and Dark Phoenix!

So, what motivates the malevolent mogul behind all this chaos? We asked Guggenheim to find out.

Marvel.com: The first time we spoke about this crossover, you mentioned that Mojo would be your nightmare television executive. Now that you’ve written him, has that perspective held up?

Marc Guggenheim: Yeah, it really has. Even more so than I imagined.

The fun thing about writing Mojo has been the opportunity to get metatextual. I really, really pushed that—particularly in issue #14. There’s a page that has a really fun joke about the nature of X-Men capacity to not only avoid being killed but to be resurrected. It gave me a chuckle to see how Marc Laming executed that; the joke really lands.

Mojo can never be too broad or too big. No matter what you write for him, it never feels over the top.

Marvel.com: What inspires Mojo on a day-to-day basis?

Marc Guggenheim: For my money, Mojo gets motivated by three things: ratings, ratings, and ratings.

It makes him a very ego-simplistic guy. He has a very simple need: he wants the biggest audience he can get his hands on. There’s something very decadent about that kind of character—the kind that acts just so cravenly that nothing will stop him in his pursuit of ratings.

If you think about ratings, they are kind of meaningless. And I say that as someone who has been working in television for 18 years. [Laughs]

There’s nothing special about ratings. It gives you an idea of how many people are watching your show, but they aren’t good onto themselves. So Mojo pursues this entire endeavor for his entire life and it is a very meaningless pursuit.

If you can see him through that light, you almost start to feel bad for the guy.

Marvel.com: What draws Mojo to the X-Men? Why does he find them so magnetic?

Marc Guggenheim: Well, that’s a good question.

He has a history with them. It’s almost like he’s killing two birds with one stone—he gets his precious ratings at the same time that messes with the people who have often made his life difficult.

Every time he deals with the X-Men, he comes away diminished. But it’s more than just the X-Men foiling his plans—he usually ends up taking a step back as a result of his interactions with them. For someone like Mojo, who has this massive ego, he gets really picky about these upstart mutants that keep vexing him at every turn.

Marvel.com: What are your thoughts on Marc Laming’s rendition of Mojo? What about his depiction really brings out those characteristics?

Marc Guggenheim: I really like Marc’s ability to capture a lot of the humor of Mojo. It can be one thing to draw Mojo as really diabolical or creepy looking, but Marc also manages to nail all the jokes that are written here.

Marc has also made Major Domo this really fun visual sidekick to Mojo. You’ll often see Major Domo’s facial expressions are providing a fun, but subtle, commentary on something probably all of us can appreciate—working with the worst boss ever. [Editor’s note: Not me! I love my bosses that will definitely read this article!]

Marvel.com: How did you and Marc go about capturing the broken physics and inherent strangeness of the Mojoverse?

Marc Guggenheim: In issue #14, Marc takes us on a tour of the X-Men’s Greatest Hits. His artwork does a fantastic job of not only replicating the look and feel of those stories, but really the look and feel of those eras.

For example, we open with a scene set around the start of “Mutant Genesis”—the beginning of [writer] Chris Claremont and [artist] Jim Lee’s three-part Magneto story in X-MEN. You’ll really feel like you are transported back. It’s really cool and fun.

I just want to say, Mike Mayhew drew issue #13, Marc draws issue #14, Diego Bernard will do issue #15, and all the issues are colored by Rain Beredo. All the artists are turning in unbelievable work. And Rain’s coloring brings it all together so even though three different artists are on board, it keeps a similar visual style all the way through.

They are really, really, really stunning looking books. All our artists are up to the challenge of the incredibly huge landscape we are playing with here. These are really big widescreen sequences across the biggest, most iconic X-Men stories that have ever been done. It has been really easy to write, but man the artists have had their work cut out for them.

Marvel.com: What about this story makes Mojo so dangerous to the X-Men?

Marc Guggenheim: Every time the X-Men have dealt with Mojo, it hasn’t just been on his terms, but on his playing field as well. For Mojo to make a breach into our world—it just ups the dramatic stakes. You’ll see throughout the series how Mojo’s plot eventually impacts Manhattan. To my knowledge—I’m always loathe to say we’ve never seen something because there are so many stories—I feel pretty confident in saying we’ve never seen this before.

