The writer details the new iteration of Earth's Mightiest Team!

Written by Jess Harrold

The old order changeth once again—for a bold new era! And it doesn’t come much bolder than the creative team of Jason Aaron and Ed McGuinness putting together one of the mightiest Avengers rosters ever seen! Here, Aaron talks about his plans for the book—including building on ideas he introduced in MARVEL LEGACY #1.

Marvel: So with you writing, the incredible Ed McGuinness on art and a spectacular lineup, there’s no doubt about it: this is one blockbuster book! What can fans expect?

Jason Aaron: Coming into this, we wanted it to feel big and epic—like a huge Marvel event, every arc. So I wanted a lineup of all big, iconic characters. Some of them you’ve seen as Avengers—like Steve Rogers, Tony Stark, and Thor Odinson—but for the first time in years, the “big three” are back together. There’s also some characters we’re not used to seeing. Ghost Rider, I guess, is the big surprise, and it’s cool for me getting back to writing Ghost Rider again.

Marvel: And Captain Marvel and Black Panther make for a big five! There’s been a lot of conflict between these characters in recent years. How well are they all going to cope with working together again?

Jason Aaron: Well it’s not necessarily a “snap your fingers, and it’s done” kind of thing. The first arc is really about the hardships of putting that band back together. It’s very much a team drawn together for very specific reasons, instead of just Steve Rogers calling people in his Rolodex. The circumstances of this threat are really what bring these characters together. They are drawn into this battle for very specific reasons, which only become evident as that arc rolls on—and then continue to play a part going forward. Some of that clearly links back to the prehistoric Avengers introduced in MARVEL LEGACY #1. You will see them again in this arc, and they will be a part of the series going forward.

Marvel: Will you be adopting a similar multi-timeline approach to the one we’ve seen in your THOR run?

Jason Aaron: Yep, absolutely. In this first arc, the roots of the Celestial threat the Avengers are facing go back to those prehistoric days with Odin. But we will come back between arcs and do issues focusing on that group and those prehistoric characters. We will learn more about them as we go forward, get to see them in action in the past and see the ways their adventures connect to the present day.

Marvel: Another stalwart Avenger on the roster is Jennifer Walters—but is she She-Hulk or Hulk? And what can fans expect from her on the team?

Jason Aaron: Yeah, I’ve just been calling her “Hulk” in the book. It is the same Jen Walters we’ve seen in recent issues of her own series so we definitely continue on from that. But this story also changes things for her and takes her in a bit of a different direction. We switch around her powers a little bit and try to differentiate her more from her cousin. What is exciting me is to see Ed McGuiness draw the Hulk again!

Marvel: As for the new guy you mentioned—we know you know a thing or two about Ghost Riders, but what do you like about Robbie Reyes?

Jason Aaron: He’s a great entry-level character for the Avengers; he is still very much a new kid on the block. He doesn’t really know these characters and has not been a part of something quite like this. You know his life has been pretty crazy in its own right since he became the Ghost Rider, but this really takes things up a notch. We get to see him level up in terms of his power. He is unlike any of the previous Ghost Riders so we will continue to explore what that means and exactly what he is capable of. Also, the more I write it, the more I love the idea of having a guy in the Avengers who drives a car. He just goes driving into battle in the Hell Charger. I love that, and I love the way Ed’s drawing him.

Marvel: Another character you have history with is Doctor Strange, who is on the team at least to begin with, right?

Jason Aaron: He pops up initially in a different sort of team-up. He and Black Panther are investigating something that pulls him into this bigger mystery. Strange plays a big part of this first arc, but you kind of have to wait and see after that who sticks around. I don’t want to specifically have a cast too large, but I think we will have at least one slot rotating—have a character join for a couple of arcs, and then somebody else takes the pledge. There’ll be some old familiar faces and some we’re not used to seeing in the pages of an Avengers comic.

Marvel: You mentioned the Celestial threat, the ominously named Final Host—they seem like a great fit for Ed’s bombastic style.

Jason Aaron: Absolutely. We see a lot of different Celestials over the course of the story—some classic ones, some all-new designed by Ed, which look amazing. Ed is also so great at conveying the feel of something like this: our Avengers against giant space gods who are thousands of feet tall. How can the Avengers go toe-to-toe with characters who are that powerful? That’s the challenge they face right there out of the gate.

Marvel: And it all begins with a Free Comic Book Day issue featuring another stellar artist, Sara Pichelli, correct?

Jason Aaron: Yes, it’s sort of a direct lead in to AVENGERS #1. It’s mostly a story about Black Panther and Odin—a meeting of the king of Wakanda and the All-Father of Asgard, which again kind of stretches back to those prehistoric Avengers and plants the seeds for the Celestial threats the Avengers will face. And it’s free!

