Look through an exclusive gallery of the new photography covers!

New issues of MOON GIRL AND DEVIL DINOSAUR are set to introduce Lunella Lafayette to the real world!

For the covers of issues #32-#36, series artist Natacha Bustos has teamed up with photographers Rachel Orlow and Judy Stephens for a mixed media approach to comics. Illustrating over photos of a few New York City locales (including Marvel HQ!), the artist brings an entirely new flavor to the covers of Brandon Montclare and Bustos’ MOON GIRL AND DEVIL DINOSAUR.

“The next arc of MOON GIRL AND DEVIL DINOSAUR, titled ‘Save Our School,’ is shaping up to be our biggest yet—with ramifications for the larger Marvel Universe as well,” says series editor Chris Robinson. “We wanted to signify Lunella’s expansion into this larger world by dropping her into the real world with these incredible photo covers!”

Flip through a few of the covers—as well as the unedited photos they’re based on—right here!

“In the beginning, I worked with some photos from my last visit to New York and started sketching basic ideas for the cover to let the team see the idea,” explains Bustos. “From then on, the brainstorming was continuous, especially on Chris’s side, who came up with great concepts to introduce the new characters—like Princess, who will have a very relevant role in the plot, or the not-so-new Wrecking Crew. The process of creating each cover ended up being very collaborative.”

Marvel Vice President & Creative Executive of New Media Ryan Penagos—an unassuming figure on the cover of issue #33—says, “When Chris approached me for the cover I feigned shyness, batted my eyelashes, and said yes. When he told me it was for MOON GIRL AND DEVIL DINOSAUR, I probably made a slightly uncomfortable noise of delight because Devil Dinosaur is one of my favorites and the Moon Girl series has been so good. And, ultimately, I’m just happy they didn’t edit out my mustache.”

And on the image she snapped of Ryan, photographer Judy Stephens says, “I thought about editing out the mustache, but decided against it at the last minute. Ryan, you’re welcome.”

“More and more people are becoming fans of MOON GIRL AND DEVIL DINOSAUR, and we believe that we should strive to offer them an increasingly fresh and surprising comic,” summarizes Bustos, “It’s been an exciting challenge to bring these covers to life!”

Catch the photography covers of MOON GIRL AND DEVIL DINOSAUR, by writer Brandon Montclare and artist Natacha Bustos, starting this summer!

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'Marvel's Moon Girl and Devil Dinosaur' is currently in development.

If this past weekend’s release of Marvel Studios “Black Panther” has taught us anything, it’s that brilliant young girls run the world. Lunella Lafayette, it’s time for you to take center stage!

Marvel TV today revealed that “Marvel’s Moon Girl and Devil Dinosaur” (working title) is in development. Based on the hit comic book series, the animated project follows the adventures of nine-year-old super-genius Lunella Lafayette, an African-America girl who teams up with her crimson-colored dinosaur and uses her smarts to save the day. Lunella, A.K.A. Moon Girl, was created by Brandon MontclareAmy Reeder, and Natacha Bustos (and colored by Tamra Bonvillain) in 2015—and the world’s smartest person hasn’t looked back since!

“Marvel’s Moon Girl and Devil Dinosaur” is being produced by Marvel Animation and Cinema Gypsy Productions (Laurence Fishburne and Helen Sugland, producers of “black-ish” and “grown-ish”) with visual and animation development services by Titmouse, Inc. The animated project is in consideration for a Disney Channels Worldwide series.

Want to know more about the smartest there is in the Marvel Universe, head over to Marvel Unlimited or stop by your local comic shop and read the source material!  

Moon Girl and Devil Dinosaur (2015) #1

Moon Girl and Devil Dinosaur (2015) #1

What is Marvel Unlimited?

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What do The Smartest There Is, the Thing, and the Human Torch have in common?

With Devil Dinosaur returned to his own time, Lunella has had to carry on saving the day on her own. And with Reed and Sue Richards still M.I.A., The Human Torch and the Thing have also suddenly found themselves as half of a super hero team. So what has Lunella learned from Ben and Johnny? How have they influenced her as her? And what’s in store for these three moving forward? We caught up with writer Brandon Montclare for more insight on MOON GIRL AND DEVIL DINOSAUR #27, which is now on sale!

Marvel.com: The Thing has always shown up as a counterpoint for Lunella. He’s not the brainiest hero, but he has heart and determination. Would you say he has shown Lunella that there’s more to being a hero than just book smarts?

Brandon Montclare: The Thing is one of my favorite characters as well as a great character to write. He’s got a worldview! As far as his  relationship with Moon Girl, he’d be the first one to admit he’s the brawn to her brains. But she very much recognizes a kind of smarts in Ben Grimm: Yancy Street smarts. They grew up on the same Lower East Side block, albeit a generation apart. So she respects him in a lot of ways, and a lot more than some of the Marvel Universe brains she’s encountered. That being said: she doesn’t show it too often. She likes keeping The Thing on his (four) toes.