Without spoiling the ending, I will say that by the end of this issue the battlefield will be very significantly changed. It sets up the climax that we will reach in X-MEN: BLUE #15.

The crossover continues in X-MEN: GOLD #14, by Marc Guggenheim and artist Marc Laming, on October 18!

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Artist Jon Malin dives into Marvel Legacy with the time-traveler!

Some people think learning history can be boring…but maybe they just haven’t done it the right way. Like when writer Ed Brisson and artist Jon Malin take an exciting look at the past with CABLE #150!

On October 18, the future-born soldier travels back in time alongside a couple of New Mutants—including X-23, Doop, Shatterstar, Blink, Longshot, and Armor—to try to handle a killer that can’t be taken care of easily.

We caught up with Malin to chat about studying up on various X-Men time periods, working with Brisson, and bringing Cable to Marvel Legacy.

Marvel.com: How fun has it been sending these characters to various points in X-history?

Jon Malin: Very exciting! I absolutely lucked into a chance to draw all my old school favorites in their best looks!

Marvel.com: When you’re sending Cable and the New Mutants to those different time periods, do you look back at the original stories for reference?

Jon Malin: Ed and Editor Chris Robinson are kind enough to send me details for what I need, so thankfully I don’t have to dig out the references too much. For me, it’s more about going back to the well for the dynamic inspiration you get from artists like Rob Liefeld—he, like Jack Kirby and other greats, including Stan Lee, Todd McFarlane, Marc Silvestri, Larry Stroman, Whilce Portacio—set a kinetic pace with their work and I’m always looking for an opportunity to push that. Be sure to check out the early Marvel work of all mentioned above, it’s a lesson in awesome!

Marvel.com: When designing Cable and his New Mutants for this Legacy story, were you aiming for classic looks or were you going for your own spin?

Jon Malin: The story calls for these specific looks, so I’m certainly staying close to them. Anything that might be considered “my own spin” here will be very subtle. In the past, I always loved how Rob Liefeld changed up the costumes, especially Cable’s—it always kept the vibe feeling fresh to me.

We haven’t had any costume changes as the tone of this tale feels closely tied to these costumes and who they were. Looking down the road and keeping true to what Rob established, I have plenty of cool spins for all of these guys if given the opportunity.

Marvel.com: As this story has developed, have any of the character interactions surprised you so far?

Jon Malin: I think our character bag of mixed nuts works very well here for this exact reason. Ed plays these guys off each other in fun and interesting ways. Doop has been so fun for me and I think the readers will enjoy him because he can be anything we need him to be—comic relief, right hand man, butt kicker, Don Juan. Whatever! Then we have Shatterstar and X-23…we could do a standalone with them simply titled “Bodycount.”

Marvel.com: How has it been working with Ed on the series?

Jon Malin: Ed has such great storytelling skills—and understands the time for nuance and the time for action. We message maybe once a month if I have questions or want to express a scene I loved. He’s fantastic! Love that guy.

And shout outs to [colorists] Federico Blee and Jesus Aburtov! Both are so kind and generous with their time. Federico has colored all our covers and they’re amazing! And Jesus on interior colors has just been knocking it out of the park! I love passionate color that amplifies the intensity of a story—and both of these guys dig right in. Just glance at the covers and interiors and the feelings are immediate.

Editors can be overlooked, so let me add Chris Robinson and Mark Paniccia! Chris has a great eye for paneling; I have found him to be so thorough on the work and always there if I need him. I see him going very far in this industry if he so chooses. And Mark always lets it be known when he really digs something or if something has to go. Marvel is in great hands with these two. And big thanks to [Editor-in-Chief] Axel Alonso—he’s been very supportive of me with this title.

CABLE #150, written by Ed Brisson with art by Jon Malin, hits on October 18!

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Analyzing a mutant Marvel Legacy with writer Cullen Bunn!