Marvel: And from there, the main series is set to really blow everyone’s socks off.

Jason Aaron: Yeah, I want this to be a book that issue to issue gives you a look at the entire Marvel Universe. So we will travel the globe, we will cross the galaxies, we will go to all the different hot spots of the MU. If you are only reading one Marvel Comic—not that you should just read one Marvel Comic—this book will give you an idea of what the entire breadth of the Marvel Universe looks like right now at this moment in time.

AVENGERS #1 by Jason Aaron and Ed McGuinness is on sale May 2!

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It’s all been leading to April 27!

There was an idea, to bring together a group of remarkable people, to see if we could become something more.

We’re nearing the April 27 release of “Avengers: Infinity War”! Last week, Marvel Studios revealed five character posters. Now, they’re back with 22 mighty posters spotlighting each of our impressive super heroes ready to take a stand against the threat that is Thanos!

Leading the gallery above is the first Avenger (and birthday boy) himself, Robert Downey Jr. as Iron Man! See the rest of the Avengers and their super allies — Zoe Saldana as Gamora, Chris Evans as Steve Rogers/Captain America, Chris Hemsworth as Thor, Benedict Cumberbatch as Stephen Strange/Doctor Strange, Scarlett Johansson as Natasha Romanoff/Black Widow, Tom Holland as Peter Parker/Spider-Man, Chadwick Boseman as King T’Challa/Black Panther, Karen Gillan as Nebula, Chris Pratt as Peter Quill/Star-Lord, Elizabeth Olsen as Wanda Maximoff/Scarlet Witch, Sebastian Stan as Bucky Barnes/Winter Soldier, Mark Ruffalo as Bruce Banner/Hulk, Letitia Wright as Shuri, Bradley Cooper and Vin Diesel voicing Rocket and Groot, Paul Bettany as Vision, Danai Gurira as Okoye, Dave Bautista as Drax, Anthony Mackie as Sam Wilson/Falcon, Pom Klementieff as Mantis, Don Cheadle as James Rhodes/War Machine, and Benedict Wong as Wong.

“Avengers: Infinity War” opens in theaters on April 27. Get tickets on Fandango now! Stay tuned to Marvel.com, follow @Avengers on Twitter, and Like “The Avengers” on Facebook for the latest on the Avengers as it develops!

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Big announcements at WonderCon 2018!

Marvel Animation panels are always a packed house thanks to continuing storylines for our favorite heroes, and new and interesting art styles that fans love to see. This year’s WonderCon panel was no exception, as fans waited excitedly to see what would be revealed during Marvel Animation: From Pencil To Screen.

The crowded panel room were welcomed by Cort Lane, Marvel’s SVP, Animation & Family Entertainment, who lead a panel featuring Kalia Ramirez, Director, Family Entertainment – Development & Partnerships; Harrison Wilcox, Senior Director, Television, Development & Production; Eric Radomski, SVP, Production & Creative Director, Animation; Jeff Allen, Supervising Director; Mairghread Scott, writer and story consultant; and Collette Sunderman, Voice Director, “Marvel’s Spider-Man.”

First up was big news for fans of “Marvel’s Avengers,” Lane described season five as a Black Panther story and is thusly titled, “Marvel’s Avengers: Black Panther’s Quest.” Along with the addition of this new hero comes a design change that simplifies the style and conceptualizes a brand new look. The new style reflects T’Challa’s sleek fighting style that sets a new tone for the production design.

James Mathis continues to voice T’Challa and the big reveal was that his sister Shuri will be voiced by Daisy Lightfoot. Recording as an ensemble to voice the Wakandan siblings reflects the core of the season where togetherness reigns as Black Panther must battle an old foe, the Shadow Council.

Fan-favorite “Marvel’s Guardians of the Galaxy Mission: Breakout!” integrates the Guardians with the Disney California Adventure Ride attraction and the fallout of dealing with the Collector. Scott teased this season the Guardians will quite literally get to explore the galaxy even more, including further exploration of the Symbiote storyline. Expeditions into different dimensions also brings about the possibility of changing animation styles.

Marvel Funko Shorts have always been a hit with fans, and at the panel the audience was treated to the premiere viewing of the new short, “Rooftop Rock,” which features Spider-Gwen and Marvel’s most popular villain, Venom.

The Marvel LEGO collaboration brings toys and animation together and the panel was the perfect opportunity to announce the voice cast for “LEGO Marvel Super Heroes – Black Panther: Trouble in Wakanda.” James Mathis III returns to his role as T’Challa/Black Panther, along with previously announced Daisy Lightfoot as Shuri. The cast is rounded out with Keston John (Killmonger), Yvette Nicole Brown (Okoye), Trevor Devall (Klaw), Mick Wingert (Iron Man), Travis Willingham (Thor), Roger Craig Smith (Captain America), Laura Bailey (Black Widow), Liam O’Brien (Doctor Strange), Issac C. Singleton Jr. (Thanos), and the ever popular Fred Tatasciore (Hulk).