Marvel.com: Similarly, Human Torch’s approach to heroism differs quite a bit from Lunella’s. He has a brashness, and he’s a little more action-oriented, whereas Lunella takes a more scientific and analytical approach. Do you think she has gained any insight from him?

Brandon Montclare: Moon Girl doesn’t can’t take Human Torch seriously. The guy saves the world countless times, and still she thinks he’s a bit of a dope! It’s definitely not fair, but Lunella always had trouble properly relating to people. So in “Fantastic Three” Natacha Bustos and I show Johnny being a hothead. We also show him being a hero; sometimes the most thoughtful of the bunch. The readers, I’m sure, tell the difference between his heroic strengths and shortcomings. Part of the fun about Lunella, however, is that she’s stubborn and misses a lot of things. She’s learning, though!

Both Human Torch and The Thing are interesting visually. There are few super heroes more dynamic than Human Torch. It’s a new kind of visual for Natacha [Bustos]. And Tamra Bonvillain gets to “Flame On” with colors. Also, The Thing is one of the best character designs in the medium. And while he’s not a 30-foot dinosaur, Ben’s a big guy — so that’s given Natacha opportunities to juxtapose him with Lunella. In fact, the – literally — elemental designs and visuals of the Fantastic Four are something I definitely would never let go to waste. Even though “the Fantastic Four are no more,” readers have already seen hints of all four of their power sets. And more is coming! Tamra’s color choice is very idiosyncratic. And always very smart. When it comes time to reveal the Fantastic Four blues, it’s like you’ve never seen that shade of blue in this world before. That’s a special talent.

Moon Girl and Devil Dinosaur (2015) #27

Moon Girl and Devil Dinosaur (2015) #27

Travis Lanham always has a lot of letters styles in Moon Girl and Devil Dinosaur. In addition to people talking, there’s a lot of narration. There’s also a lot of characters we need to “sound” different. Travis gave Devil Dinosaur his voice –and that was very important. You need every trick in the comics tool box to make “Mroo?” mean something to readers. In Fantastic Three, we have robots, cosmic beings, and more surprises. The letters have been on point.

Adding Galactus and Silver Surfer is probably too much, to be honest. Given the opportunity, however, I couldn’t possibly resist. Marvel artists have been making Galactus and Silver Surfer look cool for half a century. Whenever I’m plotting a new arc, fundamental are opportunities to be visually interesting for the artists. With Natacha doing the line work–ideas are often first. “Wouldn’t it be cool to see Nat draw the Fantastic Four?’” Then hopefully I can also come up with a good FF story!

Marvel.com: Also, with everything that has happened with the FF, has it changed how they relate to Lunella? I think maybe they understand her feelings of being an outsider a little more. And they gave her a bunch of Reed’s old things — it seems like they’re hoping she can maybe carry on his legacy.

Brandon Montclare: That Human Torch and Thing look to Moon Girl to continue the Fantastic Four legacy is a big part of the story. It launches the action, and informs everything. What all three have in common is a recently broken family. Moon Girl has returned Devil Dinosaur to his prehistoric home; Mister Fantastic and Invisible Woman are lost, leaving only half of a Fantastic Four. So they all get what the others are feeling — there’s no shortage of empathy. But families take time.

Another part of Legacy, of course, is Moon Girl becoming integral to the Marvel Universe. She’s the smartest person in the world. That has consequences, and expectations to live up to.

Marvel.com: Could you tease a little about what kind of threat we can expect to see from the Omnipotentis and what inspired your creation of it? 

Brandon Montclare: Omnipotentis! There’s a story behind that character’s creation. Focusing on the remaining members of Fantastic Four, I had pencilled in Galactus as the threat for the story. But as Ultimates readers know, Galactus has had some changes — and now he tries to bring life instead of death. I thought that was a cool angle. And it inspired a twist: what if Galactus was coming to Earth to warn humans of a pending catastrophe? Galactus used heralds like the Silver Surfer to portend his coming. So what if Galactus was himself a herald for something bigger? A Galactus for Galactus.

And from there we came up with Omnipotentis. My only note was it should look related to Galactus. Natacha came up with the rest — including making it a female cosmic entity.

Here’s some of her designs I think we can share. Natacha working through the visuals. You’ll have to wait for issue #28 to see the final Omnipotentis!

Brandon Montclare and artist Natacha Bustos’ MOON GIRL #27 is available now!

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The series receives two Diamond Gem Award nominations!