Mojo may seem like a goof, but writer Cullen Bunn needs you to know that the villain has you—and the X-Men—fooled.

The mutant crossover continues between X-MEN: GOLD and X-MEN: BLUE as the two squads unite to wage war with Mojo, Sentinels, the Brood…and the past. On October 11, Bunn joins artist Jorge Molina to keep the fight alive as Marvel Legacy begins with X-MEN: BLUE #13!

Cullen took a moment to warn us about the danger of Mojo, the devious delight of unveiling Team Blue’s connection to Magneto, and the joy of collaborating with Marc Guggenheim.

Marvel.com: What made this the perfect time for a crossover between Blue and Gold?

Cullen Bunn: What’s more thrilling than two X-Men teams coming together and facing a threat that they simply cannot face alone? There’s a long-standing tradition of two different X-teams joining forces, mixing up the rosters, and facing some dire threat. With the Marvel Legacy initiative, it seemed like the perfect time to revisit that tradition in a big, action-packed, fun way.

Marvel.com: How did you decide on Mojo as the villain to bring these teams together?

Cullen Bunn: First of all, Mojo is awesome. I’ve been planning a Mojo adventure for a while now—there are hints of it in my UNCANNY X-MEN run. When we started talking about the Marvel Legacy arc, though, we knew we wanted to have the Gold and Blue teams come together, and my Editor [Mark Paniccia] suggested that this could be where the Mojo story takes place. I couldn’t agree more. Mojo gives us a great opportunity to revisit some of the greatest moments in mutant history—the Asgard War, the Mutant Massacre, the Death of Phoenix, Days of Future Past—because he has such vast abilities to warp reality in a deadly way.

Deadly.

Marvel.com: How would you describe your take on Mojo?

People forget this about Mojo—yes, he’s kind of a goofball and he cracks weird jokes. But he’s also extremely powerful and can be scary as Hell. Mojo can be terrifying and menacing. He’s still a character with a lot of humor, but he’s not to be trifled with. In this story, his back gets pushed up against the wall, so to speak, and that makes him extremely dangerous. I just looked at some lettering notes from one of the issues, and the Editor had written “So creepy!” on a Mojo scene. That’s exactly what we’re going for. Sometimes you hear that Mojo operates in an alternate reality, so his threats aren’t all that real. Well, in this story he’s coming to our world—and we absolutely do not want his plans to succeed.

Marvel.com: How does the Blue team react to their Gold counterparts? How about Mojo?

Cullen Bunn: The teams get along fairly well. There are some very interesting dynamics here. Cyclops and Rachel, for instance. Old Man Logan and Jimmy. Storm and Bloodstorm. Of course, the 800-pound Master of Magnetism in the room is that the Gold team does not yet know that the Original Five are working with Magneto. That’s going to change in this story, and it will put some tension on the relations between the groups.

Marvel.com: Describe the collaborative process between you and X-MEN: GOLD writer Marc Guggenheim. How’s it been?

Cullen Bunn: Marc and I both have X-Men lore wired into our brains. I know for certain that Marc’s notes for X-MEN: GOLD included “softball game!”—just like my notes for X-MEN: BLUE. I’m not one hundred percent certain, but I’m pretty sure he also had plans for Mojo. Working together has been an absolute blast. We had some phone calls early on to discuss the story, then we started trading planning documents back and forth, adding to the story, making it crazier and more epic.

Marvel.com: How have your respective artists, Jorge Molina and Mike Mayhew, contributed to that process?

Jorge and Mike helped so much in defining the look and feel of Mojo’s world—we’re seeing a lot of it here—and of Mojo’s technology and the “weapons” with which he attacks Earth. Also, seeing these two talents casting the current X-teams into classic situations—and classic clothing—is something special.

Marvel.com: Given that Mojo lends himself to both humor and horror, how would you describe the tone of the crossover?