The biggest cheer of the panel was the announcement of “Marvel Rising: Secret Warriors.” Fans were so excited, cosplayers already appeared on the show floor with fully detailed costumes, with little to no information to go on. The six four-minute digital shorts will be accompanied by a feature length animated film to be released later this year.

The content features an all-star lineup of voice talent, Dove Cameron (Ghost Spider), Chloe Bennet (Quake), Tyler Posey (Inferno), Booboo Stewart (Exile), Kathreen Kavari (Ms. Marvel), Milana Vanytrub (Squirrel Girl), Cierra Ramirez (America Chavez), Kamil McFadden (Patriot), Skai Jackson (Gloria), Kim Raver (Captain Marvel), Ming-na Wen (Hala), Steven Weber (Captain George Stacy), and Dee Bradley Baker who takes on the voices of Lockjaw & Tippy Toe.

Lane emphasized the inclusivity of Marvel, “It’s meant for all kids but we’re particularly excited to bring together these new and very exciting characters that have already sort of garnered big fan attention for years.”

“There are so many strong, interesting, and diverse female characters—body types, great personalities, individual strengths, so we’re so excited about that,” said Lane enthusiastically.

For all the Marvel Animation updates, keep it on Marvel.com. Don’t forget to subscribe to Marvel HQ on YouTube for full episodes and more: www.youtube.com/MarvelHQ

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Get a glimpse on the storytelling elements from balancing tones to collaborations and more.

How do you approach the behemoth that is Marvel Studios’ “Avengers: Infinity War” — a film with ten years of baggage with different storylines, different visions, different tones, to honor? How does a storyteller divide screen time among  40+ major players who are at different stages of their journeys and continue to engage and surprise viewers? The challenge and weight of what this film means to many is not lost on “Avengers: Infinity War” directors Anthony Russo and Joe Russo.

As we continue unveiling everything we learned during last summer’s set visit, we couldn’t think of two better people to get a look at the magnitude of the biggest cinematic production ever assembled than those who are helming the film — the Russo Brothers. Not only were the Russos tackling “Avengers: Infinity War” and the untitled fourth “Avengers” film simultaneously, they had to contend with the finishing of James Gunn’s “Guardians of the Galaxy Vol. 2” and Taika Watiti’s “Thor: Ragnarok,” with the concurrent production of Ryan Coogler’s “Black Panther,” start of Peyton Reed’s “Ant-Man and the Wasp,” and planning for “Captain Marvel.”

The Russos entered the Marvel Cinematic Universe as storytellers with “Captain America: The Winter Soldier” joined by screenwriters Christopher Markus and Stephen McFeely. The team went on to tackle higher stakes with “Captain America: Civil War.” Not to be outdone, they’re now tackling 20-some heroes, multiple locations, six Infinity Stones, and the baddest/most powerful villain our heroes have ever encountered—Thanos, with the next “Avengers” installment. The Brothers shared insight on their approach to the characters, the complications of putting together a project of this scale, and dropped some insights during our intimate set visit.

[Note: This interview has been edited for clarity.]

How “Avengers: Infinity War” Kicks Off

“Avengers: Infinity War” is two years following “Captain America: Civil War.” According to Anthony, “Infinity War” is a “direct corollary to the end of ‘Civil War,’ and our heroes will be heading into this film “with the ramifications of that film at the forefront of this film.”

Continuing, “[‘Infinity War’] is very much about how we move forward from ‘Civil War’ in a big way, and what happens to that division between the Avengers and how does that affect them. What does that mean when the greatest threat they’ll ever face comes to them.”

Despite the two years following “Civil War,” the Russo Brothers have a storytelling philosophy where make sure to “keep any big moments of the characters’ lives on camera.”

We know Cap’s team of Avengers find their way to Wakanda seeking aid from King T’Challa. Joe explained the fortified country is the most “logical place for anyone seeking refuge.”

Meanwhile, Tony Stark has to deal with the consequences of his choice to side with the Sokovia Accords. Our directors haven’t forgotten young Peter Parker. “They basically have a unique mentor/mentee relationship that continues to evolve as they move into this film,” shared Anthony.

With the Guardians, the directors acknowledged the film picks up 5-6 years following “Guardians of the Galaxy Vol. 2.” The Guardians have had a chance to deepen their relationships with each other where the Avengers haven’t had that chance.

“They’re closer, and they’re tighter, and they’ve been doing it for a while,” said Anthony. “They’ve cemented their chemistry as a team. And they would stand in contrast with the other teams. Potentially.”