Every year, Diamond Comic Distribution’s Diamond Gem Awards recognize the comics and graphic novels that have most helped the industry grow over the previous 12 months. And this year, Marvel.com would like to celebrate MOON GIRL AND DEVIL DINOSAUR for receiving nominations in the categories of Best All Ages Series and Best All Ages Original/Reprint Graphic Novel!

Lunella Lafayette, A.K.A. Moon Girl, was created by Brandon Montclare, Amy Reeder, and Natacha Bustos in 2015—and the world’s smartest person hasn’t looked back since! In response to the nods, series editor Chris Robinson cheers, “It’s no surprise that MOON GIRL AND DEVIL DINOSAUR continues to bring Marvel fans young and old into comic shops, whether they prefer trades or single issues. Kudos, of course, to the series’ creative team, writer Brandon Montclare, artist Natacha Bustos, colorist Tamra Bonvillain, and letterer Travis Lanham—but let’s not forget the wonderful staff at local comic shops everywhere who evangelize the series every month. Thanks y’all!”

The Diamond Gem Award nominations stand as the latest testament to the unique joy, power, and excitement that MOON GIRL AND DEVIL DINOSAUR provides in every issue—in 2016, the series took home a Glyph Comics Award for Best Female Character. The Glyphs recognize outstanding comics made by, for, and about people of color.

As The Smartest There Is in the Marvel Universe, Lunella Lafayette uses her mighty mind, love of science, and best dino pal to save the day as she continues to grow and learn about what it means to be a hero. If you haven’t picked up this one-of-a-kind series, stop by your local shop to find out more!

MOON GIRL AND DEVIL DINOSAUR #26 is on sale now! And, on January 31, read writer Brandon Montclare and artist Natacha Bustos’ MOON GIRL AND DEVIL DINOSAUR #27!

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Brandon Montclare introduces Galactus to the newly-minted Fantastic Three!

The arrival of The Silver Surfer and Galactus signals dark fortunes for any planet. And now that the cosmic duo have showed up on the Lower East Side, Lunella Lafayette and her new pals Johnny Storm and Ben Grimm must respond.

On December 27, writer Brandon Montclare and artist Alitha Martinez’s MOON GIRL AND DEVIL DINOSAUR #26 will put the combined might of Moon Girl, The Human Torch, and The Thing to the test. Especially when they learn that Galactus and Norrin Radd have come to warn them that something even more dangerous might be on its way.

How will the trio answer the call? We spoke with Brandon to find out.

Marvel.com: Tell us a little bit about what the reunion between Galactus and The Silver Surfer might look like!

Brandon Montclare: What’s old will be new again—because the Eater of Worlds and the Sentinel of the Spaceways are working together on a joint-mission. And just like their first appearance in FANTASTIC FOUR #48, it’ll be bad news for Earth. But, that being said, Galactus isn’t the bad news himself. Instead, he carries a warning.

It’s fun to simultaneously flip, as well as expand, Galactus’ traditional role. He’s on Yancy Street to tell Moon Girl that a more powerful, mysterious entity is approaching. So that makes Galactus the herald for…someone big you’ll see in upcoming issues!

Marvel.com: How does the Surfer feel about Galactus at the moment?

Brandon Montclare: Silver Surfer is cool. He maintains that California (by way of Zenn La) mellow vibe. So he and Galactus aren’t at odds. The gravity of their news seems big enough to put aside their differences.

But then there’s Moon Girl. Lunella can get under anyone’s skin—even Silver Surfer’s. And Human Torch and Thing don’t feel too cool about the Silver Surfer either. The pair have an ongoing grudge. So, some sparks will fly. But the “Fantastic Three” storyline is about more than just Moon Girl, The Thing, and The Human Torch. It’s about coming together to save the world. They’ll need Galactus and Silver Surfer to be a part of that. And others too!

Marvel.com: How does Moon Girl respond to the situation? 

Brandon Montclare: The Thing and The Human Torch are trying to get over their shattered family—they recently lost Invisible Woman and Mister Fantastic. And Devil Dinosaur got sent home to the prehistoric Valley of Flame in MOON GIRL AND DEVIL DINOSAUR #23—so Moon Girl doesn’t have a partner. The three hope they can combine their broken pieces. And as soon as this new super team forms, Galactus appears. He knows Mr. Fantastic has disappeared, so he has to find the new Smartest Person in the World. That’s Lunella Lafayette, of course, and she’s not at all what Galactus expects!

Marvel.com: How do Ben and Johnny feel about the appearance of one of their most iconic nemeses?