Cullen Bunn: This crossover is all about action and classic X-Men adventure. In some Mojo stories, the X-Men are thrown into silly or goofy situations, but not here. These adventures are serious business with real stakes. This feels like a fun story, make no mistake, and there will be plenty of moments of humor—some of it fun humor, some of it dark—but I don’t think what we’ve got here could qualify as silly. The X-Men are trying to save themselves, but they are also trying to save the world, and time has started running out.

Marvel.com: Tell X-Men fans why they need to get onboard with this crossover.

Cullen Bunn: I think you could start this arc without reading either book beforehand, really. We give you everything you really need in those first couple of issues. Of course, you should read both GOLD and BLUE, because you’re missing out on some really awesome fun in those titles, but you can let this be your introduction to either or both teams and still have a blast.

X-MEN: BLUE #13, by Cullen Bunn and artist Jorge Molina, launches on October 11!

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Matthew Rosenberg details a team set to fracture ahead of Marvel Legacy!

The universe trends towards entropy. Or, to put it another way, everything falls apart. Everything—including the Secret Warriors.

In the aftermath of Secret Empire, the group barely qualifies as a team anymore. And to further complicate matters, Quake—once central to the Warriors—now finds herself in a haze of rage, so focused on avenging Phil Coulson’s death that she’s lost touch with her friends and allies.

On November 15, writer Matthew Rosenberg joins artists Javier Garrón and Will Robson to unleash Mister Sinister on a team at their weakest point in SECRET WARRIORS #8!

We caught up with Matthew to see what’s next for the group as Marvel Legacy begins.

Marvel.com: Describe the Secret Warriors current team dynamic.

Matthew Rosenberg: The team as a whole finds itself in sort of a disaster. They were brought together by necessity, not by choice. They don’t really get along, they don’t see eye to eye, and they’ve been stuck with each other because they had nowhere else to go. Now the team starts falling apart after Secret Empire.

So, they aren’t really together anymore. But, as often happens with these things, bad things will bring them back together. They didn’t finish what they started last time and now it’s back for them.

Marvel.com: The team has gone through a tremendous amount of turmoil in a very short amount of time. How are the Warriors reacting?

Matthew Rosenberg: Everyone deals with the fallout of Secret Empire differently. Ms. Marvel really wants to get back to her life—to being the type of hero she feels more accustomed to being. Moon Girl wants to go home. Inferno doesn’t want to play super hero right now. Quake runs out for blood. Having lost many of the things she cared most about in the world, revenge feels like her only way of processing. While the others are exhausted and beaten down, Quake becomes something else entirely. She seems a little broken.

And Karnak…who knows anything about Karnak’s state of mind, ever? He seems like his usual creepy self.

Marvel.com: We know that Quake targeting Deadpool will be a significant storyline going forward. How does the rest of the team view that mission?

Matthew Rosenberg: Quake’s revenge won’t be something anyone feels comfortable with. She’s always been willing to cross lines the others won’t. Her choices disturb the group less since the team has gone their separate ways—but our Legacy story forces them back together, so Quake’s vendettas become an issue again. The friction between Ms. Marvel and Quake will grow even more and everyone gets caught in between.

Marvel.com: What creative benefits and challenges does this storyline present?

Matthew Rosenberg: We get to have a story that increases the stakes on a personal level. Secret Empire served as big, world changing stuff—but that kind of story can overshadow some of the smaller things at times. Now we’re telling a smaller story about loss and revenge, friendship and purpose. It can be really fun to zoom in on these characters—but it’s a big challenge too. The shifting of gears can feel jarring if you do it wrong.

Also, it was tough to borrow Deadpool. [Writer] Gerry Duggan and all the DEADPOOL team have done an amazing job of telling this really long story currently reaching its culmination in Deadpool’s fall from grace. It’s beautiful, actually. So we want to play into that and be a part of it, but not get in the way of what they’re doing in the main DEADPOOL book. We want it to feel relevant and offer something to DEADPOOL readers, but not put them at a disadvantage if they aren’t reading our book.

Marvel.com: Javier Garrón will continue as the main artist for Marvel Legacy. How do his ideas and contributions add to where the book moves next?