They’re thrilled at the chance to take on Thor and lean into his profound experience during “Thor: Ragnarok.” As for Hawkeye, the Russos confirmed he’s on his own journey in this film.

The Directors’ Approach to the Tone and Characters, and their Collaboration with Past Filmmakers

“It’s been a personal journey for us as filmmakers from ‘Winter Soldier,’ of a theme set in that movie that we then tried to expand upon in ‘Civil War,’ that then led to Infinity War,” shared Joe Russo. “It’s how we feel about the characters, as comic book fans, the story that we want to see.”

“It’s not only a culmination of the last ten years of Marvel storytelling, but for us, it’s a culmination of our journey as directors to the Marvel Universe,” added Joe. “Having at our disposal all of those characters and allowing ourselves to re-filter them through the way that we see the universe, the way that we feel about the characters, the themes that we really want to bring to the forefront, that’s what these two movies are for us.”

“Everything’s always got to be character based,” proclaimed Anthony. “If we’re sitting in the editing room, watch the sequences for more than 20 seconds without a character having a point of view or moving the action forward, my brain just shuts down. The action for us, it’s always character based.”

In addition to screenwriters Markus and McFeely, the Russos credited the team there were able to work with the past films, including effects supervisor Dan Deleeuw, editor Jeff Ford, DP Trent Opaloch, and stunt coordinator Sam Hargrave, to achieving the complex and ambitious nature of “Infinity War.”

It was important for the Russos to honor the journeys and approach the other MCU filmmakers took their characters on, but also make it work with the film they were creating. As Joe explained, the “Russo Brothers-execution” was filtering what others have done “through our very personal expression of them as characters.” Anthony acknowledged, “Everyone is interwoven in this plot in a way where they have an emotional connection to the story…. You can’t tell a movie with this many characters and not have each of those characters show up and honor them from the different franchises if they are not motivated to be there. If there are not in life or death circumstances. If they are not fighting to save their belief system or way of life.”

The Russos equated the MCU process as similar to how comic book stories evolve and involve several comic creators. “[We] found repeatedly that the best and only way for us to move forward is to receive that information, and keep what we like, and explore what we like, and exploit what we like, and tell the story that we want to tell. The same way you do in a comic run when you’re reading it, you go, ‘I want to see someone else’s point-of-view on that.’ That’s what Marvel’s done really well, bringing in a lot of different voices to execute the films.”

It’s safe to say everyone in the Marvel Universe had been involved. During the preparation and production of the third and fourth “Avengers” films, the Russos had the opportunity to collaborate closely with James Gunn, Taika Waititi, Scott Derrickson, Peyton Reed, Ryan Coogler, and producer Nate Moore. With the Marvel Universe progressing in different courses simultaneously and at the time, not yet completed, the Russos adopted a “real collaborative united artists approach” to ensure they were sensitive to the other stories and sharing those elements.

The Sources and Influences

Mark Ruffalo previously alluded to how THE INFINITY GAUNTLET informed the film, but there are clear deviations. Joe further elaborated on the comics source: “Certainly the Starlin book was our jumping off point. It’s a brilliant comic, and the ideas behind it are so large, it’s what pushed us to go for the scale that we’re going for on these movies.”

Joe continuing, “Anth and I love the post-modern comics. We’re also drawing from newer INFINITY stuff, and we’re kind of combining it all into…how do we see elements from each helping the story that we want to tell.”

In addition, the Russos were inspired by ensemble 90s crime films, and the two films that they look to for inspiration in relation to narrative imagery were “Two Days in the Valley” and “Out of Sight.”

“These movies are so complex you need a unifying peace, or a sense of cohesion, and that cohesion can come from a narrative construct that you can apply all the characters to,” explained Joe Russo.

Thanos (Josh Brolin)

Thanos

True Believers, you’ve never seen a more formidable antagonist in the MCU like the Mad Titan, and he’s on a destructive mission to collect all the Infinity Stones no matter the stakes.

“This movie is catalyzed by Thanos’ decision and an opportunity for him to make a very aggressive move for the stones, a more effective move for the stones than he has ever in the past,” revealed Anthony. “When Thanos decides to do it, he really goes for it. He’s one step ahead of our heroes through the movie and he puts them through a lot of pain in the process.”

“Our job with Thanos is to make him the preeminent villain in the Marvel Universe,” added Joe. “In order to be a preeminent villain, you have to do some pretty bad things.”

The Russos stressed that the Infinity Stones are the “bedrock of the film” — “the key driver.”

Prepare Your Hearts

On the subject of Thanos, several of our heroes wield/guard the Infinity Stones putting them in directly in the path of Thanos, elevating the emotional weight. When asked about the invincibility of our heroes, Joe quickly teased, “I’m sorry.”