Brandon Montclare: We see very soon that they still don’t trust Galactus—even though he’s now a golden titan with the power to bring life. And even though they’ve teamed with Silver Surfer many times—including the issue after he saw his introduction as a villain—they don’t trust him too much either. But for them it’s not rational, it’s heart and ego. Mr. Fantastic acted as the rational member of the team. And Invisible Woman held it all together. The Thing and The Human Torch are both hotheads and find themselves in a lot of misunderstandings. Ben Grimm and Johnny Storm weren’t the brains of the Fantastic Four. So Moon Girl comes in—but she’s not Mr. Fantastic. A new dynamic hashes itself out. And with super powered folk, that means there will be some throwdowns!

And like so many of these comic book contests: Moon Girl, The Thing, The Human Torch, and The Silver Surfer soon realize they need to stop fighting and instead team up to combat a bigger threat.

MOON GIRL AND DEVIL DINOSAUR #26, by Brandon Montclare and artist Alitha Martinez, goes galactic on December 27!

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Writer Brandon Montclare dishes on the Fantastic Three for Marvel Legacy!

written by Dominic Griffin

Lunella Lafayette first crossed paths with a member of Marvel’s First Family when she met Ben Grimm back in issue #14 of MOON GIRL AND DEVIL DINOSAUR, but now she’ll be joining forces with The Thing and ol’ Flamehead himself, The Human Torch!

On November 22, writer Brandon Montclare and artist Natacha Bustos jump into Marvel Legacy with a new Fantastic Three in MOON GIRL AND DEVIL DINOSAUR #25! When The Silver Surfer returns to Manhattan in advance of a cosmic threat, Lunella steps up for the job, but without Devil Dinosaur by her side, she needs some help. And that’s where Johnny Storm and Ben Grimm come in!

We spoke with Montclare to hear more about this unlikely trio.

Marvel.com: Since Lunella has taken the “smartest person on the planet” crown from Reed Richards, having her interact with the two Fantastic Four members who aren’t missing seemed like a no brainer, right?

Brandon Montclare: Precisely. It all lined up. And I think that happens because MOON GIRL AND DEVIL DINOSAUR has a lot of thought put into it. Even though a kid can read and enjoy it as much as an adult, it’s really layered. That doesn’t just come from me; that comes from the whole creative team. And when you have that kind of dedication, it creates an internal consistency where new things fit as if by magic!

But most of all, the FF leftovers are missing their brains—and now Moon Girl is missing her brawn. So it makes sense on paper! But Natacha and I have to make it make sense on the page.

Marvel.com: When you first created this character, did you know from the outset what kind of legacy characters she’d be likely to interact with?

Brandon Montclare: Not really. I always appreciated that Devil Dinosaur started as one of Jack Kirby’s many babies. Not the most loved! But he came from the King. So that became the inspiration for putting Lunella Lafayette on Yancy Street—as a nod to Kirby’s fictionalized version of the real Delancey Street where he grew up. So I like Lunella growing up there too. And Yancy Street leads to, of course, The Thing. But when I helped create Moon Girl with Amy Reeder and Natacha Bustos, we didn’t have the idea yet that she would be the smartest person in the world. That came to me later, and Marvel supported it. At first, she was just a typical genius! I say typical, because there’s a definite Marvel legacy of Bruce Banner, Peter Parker, Hank Pym filling that role. But Reed Richards, to my mind, acted as the prototype. So I think all that stuff pointed us toward a connection with the Fantastic Four.

Marvel.com: Can you talk a little about the chemistry Lunella has with Ben and Johnny?

Brandon Montclare: MOON GIRL AND DEVIL DINOSAUR #14 (guest starring The Thing) felt like the most fun for me to write. So I was happy to get back there. Chemistry in these situations becomes as much (actually, probably more) about their personality conflicts than their teamwork. Again: they hail from the same neighborhood, but have had totally different experiences (and exist at least a generation apart). Plus, they’re natural opposites. So I love the dynamic. And for the Legacy arc, I can take them in a new direction. They both miss big parts of their families, so it becomes an opportunity to bond.

As for The Human Torch, he’s fun too. I like writing him and Ben bouncing off each other. I’m definitely awed by this one short story in MARVEL FANFARE by Barry Windsor-Smith about the two of them. It’s so good that it’s intimidating! But luckily most people haven’t read it. So it just acts as motivation for me to do even better with these two members of the Fantastic Four.

Marvel.com: Do you thinkif Lunella had been created earliershe’d have been a good fit for the Future Foundation?

Brandon Montclare: No. Sometimes I default to being contrary…and Future Foundation will always be something I can’t disassociate from Jonathan Hickman…but nonetheless it wouldn’t work story-wise. Lunella has been overlooked her whole life—it’s a big part of who she is. So while she wanted to get into the Future Foundation, or anyplace other than the school she resents—that never happened. It didn’t help her social skills, but it did create a certain kind of self-reliance.