Matthew Rosenberg: Javier is amazing. I feel like every interview I just talk about what a joy he has been to work with, but it’s true. No matter what dumb, weird thing I throw his way, he manages to make it cool and fun. And he does it all while being one of the most pleasant people I’ve ever met.

It’s funny because he’s so amazing at two things that I think most artists struggle with. He can handle a lot on a page—big action, lots of panels, tons of characters. He never breaks stride and never makes it clumsy. That inspired us cramming so much into our first arc. We wanted to play to his strengths. And the other thing is acting. His characters have so much life and personality; I think that has been a big key to why people like this book. It’s really easy to relate to who they all are because Javier makes them such great characters before any lettering even touches the page.

Also, he gave the X-Men great facial hair. I want that recognized. Rictor’s mustache and Strong Guy’s beard are themselves some of the most important characters in comics today.

Marvel.com: Looking beyond the first arc, can you hint at what else readers can expect from SECRET WARRIORS?

Matthew Rosenberg: We are building to a showdown with Mister Sinister. He has been involved with the team for a while—only they didn’t necessarily know that. So this fight will be an interesting one.

Other than that, we have a pretty big addition coming to the roster. I am beyond excited to bring this new person to the team. It’s one of my favorite characters of all time and getting to see them interact with everyone else has been really Magikal.

Matthew Rosenberg and artists Javier Garrón and Will Robson launch SECRET WARRIORS #8 on November 15!

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Artist Juann Cabal draws Laura and Daken together for Marvel Legacy!

Family gatherings can get complicated. But when you’re the clone of a renowned X-Man dealing with your “dad’s” murderous biological son, they’re really complicated.

On October 11, Laura Kinney has to contend with exactly that—as writer Tom Taylor and artist Juann Cabal kick off Marvel Legacy with ALL-NEW WOLVERINE #25! When Daken gets kidnapped, Wolverine jumps into the fray to save him…but they soon find themselves facing off against the mysterious and deadly Orphans of X.

We caught up with Juann to hear more about carving up the visuals for issue #25.

Marvel.com: How would you describe illustrating the differences between Laura’s and Daken’s fighting styles?

Juann Cabal: To me, Laura fights with more subtlety and precision; she’s almost surgical. She’s also developed some fighting routines to include Gabby (and even Jonathan)! I think of her as a very intelligent, complete fighter.

On the other hand, Daken feels more direct, instinctive, and brutal. He shows no mercy. But this doesn’t mean he’s not smart—there’s a particular scene where he shows how resourceful and imaginative he can be. Can’t wait for the fans to see it. I’m sure they’re going to love it.

Marvel.com: In a roundabout way, Laura and Daken are family. Aside from all those claws, how do you convey that?

Juann Cabal: I think they share a certain “I’ve got your back” attitude that they don’t share with any other character. We’ve put so much effort into translating this mutual understanding into body language—and it wasn’t easy. You have to be very delicate, because the line that separates “awkward” and “cold” can be very thin.

Marvel.com: Along similar lines, how do these two relate to one another when they’re not in fight mode?

Juann Cabal: They’re distrustful, but more relaxed than usual in a way that says, “I know you, you know me.” It’s pretty funny because Gabby tries to include Daken into the “happy family” dynamic, but he’s not very comfortable with it and Laura isn’t either. But she shows real concern for him and Daken proves that—sometimes—he can be a cool guy and not the jerk we all know.

Marvel.com: How’s it been jumping on this book alongside Tom Taylor?

Juann Cabal: An absolute pleasure. I love when people stay long enough on a book to construct strong, homogeneous characters, relations, and stories. Tom shows lots of knowledge and respect for the characters, but also a great sense of humor and fun. He’s always open to suggestions—keeping the product fresh and dynamic. A dream come true for an artist. He’s a superstar.

Marvel.com: How did the Orphans of X come to life on the page?

Juann Cabal: It was hard! I mean, aesthetically, they’re pretty simple. But according to their own idiosyncrasies, they behave in a very specific way. A couple of times I’ve had Tom telling me, “That’s not the Orphans way.” I can’t tell you more than that.