Acknowledging that every character is someone’s favorite character, Anthony explained, “We like mature storytelling. We like dramatic storytelling. We like intense storytelling. We appreciate conflict, and we appreciate stakes. And without stakes, there really isn’t a lot of value to the story. If you look at the Marvel Universe as a whole, as a story that’s been told for 10 years, you can look at [‘Infinity War’] as the climax. The stakes will be higher in this movie than they’ve ever been, times ten.”

Once the dust settles, we can expect the Avengers to see major casualties as they protect the universe and all of existence from Thanos.

Topping the “Civil War” Airport Fight Scene

“We have an equivalent that’s like if you had a comic book, and you open it up to your double panel, and then you fold it out. And then you fold it out again and again,” said Joe Russo.

Anthony Russo adding, “And you have another comic book laid out next to it.” “So we have the equivalent of that in this movie,” continued Joe Russo.

Hinting at the Untitled Fourth “Avengers” Film

The Brothers on the new challenge of shooting two MCU films at the same time: “Our approach has always been how we look at the project. It’s simply the same thing in the way that the ‘Winter Soldier’ related to ‘Civil War,’ and the way that ‘Civil War’ relates to ‘Infinity War.’ These two movies will also relate…but at the same time, there’s an independence in terms of what the experience is or where the story goes. It isn’t a true two-parter…. It ended up being more of two singular expressions.”

“We always try to make each film different so they don’t get repetitive,” said Joe. “This kind of serialized storytelling…. You have to keep evolving who’s at the forefront, how you’re laying the story out because rigor mortis will set in very quickly. Each character…can shape and color and re-tone an entire film depending on who you’re following. We find them as exciting as complex and inspiring and heartbreaking, and we believe that there are real emotional stakes. This is exactly the kind of movies we aspire to and exactly the kind of movies we look for as film goers in a theater.”

It’s safe to say that we’ve never seen anything like “Avengers: Infinity War.” Closing out the visit, Joe remarked, “If you were to think of the Marvel Universe over the last ten years of the book, this is the ending of the book. There may be new books written, but this is certainly the ending of this book.”

“Avengers: Infinity War” opens in theaters on April 27. Stay tuned to Marvel.com, follow @Avengers on Twitter, and Like “The Avengers” on Facebook for the latest on the Avengers as it develops!

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Jason Aaron and Mike Del Mundo take the helm!

This June, the Odinson regains his mantle.

THOR #1, written by Jason Aaron with art by Mike Del Mundo, sees the start of a new mission for the God of Thunder. The artifacts of Asgard have been scattered across the Earth, and to reclaim them, Thor will have to face some ugly truths…Like the production cost of hundreds of new hammers! And he’ll need every last one of them if he’s going to stop the unstoppable when none other than the Juggernaut joins the fray.

Emerging from his landmark run on MIGHTY THOR, Jason Aaron is ready for this fresh take: “On the one hand, I still feel like I’m writing the same Thor story that began six years ago in the pages of THOR GOD OF THUNDER #1. But at the same time, GOD OF THUNDER had a very different look and feel and focus than Jane Foster’s story,” he explains. “And even though Thor Odinson is now reclaiming his mantle, this new volume will also be going in a very different direction. Thor has a completely new status-quo. Actually the entire landscape of his corner of the Marvel Universe has been changed in the wake of the ‘Death of the Mighty Thor’ arc in MIGHTY THOR. But there’s still a War of the Realms raging, and Thor isn’t looking to stand on the sidelines.”

Thor #1 Cover by Mike Del Mundo

The writer continues, “The thing I’m most excited about though is getting to work with Mike Del Mundo again. I loved the beautiful craziness he brought to the page when we did WEIRDWORLD together, and things are even wilder and more beautiful here. There just aren’t many artists in comics today whose work I love and admire more than Mike’s, so I feel incredibly fortunate to be launching this new direction for Thor with Mike by my side.”

And Del Mundo is ready for the action as well: “I’m super excited about this new journey! Working with Jason on WEIRDWORLD was so much fun and badassery and I’m getting that same excitedness and feels with this new THOR series—with added thunder!”

Prepare for THOR #1, by Jason Aaron and Mike Del Mundo, on June 13! And stay up-to-date with all the exciting news coming from Marvel Comics at marvel.com/marvel2018comics!

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Jason Aaron, Russell Dauterman, and Matt Wilson say farewell to The Mighty Thor.

Somewhere in Kansas, Jason Aaron sits alone in a room talking to action figures.

Jane Foster and the creature called Mangog, the central characters of the climax of his seminal series, MIGHTY THOR #705—out March 21—stand on opposing sides of his office. Jane says something inspirational and defiant; the Mangog spits and roars. Jason hears them, and writes.

“These characters speak to me; I’m just a vessel for them,” he explains. “This Jane Foster Thor statue just stands there looking at me as I write. And my Kirby-style Mangog statue as well. He’s been there for years.”