Marvel.com: We know you can’t spoil anything, but can you give us a tease as to where this team-up might be headed?

Brandon Montclare: I can say it will head to Galactus and Silver Surfer—so that’s awesome. A blast from FF past. Lots of FANTASTIC FOUR Easter eggs. And a surprise character returns. But I think the best part of working for Marvel is being a part of the big universe. So I want to tie her into FANTASTIC FOUR lore. Marvel Legacy feels very personal to me. I grew up on Marvel. And to contribute something lasting to this Universe scratches just about all the itches I have.

Before Fantastic Three, Lunella was already becoming a big part of the world: a counterpoint for the Inhumans, sympathy with the X-Men, the world tour of heroes in “The Smartest There Is.” Fantastic Three and Legacy just cement her into the ongoing continuity, which gets mirrored in both the story and my experience writing it. It couldn’t have worked out better if I’d planned it.

Catch the team-up in MOON GIRL AND DEVIL DINOSAUR #25, by Brandon Montclare and artist Natacha Bustos, on November 22!

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Tamra Bonvillain balances the Thing and Human Torch with our hero!

Two of Marvel’s most beloved heroes will join up with one of its biggest brains as The Thing and Human Torch form a new team with Lunella Lafayette in MOON GIRL AND DEVIL DINOSAUR #25, coming November 22. The title character recently lost her crimson companion, so the two Fantastic Four members will try to take his spot as Silver Surfer and Galactus pay Earth another visit.

As Lunella joins a new team, the MOON GIRL squad continues to roll ahead at full steam thanks to writer Brandon Montclare, artist Natacha Bustos, and colorist Tamra Bonvillain. We talked with Bonvillain about the challenges offered by the book’s very different new additions, continuing to work with her team, and some in-depth coloring tips and tricks.

Marvel.com: The Thing has such a textured look. Does that offer any specific challenges when coloring his scenes?

Tamra Bonvillain: Not too much. I feel like Natacha’s done most of the heavy lifting giving it that textured look. I do approach it a little differently in that I’ll try to stay within the individual rock bits to give the coloring kind of a faceted look. If we were doing things in a more realistic type style, I’d do more textural stuff, but this seems to work pretty well for the cartoony world in our book.

Marvel.com: Along similar lines, Human Torch must throw off all kinds of light. How is it keeping track of those light sources while coloring?

Tamra Bonvillain: I work in Photoshop and I keep all my rendering layers for different things separate. If there’s different colored lighting in a scene, they each have their own layer for me to manipulate, so I just kind of treat them one at a time. For example, if Human Torch is near stuff, I’ll use the orange light layer I have to light those objects, and use the other layers to light up different bits from other angles. Sometimes the lighting might overlap a little, but that’s okay, because the effects will interact with each other to create the right effect.

Marvel.com: The Silver Surfer will also make an appearance in the book. Are there any special tricks to making him look appropriately shiny?

Tamra Bonvillain: With metallic surfaces, I try to give it more exaggerated contrast. You’ll have dark forms right up against extreme, bright highlights, and since he’s all metallic, I carried that over his body.

Marvel.com: With all of these physically different characters around, how do you make Lunella stand out?

Tamra Bonvillain: When I render, I try to do figures or groupings of objects at one time. So when rendering Lunella, I have her whole figure selected, and the background is another selection, and foreground elements a third. There may be more sections broken down depending on the complexity of the scene. I always do my best to make these things all separate out from one another, and of course, Lunella or who or whatever the central focus is of that panel should stand out the most.

There’s different ways to accomplish that, primarily through value, color, and saturation. Value is lightness and darkness. So, say Lunella is against a light background, you’d want her to appear darker against that. You can contrast colors by picking colors that are more opposite on the color wheel. Say Lunella is against a blue sky; that works because of the warm tones of her skin, and if possible, I can work that into her clothing.

Characters move from scene to scene and that doesn’t always line up that way so conveniently, so you can tweak a figure overall to give it a different color feel to the background while maintaining the consistency of a character’s outfit. Saturation refers to the intensity of the color. If Lunella was against a kind of gray or muted background, you could then amp up the color saturation on her to help stand out, or vice versa. You can use each of these things and in combination to alter contrast further. There are other ways to achieve this, but that’s primarily the factors I’m thinking about in color.

Marvel.com: How has it been working with Team Moon Girl up to this point?

Tamra Bonvillain: Everything has been great! It’s a joy working on Natacha’s line art, and [former writer] Amy [Reeder] and Brandon have always given us fun characters and locations to create. I feel very fortunate that I was given this opportunity from [editor] Mark [Paniccia] when MOON GIRL started a couple years ago. Both he and our other editor, Chris [Robinson], have always been easy to work with, and while I do’’t have as much interaction with [letterer] Travis [Lanham], his lettering is a great fit for the book.