ALL-NEW WOLVERINE #25, written by Tom Taylor with art by Juann Cabal, drops on October 11!

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Brian Michael Bendis teases a story set to shock the Marvel Universe!

On October 11, the start of Marvel Legacy sees writer Brian Michael Bendis and artist David Marquez add more fuel to the fire burning in the streets of New York.

With a power vacuum left in the wake of Wilson Fisk’s quest to go legit and Diamondback now on the loose—and on a rampage—defending New York City has never been more complicated. In response, Luke Cage, Jessica Jones, Iron Fist, and Daredevil join forces with someone who’s happy to shoot, slice, and bomb a path to justice. Someone with big guns and an even bigger mouth.

In DEFENDERS #6, the Defenders team up with Deadpool.

We spoke with Brian to learn more about this unlikely collaboration ahead of the new issue.

Marvel.com: Where do we pick up the story in DEFENDERS #6?

Brian Michael Bendis: Jessica Jones, Luke Cage, Iron Fist, and Daredevil have joined forces as the city’s defenders. They have done so because lifelong criminal and ex-Luke Cage best friend Diamondback has returned to become the new Kingpin of crime. But there are so many other players vying for the title…Black Cat and Hammerhead among them.

Meanwhile, The Punisher ventures to hunt all of them, Elektra sneaks around, Blade hovers nearby…and Jessica enlists Deadpool. You heard me: Deadpool.

Mavel.com: Can the team manage the streets considering the deadly race to become Kingpin’s criminal successor?

Brian Michael Bendis: Its chaos. It’s the Wild West. People are being gunned down in the street. Crazy new drugs are out there. The Defenders are fighting back with everything they have.

Marvel.com: What brings Deadpool into the picture?

Brian Michael Bendis: Turns out Deadpool and Jessica Jones have a secret history! Who knew!? Well, okay, I did. The streets are getting so crazy that she calls in a favor and unleashes him into the wild.

Marvel.com: Does Deadpool present trouble or a welcome addition to the fight?

Brian Michael Bendis: Both. It’s Deadpool.

[DEADPOOL writer] Gerry Duggan and so many other amazing writers have already established the dynamic set to take place. I will be piggy backing on that. But, yeah, Luke can’t stand him.

Marvel.com: What kind of Deadpool antics can we expect?

Brian Michael Bendis: I got 11 jokes in on his first page. Good jokes? We’ll see. I love the Deadpool that knows he’s in a comic book. So get ready…

Marvel.com: Do you have a favorite scene from issue #6?

Brian Michael Bendis: There’s such a unique and intense fight scene between Elektra and Iron Fist. Also, to my shock, Iron Fist and Elektra have never done battle before! That’ll change!

Marvel.com: What might be in store for the team moving forward?

Brian Michael Bendis: The new Kingpin—behind all of the chaos on the streets—will send shockwaves across the Marvel Universe. Not just on the streets—everywhere.

We set the stage for a massive battle for the streets. I have been dying to tell this story for years and I am so thrilled that all the pieces finally came together.

And not all the players have revealed themselves yet.

Marvel.com: Anything else you can tease?

Brian Michael Bendis: The reaction to the DEFENDERS comic has been everything I’ve ever wanted in comics. The readers have been rabid and passionate and we’re all just having the best time. The story will continue to unfold. Cameos galore! And a huge surprise coming soon!

DEFENDERS #6, written by Brian Michael Bendis with art by David Marquez, drops on October 11!

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Sam Wilson takes flight in his new ongoing series with writer Rodney Barnes!

Sam Wilson’s time as Captain America may be over, but he doesn’t intend to stop protecting the country and the world. After helping end the threat of Hydra dominance in Secret Empire, Sam has decided that he needs to embrace the identity of The Falcon once again.

And on October 11, he returns to the skies with Marvel Legacy in FALCON #1! Written by Rodney Barnes with art by Joshua Cassara, Sam Wilson engages enemies on the global stage and in quiet in Chicago back alleys alike.

Barnes took a few minutes away from writing the new series to tell us about the return of The Falcon.