It’s something he’s been doing since childhood—talking to characters, making them clash, telling their stories. The only difference between the stories he imagined as a kid and the ones he dreams up today is that now thousands of people are watching what he does in the sandbox. And though the anticipation for the penultimate issue of Jane Foster’s story is at a fever pitch, he maintains a sense of youthful appreciation for the work: “Not only do I get to write these characters—not only do I get paid for it—but then I get to see them brought to life by some of the best artists working today.”

Common consensus has emerged that this run of MIGHTY THOR will go down as an all-time great. And forging the story alongside Aaron, since issue #1, has been artist Russell Dauterman and colorist Matt Wilson.

Since the series began, Dauterman’s dexterity has allowed readers to jump page-by-page between heartbreaking emotion and heart stopping action—between Jane’s solitary moments staring at a chemo drip and the War Thor defending Asgardia from a monster comprised of a billion angry souls. Those lines, combined with Wilson’s colors—from the anemic halogen lights of hospital waiting rooms to shimmering fragments of a shattered Rainbow Bridge—have matched Aaron’s poetry every step of the way.

“Jason’s scripts for this arc have been incredible. They’re big, bold, and really moving. I’m trying to capture all of that and have it seep into every bit of the art,” says Dauterman. “I drew my first Jane Foster Thor nearly four years ago, and I had no idea the impact the character would have. I think a lot about all the people who’ve written to say what Jane means to them. I really want to do right by those folks with the finale, and to do Jane justice.”

Via their seamless, stellar work, Aaron, Dauterman, and Wilson have formed their own Warriors Three (Jason would be Volstagg, because beard)—an inseparable force committed to Thor’s cause. “It’s not often that creators get to work on longer runs in super hero comics these days, or even stick together as a creative team,” Wilson says. “We’ve been very fortunate to have all this time together, to tell this story.”

Jason’s been in conversation with Jane Foster for years. And though she advises him on every panel and page, he’s been steering the series to a definitive point since the very beginning. “This is a story I’ve been waiting to write for literally years,” he says, “I’ve always known that this is where Jane ends up.” A worthy end awaits the Mighty Thor.

The final story arc, titled “The Death of The Mighty Thor,” began in the landmark issue #700. And the emotion present in all Jane Foster Thor stories extends beyond the page. “Saying goodbye is going to be rough. I did the layouts for issue #706 recently, and the finality of everything really hit me. I’ve never been so emotional when drawing layouts before,” recalls Dauterman.

And Aaron, the master of Jane’s fate, agrees. “This was the first time I ever cried as I was writing. I was surprised by it. And it happened again as I received the art for these issues.” Time is winding down for this unlikely hero. The creators, and Jane Foster herself, know what’s coming next.

In issue #703, Doctor Stephen Strange, standing beside the hero’s hospital bed, put the situation in plain terms: “If you change into Thor…Even one more time…There will be no coming back. Jane Foster will die.”

“It’s been spelled out to her,” says the scribe. “She can fight her cancer as Jane, or pick up the hammer one last time… To save the gods.”

And she does. At the conclusion of the latest issue, Jane Foster took hold of Mjolnir again. Just like the statue that observes Jason as he writes—with the ancient mallet in her right hand—there was no other way this story could end.

Since issue #1 in November 2015, Jane Foster has proven herself worthy. And she’ll prove it once more as she looks to save the gods from destruction; from the Mangog on the other side of Jason’s office. A battle for the ages arrives in issue #705, the penultimate story of a series already known as a modern classic.

“My name is Jane Foster,” the Mighty Thor concludes, “And if this is the story of how I die… Then know that it won’t end without one hell of a fight.”

Read MIGHTY THOR #705, by Jason Aaron, Russell Dauterman, and Matt Wilson, on March 21.

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Russell Dauterman sinks his teeth into the Walking Hatred!

On January 17, the walking, talking manifestation of the combined hatred of a billion minds wages war on Asgardia.

One of Thor’s most powerful opponents rears its head in writer Jason Aaron and artist Russell Dauterman’s MIGHTY THOR #703…and the beast’s name alone shakes the very firmament of the Nine Realms: Mangog.

Mangog’s strange stature as a vessel for alien consciousness elevated him to near godlike levels of power, making the creature nearly unstoppable. Having debuted in 1968’s THOR #154, each appearance of the Stan Lee and Jack Kirby creation has made for a true event in the history of the God of Thunder.

We checked in with Dauterman for a little insight into Mangog’s visuals before the stuff hits the fan.

Marvel.com: Russell, what do you love most about Jack Kirby’s original design for Mangog?