MOON GIRL AND DEVIL DINOSAUR #25 by Brandon Montclare, Natacha Bustos and Tamra Bonvillain gets even more fantastic on November 22.

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Writer Brandon Montclare on the bond between Lunella and Devil!

Lunella Lafayette’s relationship with her omnipresent sidekick, Devil Dinosaur, has—slowly—evolved since her earliest excursions across the Marvel Universe. After first being forced into a pairing without a choice in the matter, the two have recently matured into…friends?

On September 27, writer Brandon Montclare and artist Natacha Bustos tell the next chapter of this strange duo’s story with MOON GIRL AND DEVIL DINOSAUR #23!

We spoke with Brandon to get a greater perspective on these to unlikely buddies.

Marvel.com: When the Terrigen Mist first gave Lunella the ability to switch bodies with Devil Dinosaur, she often got annoyed—and essentially described him as a stupid beast. But that’s all changed. How does she see him now?

Brandon Montclare: Simply put, Devil Dinosaur has caused Moon Girl to change her perspective on a whole lot of things. Their adventures have caused her to re-evaluate him. Devil Dinosaur has certainly proven himself to be an able partner; his strength complements her smarts when they need to save the world.

All of this opened Lunella’s eyes, but there’s a more important thing she discovered: Devil Dinosaur became her first real friend. He’s not only someone who helps her on missions—he’s actually inseparable from her in every aspect of her life. And Lunella still has a lot to learn about the world and herself. I think Devil Dinosaur taught her that things change—and that her first reactions and deductions might not always reveal the whole picture.

Marvel.com: What, in particular, has caused their relationship to grow? They’ve been through a lot together!

Brandon Montclare: Probably just proximity! Moon Girl can’t get rid of Devil Dinosaur. This is, of course, amplified when they switch minds every full moon. They were forced to get along and make a working relationship. And that blossomed into a super team! And, at this point, it might destroy them both if they ever had to split.

Marvel.com: How does Devil Dinosaur feel about Lunella?

Brandon Montclare: What’s great about Devil Dinosaur is that he doesn’t change; he’s a constant source of loyalty for Lunella. Even though she’s smart—The Smartest There Is, in fact—she has a hard time understanding people. There are others in her life who would support her unconditionally, but she’s pushed them all away. But you literally can’t push away ten tons of Tyrannosaur. Devil Dinosaur embodies loyalty. And reliability.

So as much as Devil Dinosaur changed Lunella, Lunella doesn’t really change Devil Dinosaur. He’s a constant. I guess an advantage of being a dinosaur is not having to bother with complexities and anxieties and (pun intended) evolution. Although teleported a few million years to our present, I don’t think any amount of time changes Devil Dinosaur’s pure nature.

Marvel.com: In some ways, these two are opposites—Lunella relies on her intelligence and Devil Dinosaur on his strength. In other ways, they’re pretty similar—they both have an endearing stubborn streak. How do these dynamics impact their friendship?

Brandon Montclare: It’s great to work with opposites in storytelling. You can source a lot of dramatic tension from those natural conflicts. And when these things get smashed together, you’re left with a shade of grey that reveals maybe the two opposites were never that different. It’s a push and pull that the creative team gets to play with every month.

Both characters started with very opposite views on friendship. For Devil Dinosaur, it’s a default—if you’re reasonably deserving. For Lunella, friendship is suspect and she avoids any semblance of making friends—probably because, deep down, rejection really does hurt her. But as much as she doesn’t think she needs it (she has “more important” things to do), like any other little girl, she wants accepting friends more than anything. So this isn’t a place where the two meet—but Devil Dinosaur pulls her more to the middle where she can at least have one friend. He isn’t perfect. He isn’t even human. But he’s a start!

Marvel.com: What else can you tell us about the upcoming issue?

Brandon Montclare: Natacha Bustos hammers it every issue—this Girl-Moon arc, especially. These issues showcase her unique sensibilities—they make you laugh, they pull your heartstrings, and they wow your eyes.

For each issue, the fountain of ideas can make it difficult for everyone to pick one concept and go with it. And when the finished covers start piling up, it’s hard to pick a favorite. Every book is unique, but MOON GIRL AND DEVIL DINOSAUR might be a little more different than the average monthly comic. And having Natacha demonstrate that feel continues to be something special.

MOON GIRL AND DEVIL DINOSAUR #23, by Brandon Montclare and artist Natacha Bustos, drops September 27!

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Writer Brandon Montclare dives into Marvel Legacy with Lunella Lafayette!