Marvel.com: What’s it like kicking off the FALCON ongoing series on the back of the character becoming more high profile than ever before?

Rodney Barnes: It’s exciting, anxiety-creating, and an honor all at once! I grew up reading the Falcon when he teamed with Captain America so being a part of his adventures at this point in time ticks off a bucket list endeavor for me.

Marvel.com: How would you describe the essence of Sam Wilson?

Rodney Barnes: He’s a leader and a patriot; those two aspects of him must be omnipresent in any storyline. He’s confident, but realistic in regards to the task at hand.

The work comes in making sure there’s a human being behind the mask and not a “perfect” person. We all have flaws, but super heroes operate from a higher place so finding balance will always be the key.

Marvel.com: What role does Falcon play in the Marvel Universe as this story begins?

Rodney Barnes: This goes back to your first question. He’s at the highest profile of his career. Having been Captain America, leader of the Avengers, and having been front and center during the events of Secret Empire, the whole world has an awareness of him. He’s no longer the sidekick I knew as a kid.

Although he’s viewed as a prime time player by his peers and the public, in his own mind Sam doesn’t want the everyday problems of everyday people to get lost in the shuffle of the higher profile events he’s now associated with.

Marvel.com: Where do we find Sam’s state of mind at the start of this book?

Rodney Barnes: Sam feels a need to reconnect with the issues that moved him to become a super hero in the first place. He wanted to help people, so he’s taking a grassroots approach to doing just that. The new costume acts as a symbol of that desire. It’s a new look—not identifiable with the hats he’s worn as of late. He’s proud of his time as Captain America, but it felt like an act of duty as much as a goal he sought after. He’s most comfortable as The Falcon and reconnecting with his former persona feels like coming home.

Marvel.com: What can you tell readers about his new partner The Patriot?

Rodney Barnes: He’s a fun character. Having written the story where he began his career—SECRET EMPIRE: BRAVE NEW WORLD #2—Patriot captures the mindset of a current day hero. He’s motivated by the same desire to help people as any other super hero, but he sees the world from today’s fast paced, optimistic, millennial mindset. He’s not only learning to be a hero—he’s growing up at the same time. And his points of view are being tested by the trials and tribulations of the heroes’ journey.

Marvel.com: Your opening arc pits Wilson against Blackheart. What made Blackheart an appealing choice for this storyline?

Rodney Barnes: It felt different. I knew I wanted to discuss gangs and issues of race and culture, but I didn’t want to be predictable by telling a one dimensional story. Blackheart acted as the right choice because, while he’s not someone like Mephisto, he’s still more powerful than those trying to stop him.

He’s second tier on the dark magic totem pole, so he fit the role of antagonist I needed for the story I wanted to tell. Blackheart’s presence gives me the opportunity to blend genres—I’m not just telling a story of current social ills. I’m not straying so far from the Marvel Universe that the story becomes medicine.

Marvel.com: How would you describe the tone of the book? And how does artist Joshua Cassara help create that feeling?

Rodney Barnes: The tone feels both grounded and mystical. We’re operating in the hard scrabble streets of the South Side of Chicago. Then again, we’re in hell. So it’s not something I’ve ever seen before.

I can’t say enough about Josh. He’s fantastic! He blends worlds better than I could’ve ever imagined. He’s been the perfect collaborator. I’ve never worked on an ongoing comic before but I can’t think of a better partner in this venture. I had the pleasure of meeting him at San Diego Comic Con and we had a blast talking about all of the visual possibilities of our journey with Falcon. It’s been a highlight of this experience for me. I love the guy.

Marvel.com: Lastly, what would you say directly to fans to persuade them to pick up this title? What makes FALCON a can’t-miss?

Rodney Barnes: This adventure will be one of the most personal in the history of The Falcon. He’ll have to battle a demon set on conquering mankind as well as the demons that have haunted his own psyche. If you’ve ever wanted to see the Falcon tested beyond anything he’s ever faced, this book’s for you!

FALCON #1, by Rodney Barnes and artist Joshua Cassara, takes off on October 11!

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