Russell Dauterman: I love how super weird it is! Kirby’s Mangog really looks monstrous and foreign and unlike anything you’d see in real life. The proportions also help make Mangog feel like an otherworldly creature. I especially love his mouth and his teeth. The proportions are so great.

Marvel.com: What did you want to bring to the design with this run in MIGHTY THOR?

Russell Dauterman: I wanted to keep that wonderful weirdness that the Kirby design has, but to update it with a more visceral feel. Mangog is a being born out of rage, and this fight is so emotion-filled. I made some elements of his design a little more organic to help convey that.

Marvel.com: What sorts of scenes do you love drawing for Mangog the most?

Russell Dauterman: Jason Aaron’s made a point to distinguish Mangog’s fight scenes from ones he’s written in other scripts—these feel particularly brutal. Since Mangog is a more monstrous villain than we’ve had before, I’m getting the opportunity to let loose and depict some more savage stuff.

Marvel.com: What else do you really dig about Jason’s take on the character?

Russell Dauterman: I really love the unbridled rage that Jason’s writing for Mangog. We’ve had serious threats for Thor over the past few years, but none where the villain was so bloodthirsty and brutal. Jason writes a truly terrifying Mangog, and I’m trying to bring that through in the art.

Read MIGHTY THOR #703, by writer Jason Aaron and artist Russell Dauterman, on January 17!

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There are a ton of familiar Marvel faces to encounter on the Disney Magic.

Brand-new to the Disney vacation experience, Black Panther joined the collection of Super Heroes aboard the Disney Magic for Marvel Day at Sea.

When he’s not showing off his mastery of unarmed combat skills during an epic battle at sea, Black Panther is inspiring young guests with his superhuman strength and intellect.

The mischievous Loki also made his debut to the Disney vacation experience during Marvel Day at Sea. He may even charm you like only the God of Mischief can. That is, when he isn’t resenting the shadow of his half-brother, Thor.

Even Spider-Man needs to relax after showing off his super strength and agility, and of course there’s no better place to do that than a Disney cruise.

You may also find Doctor Strange teaching kids how to create portals to other worlds…

Black Widow and Hawkeye inspiring them to unleash their inner super hero…

Or Captain America embodying honor, integrity, courage and trustworthiness.

Black Panther and Spider-Man are two of the Marvel heroes you are guaranteed a time to meet and take photographs with during the cruise. Before you even step onboard, you have the chance to reserve time with these characters and more under the My Disney Cruise section of www.disneycruise.com.

Marvel Day at Sea returns to the Disney Magic in January on select sailings from Miami through April. If you’re joining the fun, be sure to share photos of your heroic encounters with #MarvelDayatSea.

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Thor tackles two powerful foes for the very first time!

1917 to 2017: 100 years of Kirby.

Join us to celebrate Jack “King” Kirby’s 100th birthday by learning about the characters and stories he created that changed comics forever. To commemorate Jack’s centennial, we’ve sat down with the modern-day creators he influenced—and the decades of work he gifted us all.

Coming up with villains who could give a powerhouse like Thor a run for his money had to have been a challenge for Jack Kirby and Stan Lee as they shepherded the character along from his first appearance in JOURNEY INTO MYSTERY #83. With 1964’s JOURNEY INTO MYSTERY #105106, they teamed up an unlikely duo who nearly defeated the Odinson!

In that story, Mr. Hyde and Cobra—who first appeared in issues #99 and #98 of the series respectively—met only after the serpentine villain fought Thor effectively with his Serpent’s Sting and Cobra Cable equipment. Knowing he shouldn’t press his luck, though, the thief ducked into a window that belonged to none other than Dr. Calvin Zabo. Sensing an intruder, the mild-mannered scientist downed a formula and quickly turned into Mr. Hyde! During the ensuing and inevitable fight between the two rogues, they came to realize they shared an enemy in a certain Thunder God and decided to team up against him!

First, the bad guys realized they needed to find Thor, so Hyde whipped up an invention called The Time Reversal Ray. After zapping someone with it, the device projected the individual’s past up on the wall for all to see. They then staged a crime that Thor responded to and soon discovered a connection between the Avenger and Dr. Donald Blake! The depraved duo then smashed their way into Blake’s office where he stood without mighty Mjolnir disguised as his humble cane. They also grabbed Jane Foster, returning to the office after ditching her date. Blake tricked them into averting their eyes and tapping the cane, which transformed him into Thor while they weren’t looking.

Journey Into Mystery (1952) #105

Journey Into Mystery (1952) #105

  • Published: June 10, 1964
  • Added to Marvel Unlimited: January 01, 2000
  • Penciller: Jack Kirby
  • Cover Artist: Jack Kirby
What is Marvel Unlimited?