Lunella Lafayette, A.K.A. Moon Girl, holds a special place in the Marvel Universe. Having joined classic character Devil Dinosaur back in the action, she consistently conspires to challenge tradition—specifically in her unlikely role as the smartest person on the planet.

As Marvel Legacy gears up, we find Lunella poised to make some big moves in writer Brandon Montclare and artist Natacha Bustos’s MOON GIRL AND DEVIL DINOSAUR #25 on November 22!

In preparation for the Legacy initiative, we sat down with Brandon to hear a little more about what to expect from Moon Girl and her prehistoric pal.

Marvel.com: The cover for issue #25 references the classic cover of FANTASTIC FOUR #49—and the story arc is called The Fantastic Three. What can you tell us about the link between Moon Girl and the Fantastic Four?

Brandon Montclare: There’s a whole lot of background connecting Moon Girl to the Fantastic Four. It was always important to have her fit right into the Marvel Universe…and whenever you do that, you’re going to touch upon the Fantastic Four. Lunella Lafayette lives on Yancy Street—the neighborhood has changed, but it’s still the home turf of The Thing. Lunella is also the smartest person in the world, having surpassed even Mr. Fantastic.

For Legacy, we didn’t really have an older book to connect to. DEVIL DINOSAUR from the 1970s only lasted nine issues, so we can’t go back and re-do issue #10!

And as for the story: Moon Girl, The Thing, and Human Torch are not used to being alone. They’re missing “family” members, so they are going to try to fill the gaps.

Marvel.com: We’ve seen Lunella working with the SECRET WARRIORS, and now MOON GIRL AND DEVIL DINOSAUR jumps into Marvel Legacy. Lunella’s world continues to grow as she becomes a more significant part of the Marvel Universe—what’s that like to write?

Brandon Montclare: When Marvel approached me to do some writing, getting to be a part of the Marvel Universe appealed to me more than anything. So even though Moon Girl was only recently created, the whole point is to have her make an impact on that broader picture. Very few things make me happier than seeing her appear outside of MOON GIRL AND DEVIL DINOSAUR. It’s fun to see [writer] Matthew Rosenberg and [artist] Javier Garron play with her in SECRET WARRIORS because she’ll do things there that Natacha Bustos and I never dreamed of.

As for Legacy: yeah, it’s going to be fun. It’s about all the characters I loved as I grew up—and now it includes a character I created. The story will be awesome—but just seeing her on the promo poster is a blast.

Marvel.com: By positioning Lunella—a young girl—as the smartest person in the Universe, the book both honors Marvel’s traditions and moves them forward. Naturally, the book has a really interesting part to play in Marvel Legacy—what can you tell us about that?

Brandon Montclare: Marvel Comics have always been Marvel Legacy. The characters reflect the changing world around them—but they also maintain core concepts that never change. Thousands of characters and thousands of creators over decades of stories. It’s modern myth-making; it’s as much about new ideas as it’s about keeping up tradition.

So it makes sense to have a classic character give a boost to something new. But I’m very proud our book shows how the opposite can also be true; I think Moon Girl gave a big boost to Devil Dinosaur. It re-introduced him to new readers and gave him a role to play in the current continuity.

I think a character like Moon Girl brings some needed balance to the mix; when you have the opportunity to create a new character, you’re likely to think about what’s underrepresented.

Marvel.com: What else can you mention ahead of issue #25?

Brandon Montclare: In addition to being a part of Marvel Legacy, The Fantastic Three is the fifth arc of MOON GIRL AND DEVIL DINOSAUR. I’m lucky to work with Natacha Bustos, [colorist] Tamra Bonvillain, [letterer] Travis Lanham, [Editors] Mark Paniccia and Chris Robinson, and many others—all of us give our best to the book.

The Legacy story arc, beginning with an anniversary of sorts in issue #25, evidences that our attention to awesome storytelling has found an audience. The support and enthusiasm for readers is, in my view, the most impressive part of contributing to this comic.

Brandon Montclare and artist Natacha Bustos light up Marvel Legacy with MOON GIRL AND DEVIL DINOSAUR #25 on November 22!

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Writer Brandon Montclare discusses introducing a Kirby Classic to a new generation.

Join us this month to celebrate Jack ”King” Kirby’s 100th birthday by learning about the characters and stories he created to change comics forever. To commemorate Jack’s centennial, we’ve sat down with the modern-day creators he influenced—and the decades of work he gifted us all.

There’s just no denying the appeal of a giant Jack Kirby-created monster!

Cullen Bunn recently took time to discuss what made Jack Kirby’s 1978 DEVIL DINOSAUR series such an important run to him as a kid. He and Brandon Montclare clearly agree on the finer points of Moon Boy’s former pall as the latter currently writes MOON GIRL AND DEVIL DINOSAUR.