Surprised by their foe’s quick appearance, the villains made a break for it, enacting a plan B that saw Cobra slither to safety while Hyde led his quarry into the Colosseum where people flooded in and out for the Heavy Machinery Show. Unable to throw his hammer for fear of hurting innocents, Thor did his best to stop the brute’s rampage. Taking advantage of the Thunderer’s divided attention and a nearby Atomic-Powered Hydraulic Hoist, Cobra snatched Mjolnir right out of the air and deposited it into the machine’s steel-lined storage compartment!

With Thor separated from his hammer, our hero only had 60 seconds before reverting to Don Blake, and found himself facing two oncoming attackers with hatred in their eyes. With less than a minute to go, the Mighty Avenger flipped the villains on their ears and took advantage of the fleeing crowd to cover his transformation back to human form. As the police arrived outside, Blake realized that he could not get into the hoister’s storage container alone, so he tricked Hyde and Cobra into liberating it for him. He then made off into the crowd to once again change into his alter ego.

Returned to his full strength and none-too-pleased at how he’d been treated previously, Thor quickly engaged in fisticuffs with his foes, knocking Cobra for a loop and then exploding a machine near Hyde. The latter took the time to turn into Zabo, thinking it would facilitate his escape while the cops seized Cobra, but he just couldn’t let his grudge go and transformed back into Hyde to attack Thor. However, without his slippery partner around to distract the Thunder God, our hero made short work of the miscreant.

Stay tuned to Marvel.com for more throughout Kirby Month and beyond! And join the conversation on all of our social channels with the hashtag #Kirby100.

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Thor gets caught in a war between Ego and the Devourer of Worlds!

1917 to 2017: 100 years of Kirby.

Join us to celebrate Jack “King” Kirby’s 100th birthday by learning about the characters and stories he created that changed comics forever. To commemorate Jack’s centennial, we’ve sat down with the modern-day creators he influenced—and the decades of work he gifted us all.

Ever since the dawn of comic books, readers have spent hours, days even, discussing what it would be like if their favorite characters met and what would happen in the ensuing fight. Fans themselves, Stan Lee and Jack Kirby actually got to make those dreams a reality as they continued building the Marvel Universe throughout the 60s. In THOR #160161, two incredible powers came into conflict for the first time: The God of Thunder and Galactus.

The issue from 1969 began with Tana Nile landing on Earth in hopes of drawing Thor out and requesting he return to Rigel with her to stop an unnamed, but grave menace, to which he agreed. Meanwhile, in Asgard, Odin interviewed The Recorder as Sif burst into the throne seeking leave to travel alongside her beloved Thor. Odin denied her, but did not stop the Rigellian robot from returning home.

Back on Nile’s ship, Thor’s journey came under siege as a lone but incredibly powerful Taurian crashed through the hull, demanding the crew cede control of the vessel. Upon losing the fight, the alien asked for mercy and explained that he’d lost his mind, just for a moment, because of the destruction Galactus wrought on his planet. Between that and seeing the results of the Devourer of Worlds’ most recent meal outside the ship, The Odinson vowed to punish The Planet Eater.

Thor (1966) #160

Thor (1966) #160

  • Published: January 10, 1969
  • Added to Marvel Unlimited: May 21, 2009
  • Penciller: Jack Kirby
  • Cover Artist: Jack Kirby
What is Marvel Unlimited?

While Recorder and Thor reunited on Rigel and left to find Galactus, the cosmic entity had come upon an unforeseen enemy in the form of Ego, the Living Planet! Their battle of might and mayhem proved strong enough to destroy the craft carrying Thor and his ally, leaving them seemingly stranded until the Wanderers swooped in to save the day. This group of survivors from the first planet Galactus consumed made it their mission to see their tormentor sated forever, one way or another.

As our heroes healed from the frigid vacuum of space on the Wanderers’ ship, Kirby treated us to a must-see confrontation between Ego and Galactus. In addition to the huge, bold traditional art “The King” created with apparent ease, we also got to see another of those amazing collages he dreamed up. Wishing to end the madness, Thor thrust mighty Mjolnir into the fray. Flying true, the mystic mallet found its target, smashing into Galactus and reminding the gargantuan what physical pain felt like. The Thunder God then took the fight directly to his foe, walloping him in the head with his trusted weapon.

Though The Recorder and the Wanderers all assumed that they’d been soundly defeated, Thor mounted Mjolnir to a device built on Ego to turn it into a kind of cosmic cannon. Calling upon the strength and power of Odin, his prodigal unleashed enough power to severely damage Galactus, sending him away to heal and continue his never-ending mission of sating his hunger. With their shared enemy defeated, Ego and the Wanderers became allies for a time as the living planet created a lush living place for the group on his surface and offered it as their home and sanctuary.

Stay tuned to Marvel.com for more throughout Kirby Month and beyond! And join the conversation on all of our social channels with the hashtag #Kirby100.

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