Montclare and Amy Reeder launched the book as co-writers with artist Natacha Bustos last year. Like Kirby’s original, this series took a new approach to the odd couple idea by uniting the crimson carnivore with a young woman who not only happened to be a genius, but also of Inhuman decent who wanted nothing to do with the Mist-producing change.

Now, the series continues with Montclare and Bustos as Lunella Lafayette continues to learn more about herself, her unique partner and the wild world around him. We talk with Monctlare about digging up the dino, learning from the master and experiencing Kirby’s work for the first time.

Marvel.com: Do you remember the first Jack Kirby book you were aware of? Did it take you a while to get into his style or did you take to it right away?

Brandon Montclare: Jack Kirby was, of course, before my time. But when I started reading comics in the mid-80s, and lucky enough to live in NYC, I had access to comics stores and back issues. Simultaneously, there was no trade paperback market. So like every little kid reader, you were aware of the King – but there were not too many opportunities to read him. The first work I would have been aware of would be up on a comics shop wall and in Mylar, beyond what I could afford. That being said: he was so stylized that Kirby was probably the first artist I could identify by eyeballing it. But it would be years later that I started to appreciate it.

Marvel.com: Devil Dino wasn’t necessarily one of Kirby’s more iconic creations. When you and Amy began working on MOON GIRL & DEVIL DINOSAUR, what made you want to look back and use this Kirby creation?

Brandon Montclare: We definitely wanted to work with an obscure Marvel character. What you lose in popularity and perceived marketability, you gain in creative control. Kirby casts a huge shadow over everything he does, but we thought Devil Dinosaur might be a little… less huge! Creatively, we wanted to really distance ourselves from the Dinosaur World adventures of a T-Rex. And we definitely did that, but it wasn’t a rejection. I think we honor Kirby’s pioneering originality by making Devil Dinosaur our own thing. And we love and use some of the core concepts of the 1970s book; moreover, putting Lunella Lafayette on the same (fictionalized) Yancy Street on the Lower East Side where Kirby grew up 100 years ago wasn’t an accident.

Marvel.com: DEVIL DINOSAUR was part of Kirby’s 70s Marvel work which has a very unique tone and outlook. Has that influenced your series?

Brandon Montclare: It’s definitely an influence, although, maybe it’s not always seen on the surface. Kirby’s 70s work was pure adventure and surreptitiously sophisticated storytelling – that one obvious and not-so-obvious thing I try to emulate. It was a very unified, professional vision. The subject matter was delightfully bonkers, but it was finely executed. I think that’s overlooked in a lot of Kirby stuff – just how consistent and considered he was at drawing as well as writing.

Marvel.com: Though he doesn’t speak, Devil Dinosaur seems to have a very specific character. What were the key aspects you wanted to carry over into MOON GIRL & DEVIL DINOSAUR?

Brandon Montclare: It was probably an old trick when even Kirby was using it, but a lot of how you get Devil Dinosaur to communicate to the reader is having it bounce off of the human character. Moon Boy, I think it’s safe to say, might have been included to help flesh out the big, red thunder lizard! We flip that in our book: we use Devil Dinosaur’s basic, animal nature to help show the more complicated Moon Girl. But we still need to make a dinosaur tell a story! And that’s down to the magical cartooning of Natacha Bustos. She makes a T-Rex have human qualities — happy or sad; subtle or demonstrative. It’s an amazing book visually, which is the least we can do with a Kirby creation.

Marvel.com: The series also revolves around Lunella, of course. Would you say there’s any thematic connections between her and Moon Boy?

Brandon Montclare: No. Not really! Lunella has a lot of influences, but Moon Boy simply wasn’t very fruitful for our purposes. But they are both outcasts, although in different ways. They do present the same visual storytelling challenges of getting a 4-foot and 30-foot character to interact again and again and again! Lunella does take a ton from classic Marvel characters that Kirby co-created with Stan Lee. Again, it’s not an accident she grew up on Yancy Street. Nor is it an accident that she was an awesome scientist before she becomes a super-hero.

Marvel.com: How has it been for you bringing him into a new era and giving him new life?

Brandon Montclare: It’s been great! I’m very proud that we flipped the script. I think not only has Moon Girl stood on her own as a new character, she’s actually raised awareness and appreciation for Devil Dinosaur. Of course, that’s a very small claim compared to Kirby’s original contribution to popular characters!

In the next Kirby 100 installment, Brandon Montclare will discuss the finer points of near annihilation as we focus on the very first Galactus story in FANTASTIC FOUR #48-50.

Stay tuned to Marvel.com for more throughout Kirby Month and beyond! And join the conversation on all of our social channels with the hashtag #Kirby100.

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